Baddies On The Ground: A Gallery Of Fly Girls, Queen Muvas & Viral Stunners Who Slayed At Essence Fest 2025
The baddies were on the ground at this year's energy-elevating Essence Fest where culture collided with community at the star-powered spectacular in the heart of the Big Easy.
Surrounded by stunners, attendees were treated to every of flavor of eye candy from Coco Jones to Keke Palmer who brought her hit podcast Baby, This is Keke Palmer to the Essence main stage for a special live-taping.
Joined by golden-penned Grammy-winner/reality star Kandi Burruss, Keke delivered her signature brand of hilarity while vibing with her hitmaking guest in front of an overflowing crowd in the convention center.
Source:for ESSENCE
Source:for ESSENCE
Source:for ESSENCE
The multi-jobbed maven also dropped an exclusive clip of her upcoming comedy-heist film The Pickup starring Eddie Murphy and Pete Davidson coming to Prime Video on August 6.
In The Pickup, mismatched armored truck drivers, Russell (Eddie Murphy) and Travis (Pete Davidson), find themselves caught up in Keke's $60 million casino robbery plot with plans that go way beyond the cash cargo.
Source: Amazon MGM Studios
As chaos unfolds around them, the unlikely duo must navigate high-octane danger, clashing personalities and one very bad day that keeps getting worse.
Check out the trailer below:
Directed by Tim Story ( The Blackening , Ride Along , and Barbershop ), the surefire streaming hit also stars Eva Longoria, Marshawn Lynch, Joe 'Roman Reigns' Anoa'i, Andrew Dice Clay, and Ismael Cruz Córdova.
'He's an icon,' said Story about working with Murphy during an appearance on The Jennifer Hudson Show .
'We hear a lot about comedians talking about how much he's made an impact on them, [but] sometimes you don't hear how he's impacted filmmaking…he's a big reason why I make the movies I make.'
Will you be seated for The Pickup ? Tell us down below and enjoy our gallery of fly girls, queen muvas and viral stunners who slayed Essence Fest 2025 on the flip.
https://instagram.com/p/DLv_IvOOFWc/?img_index=1
https://instagram.com/p/DK-j26oBBCK/?hl=en&img_index=1
https://instagram.com/p/DL4_DHbR_H3/?hl=en&img_index=1
https://instagram.com/p/DL1KBQHtsiy/?img_index=1
https://instagram.com/p/DLx8JKGy8jD/
https://instagram.com/p/DL2XWK7gOz8/?hl=en&img_index=1
https://instagram.com/p/DL2WiYPM0H9/?hl=en&img_index=1
https://instagram.com/p/DLyMB4asA8f/?hl=en&img_index=1
https://instagram.com/p/DL2WTcDs226/
https://instagram.com/p/DLz5nV4x5An/?hl=en
https://instagram.com/p/DLx0N8FOQTN/?img_index=1
https://instagram.com/p/DLsdlf5uFtk/?hl=en&img_index=1
https://instagram.com/p/DL2YQdBxfzB/?img_index=1
https://instagram.com/p/DL5Pb_aup9H/?hl=en&img_index=1
https://instagram.com/p/DL0banYygvK/?img_index=1
https://instagram.com/p/DLvzVGnRfoC/?img_index=1
https://instagram.com/p/DLsfVyDJoQA/?img_index=5
https://instagram.com/p/DL00HH0OpjM/
https://instagram.com/p/DL0UUiRy4KM/?img_index=1
https://instagram.com/p/DL2QSnAu6CU/
https://instagram.com/p/DL0LcL1RsxH/?img_index=2
https://instagram.com/p/DLtTZvENlGF/?img_index=1
https://instagram.com/p/DL01iUbsaSC/?img_index=1
https://instagram.com/p/DLxmwK_Js5s/?img_index=1
https://instagram.com/p/DLxDso4uZa3/?img_index=1
https://instagram.com/p/DL3u8PlRHoZ/?img_index=1
https://instagram.com/p/DLtF4ekSo2r/
The post Baddies On The Ground: A Gallery Of Fly Girls, Queen Muvas & Viral Stunners Who Slayed At Essence Fest 2025 appeared first on Bossip.
SEE ALSO
Baddies On The Ground: A Gallery Of Fly Girls, Queen Muvas & Viral Stunners Who Slayed At Essence Fest 2025 was originally published on bossip.com
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Los Angeles Times
2 hours ago
- Los Angeles Times
Beyoncé surprises fans with Destiny's Child reunion to cap off Cowboy Carter tour
Beyoncé brought the curtain down on her 'Cowboy Carter' tour with a surprise Destiny's Child reunion at Allegiant Stadium in Las Vegas on Saturday. The stunned crowd roared when Beyoncé emerged on stage with Kelly Rowland and Michelle Williams announcing, 'Destiny's Child b—!' before the trio delivered a medley of their hits including the 2001 anthem 'Bootylicious' and 2004 hit 'Lose My Breath.' They also performed a version of Beyoncé's 2022 'Energy,' along with the song's viral 'mute challenge.' It was the first time the Grammy-winning singer had performed onstage with her former bandmates Rowland and Williams since 2018, when she played Coachella. The reunion left fans ecstatic, describing the moment as 'iconic' and 'legendary.' 'Y'all will never understand how iconic this is considering they're one of the most successful girl groups of all time,' wrote one on X. It also prompted some to speculate whether a more sustained Destiny's Child recoupling might be in the future. 'If this is a sign that destiny's child will go on tour they can 3x the rent, just make it happen,' wondered another fan on X. The reunion was an electric moment in a show full of charged moments. Shaboozey, Beyoncé's 'Cowboy Carter' collaborator, also joined her to perform their hit 'Sweet Honey Buckiin'.' Jay-Z, who made a number of appearances with his wife during her nine-city, all-stadium tour, was in Las Vegas too, where they belted out their 2003 hit 'Crazy in Love,' ending the song with a kiss. The star wattage was high off-stage as well. 'Grand opening, grand closing! Here in Las Vegas with the cowboy crew to watch Beyoncé close out her historic Cowboy Carter tour!!' shared Gayle King on Instagram with photos alongside Oprah Winfrey, Tyler Perry, Kris Jenner and Khloe Kardashian. Also spotted in the crowd were actress Kerry Washington, Maya Rudolph and director Paul Thomas Anderson.
Yahoo
2 hours ago
- Yahoo
Miley Cyrus's Relationship With Her Boyfriend Might Not Lead to Marriage, Says ‘Source'
is reportedly in no rush to change the course of her relationship with her boyfriend, Maxx Morando. Despite ongoing speculation about their future, the Grammy-winning singer is apparently content with how things currently stand between the couple. Moreover, sources claimed that the pop sensation has found a comfortable rhythm in her relationship, which she is at peace with. Miley Cyrus is not 'pushing for marriage' right now, claims 'source' According to an exclusive report from Star Magazine, a source close to Miley Cyrus emphasized she was satisfied with how things were going with her boyfriend, Maxx Morando. The source claimed, 'Miley is not at a crossroads in her relationship with Maxx.' They added, 'She's exactly where she wants to be and is not pegging a bunch of ridiculous expectations on this relationship.' After her divorce from Liam Hemsworth in 2020, Cyrus reportedly took time to reflect and prioritize her well-being. The insider explained the shift in how the 'Flowers' singer approaches her personal life and relationships, stating she 'learned an important lesson about relying on herself, not her partner.' Moreover, the source suggested that Morando must 'go along with the tempo Miley needs in this relationship.' According to the source, 'This relationship is already where Miley wants it to be,' and 'she likes things the way they are.' Miley Cyrus previously offered glimpses into the dynamic of her relationship with her boyfriend, Maxx Morando. During a June episode of the 'Sorry We're Cyrus' podcast, Cyrus addressed her boyfriend's age, stating, 'I'm so excited for him [Morando] to turn 27 'cause that was such a great year for me.' She added, 'I'm just hoping that, as long as he follows in my footsteps, everything is going to be great. That's right when I started turning my life around.' Morando, too, has inspired Cyrus creatively. She credited him as a collaborator on her latest album, 'Something Beautiful.' She admitted to Harper's Bazaar, 'I've always worked with the people that I love. And Maxx just inspires me so much.' For now, Miley Cyrus is right where she wants to be. She seemingly finds fulfillment in her current relationship with Maxx Morando while embracing personal independence. Originally reported by Ishika Mishra on Reality Tea. The post Miley Cyrus's Relationship With Her Boyfriend Might Not Lead to Marriage, Says 'Source' appeared first on Mandatory. Solve the daily Crossword
Forbes
3 hours ago
- Forbes
Beyoncé's Cowboy Carter Is Rewriting American Culture — And Boosting The Economy
PARIS, FRANCE - JUNE 24: Beyoncé Knowles / Beyonce wears a cowboy hat, a burgundy faux fur fluff ... More coat on one shoulder, a blue denim shirt, during the Louis Vuitton Menswear Spring/Summer 2026 show as part of Paris Fashion Week on June 24, 2025 in Paris, France. (Photo by) It was a humid night in Houston when Beyoncé Knowles-Carter moved financial markets—a role typically reserved for the Federal Reserve, the president, or Congress. In the 48 hours surrounding her Cowboy Carter Tour stop, the Bayou City raked in more than $50 million in local spending. Hotels and restaurants were booked to capacity. Surge pricing broke ride-share apps. And local boot stores had lines wrapped around the block. No bill was passed. No policy enacted. This boom came courtesy of a Black woman in a cowboy hat, singing and dancing on horseback. The Cowboy Carter Tour, spanning eight cities and 32 stadium shows, is now winding down in Las Vegas. But it has left more than just cowboy boots and hats behind. In every city it touched, the economic glow still lingers. In a time of seismic shifts in the marketplace and the political landscape, Knowles-Carter has become more than a cultural icon—she's an economic force. With Cowboy Carter, the Grammy-winning artist isn't just reclaiming country music's Black historic roots, she's staking a bold claim on American identity itself, all wrapped in the American flag. It's a masterclass in ownership, scarcity, and cultural disruption—with real implications for micro- and macro-economics nationwide. As cities see real economic impact from Beyoncé's presence, cultural economist Thomas Smith argues her tour is a lesson in modern market behavior, civic stimulus, and the future of 'event economics' in divided times. 'Beyonce coming to town gets everyone riled up, and for cities that means folks converge on areas around the stadium and spend bunches of money,' Smith said. 'This makes her concert more than just entertainment, she's an economic event.' LOS ANGELES, CALIFORNIA - FEBRUARY 02: Beyoncé accepts the Best Country Album award for "COWBOY ... More CARTER" onstage during the 67th Annual GRAMMY Awards at Arena on February 02, 2025 in Los Angeles, California. (Photo byfor The Recording Academy) While her work has drawn fierce criticism from the same forces intent on dragging America back to a time when artists were expected to sing, dance, and stay silent about politics, Knowles-Carter has transcended the noise. Thanks to a loyal fan base and her unapologetic embrace of every facet of her identity—mother, daughter, Black woman, global citizen, and soundtrack supplier for the resistance—she remains a cultural force. Knowles-Carter's voice became even more pronounced with the 2016 release of Lemonade, her sixth studio album, which featured the single 'Formation.' She shook the culture and electrified her fanbase during the Super Bowl 50 halftime show, where she appeared in a Black Panther–inspired bodysuit with a golden 'X' emblazoned across the top. Her dancers wore Black berets—a symbol of global Black resistance, from the Panthers in the U.S. to Caribbean revolutionaries like Che Guevara and Fidel Castro. Lemonade landed at a moment of national reckoning—after the murder of Trayvon Martin, amid the rise of #MeToo, and during a surge of high-profile police killings of unarmed Black men. That album became a cultural inflection point, giving voice to demands for both social and political change. It also marked a strategic shift: Beyoncé released the visual album exclusively on Tidal, the streaming platform owned by her husband, Jay-Z. Football: Super Bowl 50: Celebrity singer Beyonce performing during halftime show of Denver Broncos ... More vs Carolina Panthers game at Levi's Stadium. Santa Clara, CA 2/7/2016 CREDIT: Robert Beck (Photo by Robert Beck /Sports Illustrated via Getty Images) (Set Number: SI-123 TK1 ) The album was released with no press, no leaks, and flawless execution, a bold pivot that cemented Knowles-Carter not just as a performer, but as a CEO and cultural entrepreneur. It marked a strategic shift from traditional promotion to surprise drops, using scarcity and precision to meet and shape market demand. More than a response to a cultural moment, Lemonade embodied Knowles-Carter's 'joy-as-resistance' ethos, offering a vibrant counter to a nation that had just elected Donald Trump as its 45th president. While Trump sold grievance and nostalgia for a mythologized 1950s, Knowles-Carter offered a future-facing vision. Still capitalist, yes, but one rooted in diversity, pride, and cultural ownership. Her music, visuals, and merchandise became part of a larger narrative: that joy, style, and identity are not just aesthetic choices, but political acts. Singing about generational wealth, freedom from historical bondage, and the alchemy of turning lemons into lemonade, Knowles-Carter claimed her space as an artist unafraid to challenge, evolve, and expand her audience's worldview. Back on the Cowboy Carter Tour, while promoting music from her second studio album since Lemonade, Knowles-Carter's role in the so-called 'quiet resistance' has been anything but quiet. Leaning into her southern roots and the crucial role of Black Southerners in shaping American culture, the album serves as a reclamation of global Blackness as foundational to country music. According to Francesca T. Royster, author of Black Country Music: Listening For Revolutions, country music originates from a creole musical tradition deeply rooted in African-American styles. 'The banjo, often associated in pop culture as an instrument for white people who live in rural areas, was an African instrument brought here by enslaved people,' Royster says in her book. In 2022, while speaking with Leo Weekly, Royster delved deeply into the history and politics of country music. 'This genre was founded on a kind of logic of segregation,' Royster told Leo Weekly. 'In the 1920s when the genre was kind of invented more or less by talent scouts and record label labels, they were distinguishing hillbilly music as kind of a white music that was meant for white audiences, and 'race' music, you know, blues, rhythm and blues, and jazz for Black audiences.' Reimagining rural America and redefining 'Americanism' beyond the white-centered lens it's so often framed in, the Cowboy Carter tour and album offer audiences a striking new association with the American flag—one draped across the body of a Black woman. The Cowboy Carter Tour's DC stop happened over 4th of July weekend in Landover, MD. While the album isn't explicitly partisan, its iconography subtly reshapes national identity. It points to an America—and a broader Western Hemisphere—built on the backs of Black labor, inspired by Black innovation, and powered by Black ingenuity. When Beyoncé rolled into Houston's NRG Stadium on June 28 and 29, her hometown got more than it bargained and budgeted for. According to Axios, hotels near the stadium hit 79 percent occupancy -- a sharp increase from 61 percent the prior year, OpenTable reported a 43 percent increase in Houston-area reservations over that three-day period compared to the same stretch last year. Beyoncé's economic impact extended well beyond Texas. During her stop in the nation's capital over Fourth of July weekend, restaurants surrounding Northwest Stadium (formerly Fedex Field) in Landover, Maryland saw nightly profit spikes of $15,000 to $20,000. All gains that Tom Smith described as beneficial for local economics. 'You gotta have the boots, you gotta have the shirt, you gotta have the hat,' said Smith, an economist at Emory University. 'You gotta have all the things. It's not even worth—it's not even worth going if you don't have all the things making the concert an economic driver for local business in the region.' Beyond uplifting local business, Smith, a bass guitar player himself, also emphasized the broader importance of the tour economy as a catalyst for the industries that power live entertainment. That includes stagecrafters, electrical engineers, lighting designers, dancers, musicians, publicists, costume designers, and the full teams that support them. 'A lot of those jobs were decimated during the COVID-19 pandemic, when no one was going on tour,' Smith said. 'And now, these big, mammoth tours, these big stadium tours are spending millions of dollars every night on the people that make sure that the sound and the lights and the ancillary element are working.' SYDNEY COLEMAN (L) and JESSICA HANNAH (R) traveled from Houston, TX. Fans of Beyonce queue to enter ... More SoFi Stadium in Los Angeles on April 28, 2025 to watch her first concert of her newTour named "Cowboy Carter." (Photo by Bexx Francois/For The Washington Post via Getty Images) Cowboy Carter is Beyoncé's second U.S. tour since the pandemic. And while it's most definitely different in tone, the financial punch for America's big cities remains the same. It couldn't come at a more convenient time, either, as cities across the country are seeing a decrease in crime and are searching for new sources of revenue amid a cavalcade of budget cuts from Washington, D.C. As Beyoncé's golden horse, floating horseshoe, and many of her now-iconic Cowboy Carter costumes make their way to the storage units, it's likely her economic impact — not just her spectacle — that cities and states will remember. Beyoncé's name was never on the ballot. She never passed a bill or rage-tweeted on X. And yet, her version of disruption has managed to move both culture and the economy. In her song 'American Requiem,' Knowles-Carter asks listeners to confront the complex and often painful history of race and culture in America. It's a counter narrative to today's political moment, one that treats historical truth as a liability. Through it all, Beyoncé may be proving something radically different: that reckoning with the past isn't just necessary, it might also be profitable.
