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'Freakier Friday' director wants to see these hunks in each other's bodies for next film

'Freakier Friday' director wants to see these hunks in each other's bodies for next film

Yahoo2 days ago
The director of Freakier Friday is already brainstorming for a third film, and her ideas definitely lend themselves to a pretty freaky outcome!
The long-awaited sequel to the 2003 Disney film starring Lindsay Lohan and Jamie Lee Curtis hit theaters earlier this month. While the first movie (one of four film adaptations of a children's novel) centers around mom and daughter accidentally swapping bodies, the sequel gets a little more complicated. Adding a third generation into the mix, Tess (Curtis) and Anna (Lohan) swap bodies with Anna's daughter, Harper (Julia Butters), and soon-to-be stepdaughter, Lily (Sophia Hammons).
Also in the mix are Manny Jacinto as Eric, Anna's fiancé, and Chad Michael Murray, reprising his role as Anna's ex-boyfriend, Jake.
So what would a Freakiest Friday look like?
"I mean, more swaps, right?" director Nisha Ganatra recently told ScreenRant. "Probably a six-way swap. We'd definitely have Manny Jacinto and Chad Michael Murray switching places. We all need that!"
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Ganatra is hardly the first person to ruminate on what Freakiest Friday might look like. Folks on the internet have already been busy tossing their own ideas — and worries — into the mix.
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"Freakiest Friday should be that scene from Scooby-Doo (2002) where everyone keeps switching bodies for 100 mins"
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"Pitching Freakiest Friday, where the mind swaps keep progressing up and down the lineage. A girl in 2050 swaps minds with her great great grandmother in 1910. The mind of a wizened matron of the Bell Beakers is swapped with her prehensile tailed zero-G adapted spacer descendent"
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"freakiest friday will complete the trilogy -- chad michael murray has gone full villain. he successfully seduces JLC and ends her marriage. then changes body w hilary duff, and reignites the old feud by stalking and barraging lilo w vague threats"
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"Third movie: Freakiest Friday
Fourth movie: Freaky 4 Friday
Fifth movie: Freaky 5day"
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"I don't know how much fun Freakiest Friday will be in another 20-some years when Lohan's character is suffering early onset dementia and Curtis's character is dead."
Curtis and Lohan have also both weighed in on the future of the Freaky Friday franchise in recent months. During an interview with Today FM, Curtis expressed an interest in completing the trilogy with a fourth generation involved.
"If Harper has a child, and/or Lily, or if both of them have children and they're both 15, and I'm a great grandma, Lindsay would be a grandma," she suggested. "What a trilogy for Disney to have, right?"
Meanwhile, when asked about the possibility of a third film happening, Lohan seemed optimistic.
"Between Jamie and I, it's pretty real," she said.
This article originally appeared on Pride: 'Freakier Friday' director wants to see these hunks in each other's bodies for next film
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Why Hollywood will never stop remaking, rebooting and recycling the old same stories
Why Hollywood will never stop remaking, rebooting and recycling the old same stories

Yahoo

time31 minutes ago

  • Yahoo

Why Hollywood will never stop remaking, rebooting and recycling the old same stories

The Naked Gun. 28 Days Later. I Know What You Did Last Summer. Jurassic Park. Thought these are all titles from 2025, you could be forgiven for thinking they came from Moviefone. This year's summer blockbuster season has been dominated by nostalgic fare: reboots, remakes and sequels. And while the retold story has been an element of the movie business going back to its earliest days, studios seem to be cashing in more than ever before — and audiences are buying in. From Lilo & Stitch becoming the year's first billion-dollar box office earner, to Happy Gilmore smashing Netflix audience records (47 million watched it on the streaming service in the first three days it was available), to King of the Hill clocking in as Disney's biggest adult animated premiere in five years, the desire for old stories made new seems to have never been higher. "We all look back with, you know, rose-coloured glasses on the times we grew up in as better," Freakier Friday director Nisha Ganatra explained to CBC News in a recent interview. "Right now especially, the world is a little bit of an unsure place. And I think that the comfort of these movies and that collective feeling of togetherness we got when we watch these movies … it's why people are going back to theatres."A return to the well Hollywood's affection for recycled and rehashed stories started right alongside Hollywood itself: going as far back as Georges Méliès' L'Arroseur from 1896, a remake of the previous year's L'Arroseur arrosé. And 1903's The Great Train Robbery was infamously recreated in an essentially a shot-for-shot remake the year after, then numerous times after that. And the trend of journalists pointing out remakes is nearly as old as the remakes themselves. "Remaking old films is really old hat for the cinema people," read a 1937 article from the New York Times. "Although the screen has only recently emerged from its swaddling clothes and managed to crawl just about halfway into its metaphorical knee-pants, it already belies its years and even casts fond, reminiscent glances backward." "More often than not these yearnings for the past have been prompted by pecuniary rather than esthetic motives. Depending upon one's point of view, the studios may be regarded either as taking critical stock of themselves or as cashing in on their old preferred. The latter view seems more consistent with the facts." Other than the flowery language, the complaint that a given year was overloaded with remakes sounds like it could have come from today.'They often miss the soul' "I am not a fan. I continue to not be a fan of live-action remakes because they often miss the soul," explained director Dean DeBlois, despite releasing a live-action remake of How To Train Your Dragon earlier this year. "Too often they feel like they are lesser versions of the animated movie to me." So why have remakes and reboots become the dominant fare of 2025's movie slate? According to ComScore senior media analyst Paul Dergarabedian, it comes down to dollars and cents. The summer blockbuster has been a tentpole for Hollywood going back decades; Dergarabedian notes that it generates roughly forty per cent of North America's total box office. So success often depends on studios launching their surest bets during this "play it safe" period where they have the best chance of satisfying the widest-possible audience. That, Dergarabedian says, is not a recipe for originality."As much as so many people decry the lack of originality in movies, when you look at the top 10 movies of the year, generally speaking, there might be one or two out of the top ten that are true original films," he said. "That right there tells you why studios, marketers, PR folks, advertisers — they love the tried and true and those known brands." Instead, it was a recipe that led to films built around spectacle and excitement, with studios relying on huge franchises and superhero fanaticism to draw in ever-higher box office receipts. But as recently as 2023, a string of blockbuster bombs suggested audiences were no longer as interested in that fare. Chasing those audiences, Dergaradedian says, meant studios started making movies that might appeal to even wider demographics. And over the last two and a half years, he says that's led to PG movies out-grossing PG-13 movies for the first time. That spurred a return to films and shows that people remembered from their own childhoods, he said. Film titles that were already thought of as wholesome and accessible, or were remade to be as inoffensive as possible, as with Lilo & Stitch, a live-action remake with a sanitized ending that drew wide criticism. 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'Lilo & Stitch' Gets a Streaming Release Date on Disney Plus
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  • Yahoo

'Lilo & Stitch' Gets a Streaming Release Date on Disney Plus

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‘Weapons' maintains top spot on weekend box office ahead of newcomer ‘Nobody 2'
‘Weapons' maintains top spot on weekend box office ahead of newcomer ‘Nobody 2'

New York Post

time4 hours ago

  • New York Post

‘Weapons' maintains top spot on weekend box office ahead of newcomer ‘Nobody 2'

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