I just watched ‘Bono: Stories of Surrender' through the Apple Vision Pro — and it could change the way we experience movies
You can tell them they're gifted and that the world needs to hear their voice. This is the Italian method.
Or you can completely ignore them. This could the Irish method. Much more effective in my case.'
Those are the wry words of U2's lead singer, which I heard through the Apple Vision Pro headset as part of "Bono: Stories of Surrender."
This reimagining of Bono's one-man stage show premieres today on Apple TV Plus, but a special version has also been created for Apple's spatial computing headset.
In fact, it's the first feature-length film available in Apple Immersive Video, the format Apple pioneered for its device using 8K cameras. The result is a 180-degree experience that is rich, intimate and downright trippy at times.
However, as I attempted to sit through the nearly 90-minute feature, I experienced some unpleasant reminders of the Vision Pro's flaws.
It was like I was on stage with Bono as he shared the pain of losing his mother and what his household was like afterwards as it became 'a river of silence.'
The Vision Pro version is a combination of big-screen movie storytelling interspersed with jaw-dropping 3D clips that make you feel like you're in the venue with Bono — getting a better-than-front-row seat to hear some of the most iconic U2 songs and the stories behind them.
For Bono, getting access to a guitar saved his life. It became a shield and a weapon as he gravitated towards rock with The Ramones and one day decided that he wanted to try to write songs himself.
The presentation through the Vision Pro is a combination of big-screen movie storytelling interspersed with jaw-dropping 3D clips that make you feel like you're in the venue with Bono — getting a better-than-front-row seat to hear some of the most iconic U2 songs and the stories behind them.
I'm sure the 2D version through Apple TV Plus will be engaging enough, but there's something about standing face-to-face with Bono as he shares the most intimate details about his upbringing, health scares and more.
I felt like I could reach out and shake Bono's hand as I looked up at his face with his trademark specs right down to his shoes and the stage. And while 'Stories of Surrender' is shot in black-and-white, the immersive film cleverly works in pops of color with fluid animations here and there.
As Bono told the story behind "Bloody Sunday" and the lyrics scribbled across the screen, I truly got sucked into the Immersive Video.
Written by Edge, Bono shared that the mission of the song was to contrast the original Easter Sunday with the murder of 14 unarmed protesters in the city of Derry in Northern Ireland.
As Bono sings "How long must we sing this song" you can feel and see the pain as you see only the outline of his face in the foreground and a harp in the background on stage.
But "Stories of Surrender" simply doesn't work without Bono's masterful storytelling and ability to play multiple characters.
This includes Bono's father, who Bono describes as melting when he meets Princess Diana ahead of a charity concert with Luciano Pavarotti in Italy.
As Bono impersonates the princess slowly walking towards his "da," he playfully described the encounter as "800 years of oppressions disappearing in 8 seconds."
So while the Vision Pro brings "Stories of Surrender" to another level, U2's lead singer and his warmth and humor is the real star.
As impressive as "Bono: Stories of Surrender" looks and sounds through the Vision Pro, I found that I couldn't comfortably watch the whole thing in a single sitting.
I found myself needing to take breaks for a couple of reasons. First, the Vision Pro is a hefty headset, and I could feel the weight of it after 25 minutes or so.
Yes, I could have swapped out the sleeker Solo Knit Band for the Dual Loop Band, which is more secure. But all the criss-crossing straps on the latter reminds me of something one might wear before getting a brain implant.
I also felt some uncomfortable pressure around my eyes, which took me out of the vibe of Bono's heart-warming and humorous performance, not to mention his soaring vocals.
There's a rumor Apple is working on a much lighter Vision Pro 2, and I think it would help a great deal. Lowering the $3,500 price would not hurt, either.
"Bono: Stories of Surrender" serves up two major takeaways. The Vision Pro continues to deliver the most immersive entertainment experience of any headset. And Apple still has a long way to go in terms of bringing this experience to more people in a way that feels comfortable and natural.
That's to take nothing away from this Apple Immersive Video. 'Stories of Surrender' is a great proof point for the promise of the format as content creators find ways to tell stories in new ways.
It gets me thinking of what a season of "Severance" might look and feel like through this device (or its predecessor). Or perhaps the next season or version of "Ted Lasso."I'm looking forward to seeing where Apple takes Immersive Video next.
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BONO Apart from the attack on the Nova music festival on October 7th, which felt like it happened while U2 were on stage at Sphere Las Vegas, I have generally tried to stay out of the politics of the Middle East… this was not humility, more uncertainty in the face of obvious complexity… I have over recent months written about the war in Gaza in The Atlantic and spoken about it in The Observer, but I circled the subject. As a cofounder of the ONE campaign, which tackles AIDS and extreme poverty in Africa, I felt my experience should be on the catastrophes facing that work and that part of the world. The hemorrhaging of human life in Sudan or Ethiopia hardly makes the news. Sudan alone is beyond comprehension, with a civil war that has left 150,000 dead and 2 million people facing famine. And that was before the dismantling of USAID in march and the gutting of PEPFAR, life-saving programs for the poorest of the poor that ONE has fought for decades to protect… the cuts to which will likely lead to the deaths of hundreds of thousands of children over the next few years. But but but… there is no hierarchy to such things. The images of starving children on the Gaza Strip brought me back to a working trip to a food station in Ethiopia my wife Ali and I made 40 years ago next month following U2's participation in Live Aid 1985. Another man-made famine. To witness chronic malnutrition up close would make it personal for any family, especially as it affects children. Because when the loss of non-combatant life en masse appears so calculated… especially the deaths of children, then 'evil' is not a hyperbolic adjective… in the sacred text of Jew, Christian, and Muslim it is an evil that must be resisted. The rape, murder, and abduction of Israelis at the Nova music festival was evil. On that awful Saturday night/Sunday morning of October 7/8 2023, I wasn't thinking about politics. On stage in the Nevada desert, I just couldn't help but express the pain everyone in the room was feeling and is still feeling for other music lovers and fans like us — hiding under a stage in Kibbutz Re'im then butchered to set a diabolical trap for Israel and to get a war going that might just redraw the map from 'The river to the sea'… a gamble Hamas' leadership were willing to play with the lives of two million Palestinians… to sow the seeds for a global intifada that U2 had glimpsed at work in Paris during the Bataclan attack in 2015… but only if Israel's leaders fell for the trap that Hamas set for them. Yahya Sinwar didn't mind if he lost the battle or even the war if he could destroy Israel as a moral as well as an economic force. Over the next months as Israel's revenge for the Hamas attack appeared more and more disproportionate and disinterested in the equally innocent civilian lives in Gaza… I felt as nauseous as everyone, but reminded myself Hamas had deliberately positioned themselves under civilian targets, having tunneled their way from school to mosque to hospital. I hoped Israel would return to reason. I was making excuses for a people seared and shaped by the experience of Holocaust… who understood the threat of extermination is not simply a fear but a fact… I re-read Hamas' charter of 1988… it's an evil read (Article Seven!) But I also understood that Hamas are not the Palestinian people… a people who have for decades endured and continue to endure marginalization, oppression, occupation, and the systematic stealing of the land that is rightfully theirs. Given our own historic experience of oppression and occupation, it's little wonder so many here in Ireland have campaigned for decades for justice for the Palestinian people. We know Hamas are using starvation as a weapon in the war, but now so too is Israel and I feel revulsion for the moral failure. The Government of Israel is not the nation of Israel, but the Government of Israel led by Benjamin Netanyahu today deserves our categorical and unequivocal condemnation. There is no justification for the brutality he and his far right government have inflicted on the Palestinian people… in Gaza… in the West Bank. And not just since October 7, well before it too… though the level of depravity and lawlessness we are seeing now feels like uncharted territory. Curiously those who say these reports are not true are not demanding access for journalists and seem deaf to the revealing rhetoric. Examples that sharpen my pen include: Israel's Heritage Minister claiming that the government is racing to wipe out Gaza… his Defense Minister and Security Minister arguing no aid should be let into the territory. 'Not one grain of wheat.' And now Netanyahu announces a military takeover of Gaza City… which most informed commentators understand as a euphemism for the colonization of Gaza. We know the rest of the Gaza Strip… and the West Bank are next. What century are we in? Is the world not done with this far, far right thinking? We know where it ends… world war… millenarianism… Might the world deserve to know where this once promising bright-minded democratic nation is headed unless there is a dramatic change of course? Is what was once an oasis of innovation and free-thinking now in hock to a fundamentalism as blunt as a machete? Are Israelis really ready to let Benjamin Netanyahu do to Israel what its enemies failed to achieve over the last 77 years? And disappear it from membership in a community of nations built around even a flawed decency? As someone who has long believed in Israel's right to exist and supported a two-state solution, I want to make clear to anyone who cares to listen our band's condemnation of Netanyahu's immoral actions and join all who have called for a cessation of hostilities on both sides. If not Irish voices, please please please stop and listen to Jewish ones - from the high mindedness of Rabbi Sharon Brous, to the tearful comedy of the Grody-Patinkin family - who fear the damage to Judaism, as well as Israel's neighbours. Listen to the more than 100,000 Israelis who this week protested for an end to the war. Our band stands in solidarity with the people of Palestine who truly seek a path to peace and coexistence with Israel and with their rightful and legitimate demand for statehood. We stand in solidarity with the remaining hostages and plead that someone rational negotiate their release. Could it be Marwan Barghouthi who the former head of Mossad Efraim Halevy described as 'probably the most sane and the most qualified person' to lead the Palestinians? Wiser heads than mine will have a view, but surely the hostages deserve a different approach — and quick. We urge more good people in Israel to demand unfettered access by professionals to deliver the critical care needed throughout Gaza and the West Bank that they best know how to distribute… and to let the correct number of trucks through. It will take more than 100 trucks a day to take seriously the need - more like 600 - but the flooding of humanitarian aid will also undercut the black marketing that has been happening to benefit Hamas. The band is pledged to contribute our support by donating to Medical Aid For Palestinians. The Edge We are all deeply shocked and profoundly grieved by the suffering unfolding in Gaza. What we are witnessing is not a distant tragedy - it is a test of our shared humanity. 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