Demi Lovato marries singer-songwriter Jordan ‘Jutes' Lutes in California
The couple met while working on Lovato's last album, 2022's Holy Fvck, and dated for nearly two years before Lutes proposed in December 2023.
Lutes co-wrote a few of the songs that made Holy Fvck, including Happy Ending, City Of Angels, and the pop-punk single Substance.
Lovato wore a white Vivienne Westwood dress and Lutes wore a Saint Laurent suit.
Lovato, a former child star, began her entertainment career on Barney & Friends before becoming a staple of Disney Channel in the 2000s for her role in the Camp Rock films and as the star of Sonny With A Chance.
Beyond her acting, Lovato has long been celebrated for her gifted soprano and has released eight albums.
Lutes, an independent artist whose hybridist music marries elements of emo, pop-punk and trap, was previously signed to Capitol Records.
Before her relationship with Lutes, Lovato was engaged to the actor Max Ehrich in 2020. They called off their engagement after two months.
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Scottish Sun
43 minutes ago
- Scottish Sun
F1 star spotted beaming on holiday with model who once won ‘most beautiful woman in the world' competition
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Scotsman
an hour ago
- Scotsman
Canvas of Sound with Tazeen Qayyum at EIF: 'There's something special about seeing an artist working live'
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Yet as written and shaped into beguiling patterns by artist Tazeen Qayyum, to the accompaniment of two virtuosic Middle Eastern musicians, they are designed as an immersive counterblast against our deeply troubled times. Basel Rajoub, Feras Charestan and Tazeen Quayyum in rehearsals for Canvas of Sound | Contributed Qayyum, a Pakistani-born Canadian conceptual artist, will collaborate with the musicians in the Edinburgh International Festival's programme at The Hub, creating her art in real time, as they play, projecting it simultaneously on to a large screen, and inviting their audience to seek a state of harmony and mindfulness. Advertisement Hide Ad Advertisement Hide Ad Qayyum's two accompanists are soprano saxophonist and percussionist Basel Rajoub, who also plays the duclar – a hauntingly human-toned Middle-Eastern clarinet, and Feras Charestan on qanun – a Syrian zither. Their blend of reed and wire sound is a potent one, as demonstrated when the pair appeared at the Festival two years ago with the Aga Khan Master Musicians, and Qayyum is enthusiastic about their collaboration. 'They're brilliant and I'm grateful that we're working together,' she says, speaking from her home in Oakfield, a suburb of Toronto. 'The first time was last year at the National Museum of Qatar and that experience was new and so fulfilling for all of us that we decided to continue it.' Their collaboration, Canvas of Sound, has been described as 'an immersive presentation drawing on calligraphy, improvised music, trance and movement,' although Qayyum tends not to regard her art as calligraphy. 'Calligraphy is a very sophisticated art form in itself,' she says. 'Mine is more like spontaneous drawing, working with text.' Advertisement Hide Ad Advertisement Hide Ad Creating 'live' visual art to music isn't an entirely novel concept; indeed Edinburgh has its own exponent, Russian-born painter Maria Rud, who was creating large-scale paintings in real time and projecting them on to the interior of St Giles' Cathedral to a live accompaniment of Bach earlier this month. 'There is something really special about seeing an artist working live,' Qayyum agrees, 'because you experience paintings and drawings as finished products normally.' Feras Charestan, Tazeen Qayyum and Basel Rajoub | Contributed Asked whether creating her art in front of an audience brings pressure, she laughs: 'To be honest, before the performance I'm very nervous. I'm a quiet person by nature and don't like to be where people are looking at me, so that aspect is a little nerve-racking.' Once started, however, she becomes completely detached: 'I go into that zone where it's just me, the pen, the sounds and the words. 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Advertisement Hide Ad Advertisement Hide Ad Asked to what extent she is reacting to the music or the musicians in what she is drawing, she replies: 'I think there is a very interesting connection, because the rhythm, the sound, anchors my thought and my movement. I'm focusing on the words, saying them in my mind and writing them, so my thoughts are driven by the words, but my body is responding to the sounds around me and I feel that energy transcends not just for me but for the musicians and they make certain choices spontaneously.' She regards it as a three way process, 'because I feel that energy carries to the audience and the way the room reacts comes back to us.' Qayyum's word choice of hope, justice, kindness and peace reflects her concern at the times in which live. 'It's very depressing, but I feel it is extremely important for us not to give up hope and to know how we can live through these times as well as take lessons from them. I believe it is so important to think of these words, these ideas, and say them to ourselves – to really understand each other without the prejudices of where we're from, or what our identity or belief system is.' And that, she adds, echoing this year's Festival slogan, 'is the truth we should be seeking'.
Daily Mirror
an hour ago
- Daily Mirror
Timothee Chalamet attempts to flirt with Gwyneth Paltrow in new movie trailer
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