
Sky's 'lowest price' TV and broadband package returns
The package deal includes access to Sky Broadband, Sky Stream, Netflix and more
Households on the hunt for a new broadband deal to boost their home entertainment experience are in luck, as Sky has reintroduced its 'lowest price' offer on one of its most sought-after packages. The Essential TV and Full Fibre 150 Broadband combo offers access to Sky Broadband and a range of telly channels and apps, including Sky Stream, Sky Atlantic, Netflix and Discovery+.
The Sky package is priced at £35 per month with no upfront costs and is available to new customers. However, it's worth bearing in mind that Sky has stated prices may fluctuate during the 24-month contract.
When purchased separately, the Sky Essentials TV package costs £15 per month, while the Full Fibre 150 Broadband is priced at £28 a month. This means combo shoppers can save £8 a month - a total saving of £192 compared to purchasing the two individually.
Sky's Full Fibre 150 Broadband, ideal for HD streaming, online gaming and video calling, boasts an average speed of 150 Mb/s. Touted as 'the future of broadband', Full Fibre is being rolled out across the UK, as reported by the Express. Unlike traditional broadband, Full Fibre is powered by a fibre cable direct to individual homes, promising a 'faster and more reliable connection'.
The Essentials TV plan includes a standard Netflix account (ad-supported) which costs £5.99 and Discovery+ Basic that is normally £3.99. Totalling £9.98, the additional perks in the £35 monthly Essential TV and Full Fibre 150 Broadband package effectively come to £25.02.
Sky isn't alone in offering Netflix as part of its TV bundles; EE also offers the streaming service in its broadband and TV package, albeit at a steeper cost. Customers with other providers aren't left out, as both Virgin Media and NOW TV provide access to some Sky channels through paid extras.
Sky subscribers have voiced their opinions on Trustpilot, highlighting grievances, particularly about unexpected price hikes during a contract period. An unimpressed customer remarked: "How can Sky just increase my TV package by £6.50 per month when I'm in a contract. I wouldn't mind an inflation rise, but not when it's at this level."
It's worth keeping in mind that Sky's Essential TV package doesn't offer the most value when it comes to TV streaming, with the Ultimate TV deal costing £22 a month providing access to over 35 extra channels when compared to the Essential TV option, but it doesn't include broadband. Households that don't require all of these channels and want Full Fibre Broadband can't go wrong with the Essential TV & Full Fibre 150 Broadband package.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
3 hours ago
- The Guardian
Will Ferrell to bring Eurovision musical to Broadway
Will Ferrell is set to turn his 2020 comedy Eurovision Song Contest: The Story of Fire Saga into a Broadway musical. The actor starred in and co-wrote the Netflix film with Harper Steele and the pair will develop the show with Anthony King, whose Broadway credits include Beetlejuice and Gutenberg! The Musical!. There is no timeline yet to the production. 'We are more than excited to bring Eurovision to Broadway,' Ferrell said in a statement. 'The stage musical is a perfect place to continue our celebration of all the things we love about this amazing and unifying song competition.' The film was released on Netflix in June 2020 and followed a pair of Icelandic singers, played by Ferrell and Rachel McAdams, as they took part in Eurovision. It received an Oscar nomination for best original song. It received mixed reviews upon release with the Guardian's Peter Bradshaw calling it 'a strange, tonally misfiring movie'. 'This is a stellar team for what I am sure will be an equally stellar adaption of a film the world loved,' said Martin Green, CBE director of the Eurovision Song Contest. 'Our aim always is to bring the joy of the Eurovision Song Contest to more people globally – especially as we approach our 70th edition in 2026.' The show will be directed by Alex Timber who is currently behind the Tony-nominated Bobby Darin musical Just in Time. This year's Eurovision Song Contest was watched by 166 million people worldwide. Ferrell and Steele recently starred in the acclaimed documentary Will & Harper, a road trip documentary about their friendship. Ferrell also starred in comedy You're Cordially Invited earlier this year and is currently filming comedy Judgment Day with Zac Efron and Regina Hall.


Daily Mail
4 hours ago
- Daily Mail
Fergie, 50, puts on an animated display in a yellow plaid co-ord and white crop top as she re-shoots hit 2006 music video for new Netflix series
Fergie put on an animated display on Tuesday as she recreated her 2006 chart-topping banger London Bridge for a new Netflix series. The singer, 50, was in the English capital at 4am and was joined by American actress Megan Stalter, along with a load of dancers. London Bridge, which peaked at No3, is set to be the official soundtrack to the upcoming romcom Too Much. For the filming occasion, Fergie looked sensational in a yellow and pink plaid co-ord paired with a white crop to that flashed a glimpse of her black bra. She teamed the look with chic white oval sunglasses and a stylish bag shaped like a stereo. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's showbiz newsletter to stay in the loop. The beauty accessorised with huge gold hoop earrings and left her golden tresses to fall naturally as she strutted her stuff. Fergie, who also donned a large yellow fur jacket at one point, appeared in high spirits as she was spotted putting on an incredible performance for the camera as they shot the project. In between takes, she was seen having a laugh with Megan, who looked like she just came out of the St. Trinian's movie. Too Much has been created by Girls writer Lena Dunham and lands on the popular streamer in July. It follows Jessica (Megan), a New Yorker who heads to London in the wake of a painful breakup. 'There, she meets Felix (Will Sharpe). The pair build a connection that surprises Jessica… but is impossible to ignore,' the synopsis teases. Emily Ratajkowski will star in the drama along with Saltburn's Richard E. Grant, and model and actress Adwoa Aboah. Rita Wilson, Rhea Perlman, and Stephen Fry also have a stint. She was later seen donning a large yellow fur jacket Fergie strutted her stuff by the river Thames The pair were a vison as they posed up a storm for the cameras It comes after producer Lena explained why she cast Megan instead of herself in her semi-autobiographical 10-episode comedy series. 'I was not willing to have another experience like what I'd experienced around [my HBO series Girls] at this point in my life,' the Treasure producer-star explained to the New Yorker last July. 'Physically, I was just not up for having my body dissected again. It was a hard choice, not to cast Meg - because I knew I wanted Meg - but to admit that to myself. I used to think that winning meant you just keep doing it and you don't care what anybody thinks. I forgot that winning is actually just protecting yourself and doing what you need to do to keep making work.' Lena continued: 'I remember looking at Meg and being, like, "You are my muse. You inspire me every single day to go home and tap out pages upon pages." I definitely don't want to be my own muse.' 'It's not a huge leap. But I knew from the very beginning I would not be the star of it,' Lena noted. Everyone put on an energetic display The duo then prepared for their next take The dancer look incredible in an all red ensemble Too Much has been created by Girls writer Lena Dunham and lands on the popular streamer in July It follows Jessica (Megan), a New Yorker who heads to London in the wake of a painful breakup 'There, she meets Felix (Will Sharpe). The pair build a connection that surprises Jessica… but is impossible to ignore,' the synopsis teases It comes after Lena Dunham (L) explained why she cast Megan (R) instead of herself in her semi-autobiographical 10-episode comedy series Too Much 'I was thinking a lot about, like, What is it that allows women to be complicated on TV and still be embraced and seen and understood? There's an openness to Meg's presence that I think goes a long way. She has whatever the opposite of resting bitch face is. She has resting angel face.' She continued: 'Meg is one of the beautiful women working today. She is so alarmingly gorgeous. The fact that she is not a size 0, or that she's not part of the new class of Ozempic-thin women, is not part of really important to me that there be a love affair between a guy and a girl where the fact that she is not teensy-weensy doesn't drive were, like, "We don't want anyone to think we're doing a show about a beautiful man doing someone a favor."' However, the star does have a small acting part in Too Much as the spouse of the character played by Andrew Rannells, who previously played her Girls character Hannah Horvath's gay best friend Elijah. 'I'm in the show! I think I just accidentally revealed that,' Lena confirmed. 'But it's a smaller part. Not a walk-on, but it's not a lead.'


The Guardian
4 hours ago
- The Guardian
BBC and Sky bosses criticise plans to let AI firms use copyrighted material
The BBC director general and the boss of Sky have criticised proposals to let tech firms use copyright-protected work without permission, as the government promised that artificial intelligence legislation will not destroy the £125bn creative sector. The creative industry has said that original proposals published in a consultation in February to give AI companies access to creative works unless the copyright holder opts out would 'scrape the value' out of the sector. Dana Strong, the group chief executive of Sky, compared the proposal to its own battles against TV piracy and said individuals and small companies would not have the experience and financial resources to protect their intellectual property. 'Sky is one of the leading forces in trying to fight against piracy,' she said, speaking at the Deloitte and Enders Media and Telecoms conference. 'As I look ahead to artificial intelligence protecting copyright is a very big issue, and I think some of the consequences of the opt out is impossible to police. If we as a large organisation spend the resource we do fighting for intellectual property rights, I can't fathom how small producers keep up with a change of that nature. It is impossible to head in that direction.' Tim Davie, the director general of the BBC, said the government needs to put protections in place because the industry faces a potential crisis as the consultation drags on. 'If we currently drift in the way we are doing now we will be in crisis,' he said. 'We need to make quick decisions now around areas like … protection of IP. We need to protect our national intellectual property, that is where the value is. What do I need? IP protection, come on let's get on with it.' The industry would like to see an opt-in regime, forcing AI companies to seek permission and strike licensing deals with copyright holders before they can use the content to train their models. In response, the culture secretary, Lisa Nandy, sought to allay fears and said she and Peter Kyle, the technology secretary, would begin roundtable discussions with the creative industries to ensure legislation does not harm the sector. 'We have heard you loud and clear,' she told the 800 attendees at the conference. 'We are determined to find a way forward that works for the creative industry and creators as well as the tech industries. The issue of AI and copyright needs to be properly considered and enforceable legislation drafted with the inclusion, involvement and experience of both creatives and technologists.' Last month, the government faced accusations of being too close to big tech after analysis showed Kyle and his department met people close to, or representing the sector, 28 times in a six month period. The government has already drawn up some concessions - including promising to carry out an economic impact assessment of its proposed copyright changes, and to publish reports on issues including transparency, licensing and access to data for AI developers - following a backlash from some of the UK's best-known creators, including Elton John and Paul McCartney. 'We approach you with no preferred option in mind,' Nandy said. 'We are a Labour government, and the principle [that] people must be paid for their work is foundational. You have our word that if it doesn't work for the creative industries, it will not work for us.'