I Just Realized Why 'Sirens' Star Milly Alcock Looks So Familiar—and I Can't Believe I Didn't See it Sooner
In case you missed it, there's a show on Netflix that's been holding onto the #1 spot for weeks. That show is called Sirens, and honestly? I enjoyed it. Sure, not everyone agrees, but it's got drama, mystery, suspense and just the right amount of comedic relief. But this isn't a review—let's talk about the cast.
Sirens stars Julianne Moore, Meghann Fahy and Milly Alcock. If you're anything like me, those first two names rang a bell instantly. I mean, Julianne Moore is a legend (Crazy, Stupid, Love, Still Alice, need I say more?). And Meghann Fahy has been in some faves of mine—The White Lotus, The Bold Type and The Perfect Couple.
MACALL POLAY/NETFLIX
But when it came to Milly Alcock, I had a moment of, 'Wait, I know that face.' And if you've seen House of the Dragon, you do too. Alcock played young Rhaenyra Targaryen in the HBO hit—yes, that Rhaenyra. She appeared in seven episodes and even earned two Critics' Choice Award nominations for her performance.
Ollie Upton / HBO
At just 25, Alcock already has major HBO and Netflix hits under her belt—and she's not slowing down. She's set to star in the highly anticipated Supergirl: Woman of Tomorrow, slated for release in 2026, which officially brings her into the DC Comics universe.
And you might not have to wait until then to see her in full superhero mode. According to IMDb, Milly is credited in the upcoming Superman movie, hitting theaters this July.
Before all that, the Australian actress was in a handful of series and projects like Reckoning, Upright and The Familiars—with her first acting credit dating back to 2014.
So yeah, Milly Alcock has been on our screens for a while now—and something tells me this is just the beginning.
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Forbes
39 minutes ago
- Forbes
‘Sirens' Review: A ‘B' Level ‘The White Lotus' Meets ‘The Stepford Wives' Tale
The password is: The White Lotus wannabe with shades of The Stepford Wives. Success breeds imitation, particularly when the critics are crowing. That said, it comes as no surprise that Netflix limited series Sirens also focuses on the complexities of wealthy individuals in a luxury setting. Even the opening credits screech imitation. So, is Sirens worthy of the comparison? The answer is: not necessarily. The scoop: Set over Labor Day weekend, Sirens follows Devon DeWitt (Meghann Fahy), a brash lower-class Buffalo, New York resident who decides after a night in prison to visit her younger sister Simone (Milly Alcock) at the lavish island where she is living and working. Simone, you see, has sent Devon an all too perfect bouquet of fruit in response to her texts looking for help with their aging father's (Bill Camp) ongoing dementia health crisis. Translation: She couldn't care less. 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The staff hates Simone, Simone is having a secret affair with Glenn Howerton as Ethan Corbin, the Kell's also wealthy next-soor neighbor, and Devon ultimately shifts from anger to concern after realizing something is very off here. Just what is with this creepy relationship with Simone and 'Kiki'? Described as a 'dark comedy,' there were no moments per se where this viewer actually thought anything was funny. Peculiar? Yes. Interesting? Sometimes. Picturesque? Definitely. But nothing really reeked from any humor. And what seemed a bit off kilter from the get-go was the casting. While you can't go wrong with Oscar winner Julianne Moore and her plastic smile as 'Kiki', Kevin Bacon as her good guy albeit long-suffering husband, or the red-hot Meghann Fahy (does this actress ever take a day off?), Milly Alcock just appeared to be awfully young. In an ending that seemed pretty obvious, Michaela is cast aside, Simone has inherited her role, and Devon heads home. Will Michaela find a new place in high society? Will Devon find her own niche? And will Simone, who looked like she is playing dress up as the new 'Kiki," successfully fill Michaela's shoes? Since Sirens dominated the Netflix charts in its opening weeks, I would not rule out a sequel. But I am not necessarily sure it is worthy of one. 0:03 / 0:09 They Said It Would Make Life Easier. I Hated It With Every Bit of My New-Mom Said It Would Make Life Easier. I Hated It With Every Bit of My New-Mom Rage. Read More Having arrived at the mansion the Kells call 'Cliff House,' Devon, taking on the mantle of investigator, tries to understand whether Simone, who escaped their bad childhood to attend Yale and then passed up law school to take this job with Michaela, has been in some way bewitched by this gorgeous, demanding boss who lets Simone call her 'Kiki.' Why has Simone stopped replying to Devon's calls and texts? Why does she now wear only the kinds of ugly, fancy pastel clothes you see in boutiques in the Hamptons, bearing keel-over price tags—the same styles every single guest and resident at Cliff House wears, without exception? Why does Simone keep this position, which has her drafting sexts from Kiki to Peter, misting lavender onto Kiki's underwear, sleeping in a bed with Kiki when the boss has a bad night, and accepting Kiki's limitations on her dating life? And has Simone had (Devon looks closer) a nose job? on her journey to a lavish island to visit her younger sister Simone (Milly Alcock) Devon is concerned about her sister Simone's creepy relationship with her new boss, billionaire Michaela, and decides it is time for an intervention. where mansions and hydrangeas abound — and where she comes to realize that the surrounding waters are murkier than they first appear. 'I like to talk about Devon as the metronome of the show,' series creator and executive producer Molly Smith Metzler (Maid) tells Tudum. 'She sets the pace, and especially the comedy. Casting Meghann was a gift from the heavens.' While "Sirens" has been compared to "The White Lotus," some viewers find it more akin to a Hallmark-style movie with an unsettling thriller element.


Geek Girl Authority
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Yahoo
3 hours ago
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You Probably Hate This Masterpiece Sci-Fi Show. Here's Why You Need to Rewatch It in 2025
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You should also watch my favorite movie, a historical drama packed with modern themes, for free now. The last thing I want to do is spoil the ending of a show I'm trying to get you to rewatch. But I feel like I need to address this early since one of the main reasons audiences ultimately turned on the show was a misconception about the ending. I'll tell you right now, spoilers be damned. They. Were. Not. All. Dead. The. Whole. Time. The idea that the characters were really all dead the whole series and that the island was just a purgatory-like state is completely untrue. It's been debunked by the creators of the show, the actors who starred in the show and the dialogue in the series finale itself. A twist ending like that -- revealing they had all died in the plane crash right at the start -- would be a horrible one. It would retroactively reduce the entire plot of the show to meaningless, empty nothingness. So, thankfully, that's not how it actually ended. Now, you can just enjoy the show knowing that it all matters. When Lost premiered in 2004, there was nothing like it on network television. A lush, cinematic sci-fi mystery shot on 35mm film, with a massive ensemble cast of mostly unknown actors and an evolving mythology? On ABC, of all places? In the era of CSI, Desperate Housewives, and the dozens of other cop shows and formulaic TV, Lost was a risk. Lost is a sci-fi show (I think a lot of people forget that) with horror and supernatural elements. It's serialized, meaning you must see each episode to understand the next one, unlike so many shows that were airing on network TV at the time. The show follows a group of drastically different people who have just survived a plane crash on a remote, tropical island that seems to harbor deep, dark mysteries. But each survivor has secrets of their own. And they must live together in order to survive. (I can vividly remember hearing protagonist Jack Shepard say, "If we don't learn to live together… we're gonna die alone.") These characters come together with their differences, their pasts (beautifully depicted in flashback scenes), their traumas, their hopes and their desires, to collectively navigate this horrible situation. What unfolds is six seasons of intense, heart-wrenching plot points that subvert expectations and are rich with themes of faith, spirituality, dualism, philosophy and the mystical. It's pretty normal for TV shows now to be cinematic. Shows like The Last of Us, Succession, Stranger Things and Severance all make use of big budgets, high-quality production, engrossing performances and teams of insanely talented writers. But Lost was doing that in 2004 on ABC, which means the showrunners were dealing with the many obstacles and restrictions of network television. For instance, the show's creators -- J.J. Abrams, Jeffrey Lieber and Damon Lindelof -- wanted Lost to only be three seasons, but ABC said no, and pushed them to do 10 seasons when they saw what a hit the show had become. They eventually negotiated down to the six seasons we have today. But that's twice the amount of runtime the original creators intended. Despite this, the writers crafted compelling story lines and introduced some of the most intriguing characters (Ben, Juliet, Jacob, Penny, Miles) into the later seasons. It's easy to forget that Lost was doing time jumps, shifting perspectives and emotional bottle episodes long before The Leftovers, Dark or Severance existed. It experimented with structure constantly: a flashback here, a flash-forward there, a time loop in season 5. Entire episodes would focus on side characters you hadn't seen in weeks. It was complicated, sure, but thrillingly so. The show trusted its audience to keep up, even when it was confusing. 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Even though this was a cast of mostly unknown actors at the time, they all, guest actors included, reached a caliber of performance that is still so rare to witness in a TV series. And the music is absolutely remarkable. Michael Giacchino (The Incredibles, Up, Coco, Inside Out) created what I think is the best TV score of all time for Lost. I mean, he used debris from the crashed plane from the pilot episode to create the unique, bizarre sounds you hear each episode. The score is a perfect fit for a unique storyline. More than anything else, Lost is a show that will make you feel. Is every plotline perfect? No. Do the final seasons get a bit complex? Absolutely. But on balance, Lost is one of the most ambitious, strange, beautiful things ever put on television, and it is emotionally satisfying from start to finish. Lost opened the door for serialized sci-fi and genre storytelling on TV, especially character-first narratives with weird, metaphysical themes. What I'm saying is that without Lost, it's hard to imagine Severance, Stranger Things or other TV sci-fi faves. So if you haven't watched it since 2010 -- or if you've never watched it at all -- now's the time. The entire series is available to stream on Hulu, Netflix, Disney Plus and Prime Video for rent. Skip the Reddit threads. Forget the hot takes. Just hit play. And maybe, just maybe, you'll find that Lost didn't lose its way. We just didn't know how to watch it yet. For more, you can explore the 13 best sci-fi shows on Apple TV Plus and the 18 best sci-fi shows on Prime Video.