logo
Glenn Close and Billy Porter to star in The Hunger Games: Sunrise On The Reaping

Glenn Close and Billy Porter to star in The Hunger Games: Sunrise On The Reaping

Wales Online4 hours ago

Glenn Close and Billy Porter to star in The Hunger Games: Sunrise On The Reaping
Due for release in November 2026, the sixth film in the fantasy franchise will star Close, 78, as escort Drusilla Sickle, and Porter, 55, as stylist Magno Stift
Glenn Close
(Image: Netflix )
The Hunger Games: Sunrise On The Reaping is to star Glenn Close and Billy Porter when it is released next year.
Due for release in November 2026, the sixth film in the fantasy franchise will star Close, 78, as escort Drusilla Sickle, and Porter, 55, as stylist Magno Stift – who is also her onscreen husband.

It comes after Conclave star Ralph Fiennes was cast as villain President Coriolanus Snow in the prequel, which will be an adaption of the fifth book in the series written by Suzanne Collins.

The book was published in March 2025 and is a prequel to the original trilogy, which was adapted into the films starring US actress Jennifer Lawrence.
Close is best known for her appearances in Fatal Attraction (1988), Dangerous Liaisons (1989), and 101 Dalmatians (1996), where she played Cruella De Vil, while Porter is best known for his performances on Broadway in shows such as Kinky Boots.
Article continues below
The new film follows a young Haymitch Abernathy, one of the few Hunger Games winners from the same district as the original trilogy's protagonist Katniss Everdeen, played by Lawrence.
Played by Zombieland actor Woody Harrelson, Haymitch is first introduced to readers in the original trilogy as the alcoholic mentor to tributes Katniss and Peeta Mellark, played by Bridge To Terabithia's Josh Hutcherson, before they are sent off to fight to the death in a televised arena.
The prequel follows Haymitch as he is drawn to fight in the 50th Hunger Games, a violent entertainment set up to maintain control in the fictional country of Panem, and faces double the amount of tributes, two boys and two girls, who are selected from each district.
Article continues below
The movie will be directed by Francis Lawrence, who also directed the Hunger Games: Catching Fire, Mockingjay Part I, and Mockingjay Part II.
The Hunger Games: Sunrise On The Reaping will be released in cinemas on November 20, 2026.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Theatrical hitmaker Justin Martin on Prima Facie's follow-up: ‘It wrestles with how to bring up boys'
Theatrical hitmaker Justin Martin on Prima Facie's follow-up: ‘It wrestles with how to bring up boys'

The Guardian

timean hour ago

  • The Guardian

Theatrical hitmaker Justin Martin on Prima Facie's follow-up: ‘It wrestles with how to bring up boys'

Earlier this year, opposing theatres in Charing Cross Road displayed 'sold out' signs for their shows. Both of them – Stranger Things: The First Shadow and Kyoto – were co-directed by Stephen Daldry and Justin Martin. 'It was surreal,' says Martin. 'Someone sent me a photo and I thought: I'm keeping that. As a little Australian, I'm still surprised to make a living out of this crazy career.' The Guardian's journalism is independent. We will earn a commission if you buy something through an affiliate link. Learn more. Kyoto had a limited run but Stranger Things has been going for 18 months and has 'the noisiest audience I've ever heard', Martin reports. 'I think the stat is that 60% of [them] have never been to a play before. So they eat popcorn throughout and just respond in a really natural way. If it's boring, they leave. If they're frightened, they really scream and gasp. It's very live but, if you're used to traditional theatre, it's weird.' Martin has had a centre seat for the modern evolution of theatregoing. As a solo director, he staged Suzie Miller's Prima Facie, a horrifying monologue by a barrister who is a survivor of rape, with Jodie Comer winning Olivier and Tony awards in London and New York. Uniquely for a stage play, it also twice topped the UK cinema box office when screened by NT Live. For Martin, that felt as unlikely an achievement as having double hits in London. 'I think a lot of it was Jodie,' he reflects. 'But also the subject matter of the play: that people wanted to be part of that conversation about relationships and consent. With a new play, you never know what you've got until it meets the audience. The first preview of Prima Facie, the audience was almost all women and I'd placed Stephen Daldry in the middle of the stalls to give me notes. And, even as the final music cue played, all the women in the theatre leaped to their feet with such energy and passion. And that was pretty much repeated everywhere.' Martin and Daldry intermittently fantasise about creating templates for sellout shows that can be copied around the world by assistants who occasionally check in by Zoom with the creators on their yachts. 'Sadly,' he laughs, 'we don't seem to have achieved that. We have to be around a lot for every run.' Just back from working with Daldry to open Stranger Things on Broadway, Martin will next year direct Comer again in a UK and Ireland tour of Prima Facie. Next month, he makes a National Theatre debut with Miller's new play. Whereas the earlier work took its title from the Latin legal phrase meaning 'at first sight', Inter Alia borrows the lawyers' term for 'among other things'. And, after the barrister's monologue of Prima Facie, Inter Alia is a sort of double soliloquy, for a high court judge, Jessica Parks (Rosamund Pike), who delivers both her public and private thoughts as a family crisis tests, inter alia, her judiciousness. 'In conversation' is a favourite term of Martin's for how culture works and Inter Alia has a lot to say to Adolescence, the Netflix mega-hit, as the judge becomes involved in the case of a young man accused of an assault on a classmate. 'They're definitely related,' Martin agrees. 'Both Inter Alia and Adolescence are talking about what everyone's talking about, which is how to bring up boys with an understanding of women and consent. What interested me about Adolescence was the response: get rid of mobile phones, get rid of social media. And you think: that's one of the things but there are other issues about our complicity in the society we've created. Rosamund's character in our play is trying to bring up a feminist son. And what does that mean? Suzie's play is wrestling with how to bring up boys.' The Adolescence overlap is another example of a phenomenon that fascinates Martin: how plays are changed by the surrounding context. Kyoto by Joe Murphy and Joe Robertson – known to Martin and Daldry as 'the Joes', having previously written for them The Jungle, the 2017 immersive drama about a refugee camp at Calais – premiered in summer 2024 by the Royal Shakespeare Company at Stratford-upon-Avon and transferred to London this year. 'What was amazing about that play,' says Martin, 'is that we changed it a little bit between the two productions but the world had changed a huge amount.' He means the election of Donald Trump, which made the audience even more unnerved about an American lobbyist, Don Pearlman (played by Stephen Kunken), trying to sabotage the 1997 international agreement in Japan to reduce global warming. 'If you do stuff about what's going on now, which is what I like to do, then it's exciting when the context changes the play. Because of Trump, the play's discussion of the divisiveness of America had a different focus.' Kunken was, pantomime-like, regularly booed at curtain calls. But Martin has deep experience of theatre bumping into current affairs. In 2013, when Margaret Thatcher died, he was assistant director to Daldry on two West End shows in which the contentious former prime minister was satirised: Lee Hall and Elton John's musical Billy Elliot and Peter Morgan's Westminster bio-drama The Audience. 'We thought: hang on, these shows become about something different tonight. Stephen held an audience vote at Billy Elliot about whether the song fantasising about Thatcher's death should be included. [It was.] And Peter and I went on stage before The Audience and talked to the, er, audience about whether the Thatcher scene should be included. [It was.] But, when it gets like that, it's really exciting. When Haydn Gwynne, who was playing Thatcher, came on, the audience all went deeply quiet as if: are we allowed to do this tonight? But then she did her deep curtsey to the queen and everyone laughed and it was as if there was permission to be in conversation with what had just happened. It was electric.' Martin was working as 'resident director' (day-to-day show-running) on the Australian production of Billy Elliot when he first encountered Daldry and moved up, via assistant and associate director, to co-director (on The Jungle, Kyoto and Stranger Things). Some duos who use that term sit side by side at desks during rehearsals, but not Daldry/Martin: 'We divide up the show and then come back together to look at what the other has done. Every director runs out of ideas in a rehearsal room so it's great to have someone who can pick it up and run with it.' Together and separately, a trait of their productions is pace. Without ever dropping a word, Comer in Prima Facie gave a sense of a racing brain and body. Kyoto, a hefty two-act play, felt much shorter than its running length. Martin nods: 'I love it when a play is just ahead of the audience and they're trying to catch it. With a monologue, it's someone's inner thoughts and people think so quickly so it has to go: boom, boom, boom. When I started on Prima Facie, it wasn't quite coming alive and I rang up the friend who did it in Australia and she said with monologues you have to go at a rapid pace because of the speed of thought. I think pace is everything. Although it can be a fight now because a lot of actors try to act between the lines. That's the influence of screen work where it's in the pause, it's in the look. But in theatre you have to act on the line. It's an oral medium; if you're not hearing it, there's nothing going on. Stephen and I are notorious for saying to actors: if you're doing nothing, then nothing is happening.' Martin is one of a group of Australian directors – Simon Stone, Benedict Andrews, Kip Williams – who have worked prominently in London. 'I came over chasing a partner who had moved here and I just found it was the place I wanted to work,' he says. He is pleased that Inter Alia is scheduled for NT Live. 'For someone living across the world from where my parents are, it's a way of connecting … But, more importantly, it's democratised theatre.' All his big shows have been new – including The Fear of 13 with Adrien Brody – but do producers ring up and offer The Cherry Orchard or Richard III? 'Yep.' And he says no? 'Yep. Until I find my own way into a classic the way Stephen did to An Inspector Calls, where you feel the play is turned on its head.' After Inter Alia he is planning to complete a trilogy with Miller: 'We have a third one with another Latin legal title that I can't say for the moment.' While Martin insists that collaboration must remain sub judice for now, his track record suggests audiences are unlikely to be in absentia. Inter Alia is at the National Theatre, London, 10 July-13 September, and in cinemas as part of NT Live from 4 September. Stranger Things: The First Shadow is at the Phoenix theatre, London.

Terence Crawford reveals moment he told mother of his children he was having baby with another woman
Terence Crawford reveals moment he told mother of his children he was having baby with another woman

Daily Mail​

timean hour ago

  • Daily Mail​

Terence Crawford reveals moment he told mother of his children he was having baby with another woman

Terence 'Bud' Crawford may have a perfect 41-0 record, but the four-division boxing champion still knows how to take a loss. 'I'm just a man,' the 36-year-old told Shannon Sharpe on the Club Shay Shay podcast in a resurfaced clip from April 23. The retired NFL star and Pro Football Hall of Famer was interviewing Crawford about his long-time love, Alindra, with whom he shares six of his seven children. And the seventh? 'Last one not by her,' said Crawford, who is currently preparing for his highly anticipated September 13 super middleweight bout with Saul 'Canelo' Alvarez. The admission led Sharpe and Crawford to recreate the moment he told his high school sweetheart of his infidelity. 'Walk me through it,' Sharpe demanded. 'How you go home, "Hey baby… I bought you something… What's going on?"' Sharpe then switched parts, taking on the roll of Crawford's long-time girlfriend: 'Bud, what you got to tell me?' As Crawford recalled, he didn't lie but rather admitted defeat. 'N*****, got one on the way,' Crawford remembered telling Alindra. 'Just like that, Bud?' Sharpe asked. The normally quiet Crawford launched into a straightforward explanation. 'You can't lie. How you gonna lie?' he asked. 'You better tell her now because it's gonna be worse when the baby comes.' As for his children, Crawford said he won't let them box or partake in the Omaha native's favorite spectator sport, football. 'No boxing, no football,' he added. Asked why he'd deny his children the chance to play combat sports, Crawford had an answer ready: 'That's why I did it, so they don't have to.' But what if one of his sons grows to be a hulking 6-foot-3 athlete? 'He's not 6-3 because I'm not 6-foot and his mamma's not 6-foot,' the 5-foot-8 Crawford told Sharpe. 'So he ain't gonna be 6-nothing. He's lucky if he's gonna be 5-8.' While Crawford does enjoy taking his sons fishing, at least one has emerged as a high-level wrestler in Nebraska, a regional hot spot for the sport. Sharpe's interview with Crawford aired days after he was named as a defendant in a sexual assault lawsuit by a woman claiming to be his former girlfriend. Although Sharpe did offer the woman $10 million to settle the dispute, his lawyer Lanny Davis has conceded, the Broncos legend has maintained his innocence and has vowed to fight the case in court. Crawford will face Alvarez on September 13 in what is likely the biggest bout in either champion's respective careers. The Las Vegas bout will be aired on Netflix, which previously drew 108 million viewers to see a 58-year-old Mike Tyson lose to former YouTube star Jake Paul.

US comic and writer Sam Jay to make Edinburgh Festival Fringe debut
US comic and writer Sam Jay to make Edinburgh Festival Fringe debut

Scotsman

timean hour ago

  • Scotsman

US comic and writer Sam Jay to make Edinburgh Festival Fringe debut

Emmy nominated writer and comedian Sam Jay (HBO's Pause with Sam Jay, Sam Jay: Salute Me or Shoot Me, Sam Jay: 3 In The Morning), is all set to cross the pond and make her Edinburgh Festival Fringe debut this year. She will be performing her new show, 'We The People', for the full festival run. Sign up to our daily newsletter Sign up Thank you for signing up! Did you know with a Digital Subscription to Edinburgh News, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Sam has built a name for herself and her signature style of refreshing takes blended with provocative boldness, making her one of America's hottest comedy names. 'We The People' is a new hour that Sam has been working up and will explore America's relationships with the world as well as with herself through the eyes of a black woman in America. With everything that is happening in the world of politics, international relationships and America being at the heart of it, how does Sam Jay feel about the certain demise of a country she's never truly felt a part of? Sam Jay is a regular face on TV and is well known for her highly praised specials, 'Sam Jay: 3 In The Morning' (Netflix) and 'Sam Jay: Salute Me or Shoot Me' (HBO). Her television credits also include her own weekly late-night series 'Pause With Sam Jay' (HBO) which she also executive produced, Jimmy Kimmel Live! (ABC), You People (Netflix) which is directed by Kenya Barris and also stars Jonah Hill, Eddie Murphy and Julia Louis-Dreyfus, The Comedy Lineup (Netflix), Netflix's Stand Out: An LGBTQ+ Celebration (Netflix) which saw her perform alongside Margaret Cho and Billy Eichner, The Roast of Tom Brady (Netflix), The Eric Andre Show (HBO), SafeWord (MTV), and many more. Advertisement Hide Ad Advertisement Hide Ad Sam is internationally known and has performed all over the globe. She has previously performed at festivals including the Netflix is a Joke festival, the New York Comedy Festival, the Vodafone Dublin Comedy Festival, Boston's Women in Comedy Festival and more. As well as her work as a live comic, Sam is also highly praised for her work as a writer and received a Writer's Guild of America nomination and Emmy nominations for her work on Saturday Night Live. In 2023, Sam was named a BET Her Awards Pride Honoree and was featured as the 'Voice of God' at the 74th Prime Time Emmy Awards (2022). She is a critically acclaimed comic and has been previously picked as one of Variety's 10 Comics to Watch for 2018. Sam Jay, We The People EDINBURGH FRINGE LISTINGS INFORMATION: Sam Jay: We The People Venue: Pleasance Courtyard, Upstairs Date & Time: 30th July – 24th August, 7pm Duration: 60 mins Instagram: @samjaycomic Twitter: @SamJayComic

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store