logo
Gwyneth Paltrow Gives Her Ski Trial Style a Ritzier Second Act

Gwyneth Paltrow Gives Her Ski Trial Style a Ritzier Second Act

Vogue18-06-2025
Over two years ago, Gwyneth Paltrow inadvertently became an avatar of the quiet luxury trend while taking the stand in her ski accident trial in Deer Valley, Utah. While her sumptuous knits and smart suiting did help catalyze the stealth wealth craze, Paltrow's own style usually has a bit more of an edge, expressed through bold colors or a little sparkle. Yesterday, she embraced the latter at the Max Mara resort 2026 show.
Paltrow joined the likes of Joey King and Alexa Chung in the front row at the Naples, Italy show. For the occasion, she embraced her ski trial conventions—neutrals and knits—with some sparkle thrown in for good measure. On top, Paltrow wore a beige knit short-sleeved V-neck with ribbing to the bust and a haphazard sprinkling of brown rhinestones and paillettes. She paired it with a matching beige A-line midi skirt. As for her shoes, she kept it in the color family with a pair of warm brown pointy-toe heels.
With her sophisticated silhouette, luxe materials, and neutral palette—plus the added pizzazz of her rhinestone and sequin embellishments—Gwyneth Paltrow is giving her ski trial style a ritzier second act.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Scooter Braun Brushes Off Taylor Swift's Masters Comments
Scooter Braun Brushes Off Taylor Swift's Masters Comments

Fox News

time3 hours ago

  • Fox News

Scooter Braun Brushes Off Taylor Swift's Masters Comments

Scooter Braun brushed off Taylor Swift's emotional comments about their masters feud on Travis Kelce's podcast, saying only, 'I wish everybody the best.' Kevin Costner moved to dismiss a sexual harassment lawsuit from stuntwoman Devyn LaBella, calling her allegations 'absolutely false' and submitting messages to back up his defense. A Condor Airlines flight in Italy made an emergency landing after flames were spotted near an engine, though the airline later said it was a harmless combustion reaction and no passengers were ever at risk. Learn more about your ad choices. Visit

Why the Federico Chiesa chant is making some Liverpool fans very uncomfortable
Why the Federico Chiesa chant is making some Liverpool fans very uncomfortable

New York Times

time6 hours ago

  • New York Times

Why the Federico Chiesa chant is making some Liverpool fans very uncomfortable

'We can hear them crying in Turin, Federico, he's here to win. One chat with Arne Slot and he said 'ciao', F*** off Juve, I'm a Kopite now…' Not every thought that spills onto a footballer's social media page comes from a real place, but when Federico Chiesa left Juventus for Liverpool last summer, there was a genuine sense of warmth for at least some of the people he was leaving behind. Advertisement He began by thanking fans for 'supporting me in good and the difficult times, and for that I will always be grateful'. Over the previous four years, he had worked with players and coaches 'at the highest level', comparing them to 'family', especially when he struggled. 'You have helped me stand,' he wrote. 'I will always carry with me the joyful memories we shared.' Chiesa might have had an issue with the club's executives. He did not mention owners or directors directly, but felt the need to address rumours he had requested amendments to his contract, saying he had been 'informed that I would not be part of the project', which left no option but to move on. The statement is a long way from him telling Italy's most successful club to 'f*** off', as suggested in the song Liverpool fans sing in his honour to the tune of Dean Martin's 'Sway'. Similarly, there is no sense of anyone 'crying in Turin'. Even so, the Chiesa chant has become a staple of the Anfield songbook. It debuted last season but has become increasingly popular over the intervening months, reaching a zenith last Friday when Chiesa enjoyed his best moment yet in a Liverpool shirt by scoring a crucial goal against Bournemouth. Very few football chants are meant to be taken literally — Mohamed Salah is a wonderful footballer, but, just for the record, he is not actually an 'Egyptian king' — yet it is hard not to take a chant seriously if it has been crafted without care. A player signed from any other club could have had a similar song bellowed out in his honour and it would have been fine. But not someone from Juventus, and for very good reason. May marked the 40th anniversary of the Heysel disaster, when 39 mainly Juventus fans lost their lives at the 1985 European Cup final in Brussels after being crushed by a collapsed wall. One of the main factors in those deaths was a charge by Liverpool supporters from a neighbouring section of a crumbling venue, which investigators subsequently deemed unfit to host a match of such magnitude. Advertisement Many in Italy have never forgiven Liverpool for what happened in Belgium that day, and feelings in Turin remain especially raw. There have been efforts from both clubs to improve relations, but the fact Liverpool have not faced Juventus in a competitive fixture in more than 20 years means there have been precious few opportunities to build bridges. On the most recent occasion, a Champions League quarter-final first leg in 2005, travelling Juventus fans responded to a display on the Kop that spelt out 'friendship' in Italian by turning their backs. It is not difficult to imagine how Juventus fans may feel on hearing the Chiesa chant. For them, the image of 'crying in Turin' being invoked by fans of the club indelibly associated with the most dreadful event in its history will cut deep. Liverpool fans know how hurtful crass chants can be. They are routinely subjected to 'victim' taunts by rival supporters, which, while not mentioning the Hillsborough tragedy explicitly, helped create an environment where the authorities who failed so terribly in 1989 were not subjected to the kind of public pressure and legal scrutiny that could have ultimately made every person in Britain safer. When I hear those 'victim' chants, my heart sinks and I despair at how mindless people can be. But the Chiesa chant also makes me feel deeply uncomfortable. Many Liverpool supporters insist the Chiesa song has nothing to do with Heysel, and it is surely true that those who created it did not do so in an attempt to goad Juventus over what happened in 1985. Yet nobody has offered up a reasonable explanation for the lyrics being so aggressive, beyond them imbuing the chant with a visceral energy. Chiesa has emerged as a bit of a cult character at Liverpool. Though he has barely featured, he is likable. He always seems to be smiling and given his minimal impact during a title-winning season, he gave the whiff of a competition winner as he paraded the Premier League trophy around Anfield in May. His song was sung loudly that day on the concourses of the stadium before it made its way into the stands, almost like a victory chant. Given Liverpool's reduced attacking options presently, there is hope he can do better. At Wembley during the Community Shield, it was one of the loudest songs in the Liverpool end. When he scored the winner against Bournemouth, Anfield erupted, but he had already been serenaded before his strike in the closing minutes. Over the weekend, respected Liverpool fan sites were pushing it on their platforms. Advertisement Chiesa, for his part, says he is 'really grateful for the song they are singing', but that does not necessarily mean he knows about its potential implications. When the journalist and Walk On podcast presenter Tony Evans — who was at that European Cup final in 1985 — wrote critically about the chant yesterday, the pushback online was significant. It seemed typical of a generational divide on the issue among Liverpool fans, between those who lived through Heysel and its immediate legacy and those who didn't. As the years pass, details are forgotten. In recent times, I feel partly responsible for this. Before the 40th anniversary in May, The Athletic was due to publish a series of articles detailing what happened in Brussels and the impact on both clubs. Shortly before they were due to appear, a car ploughed into a crowd of fans at Liverpool's title parade, leading to the hospitalisation of more than 100 people. Without knowing the condition of the injured, and with emotions so heightened, it felt insensitive to be pushing death in front of readers. I understand if some think this was the wrong decision. Three months on, I am not sure whether it was the right call, but I would like to revisit the subject this year. It is clear to me that fading memories of Heysel help explain why the Chiesa chant has taken hold without people questioning it, while also offering mitigation when it is suggested it might be malicious. Whatever the context, it has already given Juventus fans the chance to say it is a battle cry against them. Anti-Juventus songs have never previously featured among the Liverpool fanbase, but now there is one, with the chant being spread via social media. It is easy to find clips shared by Sky Italia and others, and the replies from Juventus fans saying Liverpool have no shame and their fans are drunken hooligans or animals. So far, there have not been any newspaper articles on the subject, either in England or Italy, but if Chiesa starts delivering regularly and earns a recall to his national side, it is imaginable that reporters will want to know what has boosted his confidence. The song will almost certainly be subjected to scrutiny. Advertisement My concern relates to what this means for the present. The Champions League draw is made next week and I, for one, am hoping that Liverpool avoid Juventus or, indeed, any Italian opponent. Liverpool fans have had well-documented issues against Napoli and Roma in recent years, and there has to be a risk that the Chiesa chant, however it was intended, could effectively serve as a call to arms for hooligan elements who need little encouragement in targeting visitors from Merseyside. It's a shame because, but for one unnecessary line, it's a great song. Supporters do not like being told what to do or having fun defined for them, certainly not by the club they support or by journalists. Yet it would not take much to amend 'f*** off' with something such as 'later, Juve', or even 'arriverdverci'. I'm sure there's someone out there with a more creative mind than me who can play with the bit about 'crying in Turin'. It would be a small gesture, but one that would go a long way. Spot the pattern. Connect the terms Find the hidden link between sports terms Play today's puzzle

These surprising materials are the future of furniture design
These surprising materials are the future of furniture design

CNN

time8 hours ago

  • CNN

These surprising materials are the future of furniture design

From chairs built with mushroom mycelium and vegan leather sofas to fabrics originating from seaweed, unexpected materials have been slowly making inroads into our homes. With the industry under pressure to become more sustainable, designers and manufacturers have turned to out-of-the-box alternatives to make products that have a circular lifespan (ie. furniture or other household items that can be re-used, composted and ultimately do not become garbage). The market for circular home and living will reach up to €45 billion in 2030 (around $51 billion), driven by sustainably produced furniture and home goods containing sustainable materials, according to McKinsey & Company, a management consulting firm. Earlier in the year, at Milan Design Week — a global event where new products are unveiled and trends are established — circularity and material innovation emerged as central themes. Design firm Particle, which has studios in New York and Los Angeles, debuted 'Parts of a Whole,' a collection of sculptural, Bauhaus-inspired dining room furniture made from repurposed textiles and denim, as well as a tablescape featuring 3D-printed candle holders and rubber accessories crafted from repurposed sneaker soles. Founded in 2020 by architects Krissy Harbert and Amanda Rawlings, the idea for Particle emerged while both were working on internal design projects at Nike, where they frequently experimented with industrial waste. 'We were using leftover materials — Nike has this Nike Grind rubber they use — and we started thinking about where and how else it could be applied,' Rawlings told CNN. Their work with upcycled furniture – particularly using sneaker waste – gained wider attention in 2023 with their 'I Got Your Back' chair and stools, made entirely from recycled footwear. 'Rubbers, plastics, footwear waste and recycled textiles hold vastly untapped potential. They are extremely versatile materials, which leaves space for a lot of different creative possibilities,' Rawlings said. 'Krissy and I are exploring how to extend their lifecycle — and doing it through homeware people genuinely want to live with.' Davide Balda, a multidisciplinary designer based in Milan shares a similar sentiment. During the festival, he presented 'Telare la Materia,' a project in collaboration with the Benetton Group that transformed unsold garments from the United Colors of Benetton's Green B line (designed to minimize chemical use in its fabrics) into new raw materials for architecture and design. One proposal in the project turns clay and textile waste into natural tiles and plaster. In another, traditional felt-making techniques are used to create a durable, flexible textile made from synthetic, animal, and plant-based fibers, for home furnishings. 'We're constantly asking ourselves: What does it mean to make something truly lasting in a throwaway world? And how can we design objects that don't become waste themselves?' Foteini Setaki, co-founder of the Dutch design firm, The New Raw 'Telare la Materia is an exploration into more sustainable ways to reduce the textile industry's environmental footprint and handle production waste locally,' Balda told CNN. 'Instead of exporting textile surplus to countries in Africa or South America — as is often the case — we can repurpose it into something meaningful and lasting.' For Balda, who identifies as an 'archeodesigner' — someone whose work centers on finding and creating new sustainable materials, and giving discarded ones new purpose — this approach isn't just a creative choice, but a moral imperative. 'I'm not interested in designing just another pretty lamp,' he said. 'Designers today need to challenge systems, rethink materials, and offer scalable, real-world solutions to issues like waste.' Meanwhile, The New Raw, a Rotterdam-based practice, unveiled a striking collection of outdoor furniture made entirely from recycled plastic sourced from local Dutch waste streams. The pieces are 3D-printed on demand. 'We're constantly asking ourselves: What does it mean to make something truly lasting in a throwaway world? And how can we design objects that don't become waste themselves?' one of the firm's co-founders Foteini Setaki said. 'Materials like the ones we use — but also biomaterials and other emerging alternatives — give us the tools to start answering those questions. They're not just about making things differently, but about reshaping the entire lifecycle of design.' This new approach must look good, too. 'Sustainable storytelling has to go hand-in-hand with beauty,' she said. 'It's important that people are (also) drawn to our products visually, not just because they're comfortable or align with their values.' Some design companies have explored the potential of plant-based materials. Chosen for their renewable nature, durability and biodegradability, they can be attractive alternatives to traditional materials such as wood or plastic. Polish studio Husarska unveiled their own dining set made from a new natural material, created in collaboration with 'The True Green,' which combines hemp and plant-based adhesives. Touted as a sustainable alternative to wood, hemp can sequester 15 to 25 tons of CO₂ per hectare annually — significantly more than temperate forests do in a year (they average 2 to 5 tons). Rockwell Group, a cross-disciplinary architecture and design practice founded by David Rockwell, made the humble cork the star of its exhibition 'Casa Cork' — a space crafted almost entirely out of the material, from the interiors to the furniture and lighting fixtures. The installation featured works by a wide-ranging group of designers, students, and hospitality professionals, each exploring a different creative use for cork. At its core was the mission of Cork Collective, a nonprofit initiative co-founded by the Rockwell Group that collects, recycles, and repurposes cork stoppers from restaurants and hotels across New York City. 'It's not a flashy material that turns heads… but cork is ripe for reinvention,' Rockwell explained over email. 'With Casa Cork, we wanted to create surprise and delight — turning something taken for granted into beautiful, functional objects.' Cork absorbs CO₂ and regenerates every nine years, making it inherently low-impact. And with an estimated 13 billion cork stoppers discarded each year, the material offers a vast — and largely untapped — opportunity for circular transformation. Other modest materials are also getting a second look. 'Enhance' — an exhibition curated by Italian design platform DesignWanted — challenged conventional ideas about what constitutes 'worthy' design matter by spotlighting material innovations aligned with seven key Sustainable Development Goals (SDGs) identified by the World Design Organization. The show featured a striking array of objects made from overlooked or discarded resources — think seashells, storm-felled wood, and un-recycled glass — each reimagined by designers into pieces that were as visually compelling as they were environmentally conscious. 'New materials are opening up different ways of what it means to design today,' said the curator Juan Torres. 'They reflect a mindset that sees design as a tool for responsibility — especially for the next generation.' None of this signals a total industry overhaul, Torres noted, at least not yet. Many of these solutions remain local, small-scale, and in the early stages of adoption. 'Big brands are paying attention, but they're still slow to act,' he said. 'The real change is coming from the ground up.' But while it might take a few more years to see them go fully mainstream, 'the shift is underway,' Torres said. 'And it's gaining speed.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store