logo
Anna Wintour steps back as US Vogue editor-in-chief after 37 years

Anna Wintour steps back as US Vogue editor-in-chief after 37 years

Euronews27-06-2025
Longtime Vogue powerhouse Anna Wintour has announced she is stepping down as Vogue editor-in-chief.
She told staff on Thursday that she's seeking a head of editorial content to handle more of the day-to-day operations.
She isn't leaving the publication entirely, though.
Wintour, 75, is keeping some power at the magazine that built her reputation in fashion by retaining editorial control. She will remain chief content officer for Condé Nast and global editorial director of Vogue.
'And it goes without saying,' she joked, 'that I plan to remain Vogue's tennis and theater editor in perpetuity.'
The new lead will report directly to Wintour in her capacity as global editorial director, Vogue said in a statement.
'Anybody in a creative field knows how essential it is never to stop growing in one's work. When I became the editor of Vogue, I was eager to prove to all who might listen that there was a new, exciting way to imagine an American fashion magazine,' Wintour told staff.
'Now, I find that my greatest pleasure is helping the next generation of impassioned editors storm the field with their own ideas, supported by a new, exciting view of what a major media company can be,' she added.
As chief content officer, Wintour will continue to oversee every Condé Nast brand globally, including Vogue, Wired, Vanity Fair, GQ, Glamour, Bon Appétit, Tatler, Allure and more - with the exception of The New Yorker. She will also remain involved in Vogue World, a traveling fashion and cultural event the magazine began in 2022.
The news shook the fashion world amid headlines that Wintour, who also oversees the annual Met Gala - fashion's biggest night and a major fundraiser for the fashion wing of the Metropolitan Museum of Art - was stepping down from the magazine.
Wintour transformed Vogue during her decades at the magazine. She was named creative director in 1983, served as editor-in-chief of British Vogue from 1985 to 1987, and then rejoined the American title as editor-in-chief.
She modernized the magazine by featuring celebrities on its covers and mixing high fashion with more affordable street style.
She championed emerging designers, including Marc Jacobs, Alexander McQueen and John Galliano, and broadened the brand's reach by adding new titles around the world.
The British-born Wintour was given a Damehood for her services to fashion earlier this year.
Following the investiture ceremony at Buckingham Palace, Dame Anna said she did not intend to retire anytime soon.
She said: "The last time I was here, the Queen gave me a medal and we both agreed that we had been doing our job a very long time, and then this morning His Majesty asked me if this meant I was going to stop working, and I said firmly, no."
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Stressed UK teens seek influencers' help for exams success
Stressed UK teens seek influencers' help for exams success

France 24

time2 days ago

  • France 24

Stressed UK teens seek influencers' help for exams success

He is among online study influencers gaining popularity among stressed British teenagers in search of exam success. But educators and examiners are concerned some pupils are relying too much on online advice. Malik posts videos on TikTok and YouTube forecasting questions on classic English literature for the UK GCSE school exam taken at 16. Last year "I predicted the entire paper," he says on his popular "Mr Everything English" channel. Malik, who says he is a former assistant head teacher, notes that he is just making an "educated guess", but educators remain concerned. "If you are a 15- or 16- year-old doing your GCSEs and you've got somebody in your phone who's telling you 'this is what the English exam is going to be about'... that is so appealing," said Sarah Brownsword, an assistant professor in education at the University of East Anglia. After British pupils sat their exams in May, some complained that Malik's predictions were wrong. "Never listening to you again bro," one wrote, while others said they were "cooked" (done for) and would have to work in a fast food restaurant. With GCSE results set to be released on August 21, one exam board, AQA, has warned of "increasing reliance on certain online revision channels". "Clearly this is an important source of revision and support for students," it said. But the examiners want "your interpretation of the texts you have studied, not some stranger's views on social media". 'Looking for help' Students are overloaded, school leaders say. "With so much content to cover and revise in every subject it can be completely overwhelming," Sarah Hannafin, head of policy for the school leaders' union NAHT, told AFP. "And so it is unsurprising that young people are looking for anything to help them to cope." Malik, whose prediction video has been viewed on YouTube 290,000 times, did not respond to a request for comment. Brownsword praised TikTok, where she posts grammar videos for student teachers, saying: "You can learn about anything and watch videos about absolutely anything". Teachers have always flagged questions that could come up, she said, but predicting exam questions online is "really tricky". "But I think there's a real difference between doing that and doing it on such a scale, when you've got thousands or tens of thousands or even hundreds of thousands of followers online." Other content creators defended such videos, however. "Those kind of videos were never to mislead," said Tilly Taylor, a university student posting TikTok videos with candid revision advice to 100,000 followers. "I make it very clear in my videos that these are predictions," based on past papers and examiners' reports, said Taylor, who appeals to younger viewers with her fashionable eye makeup. Other content creators sell predicted papers "all the time," Taylor said, but "I don't think it's right." Other educational influencers were more in favour. "If you're marketing it as a predicted paper, that's completely fine... you just can't say guaranteed paper," said Ishaan Bhimjiyani, 20, who has over 400,000 TikTok followers. He promoted a site offering an English predicted paper for £1.99 ($2.70) with a "history of 60-70 percent accuracy". 'It took off' Predicted papers allow you to "check whether you're actually prepared for the exam", said Jen, a creator and former teacher who posts as Primrose Kitten and declined to give her surname. Her site charges £4.99 for an English predicted paper and includes a video on phrasing to score top marks. Bhimjiyani, who went to a private school, started posting on TikTok at 16, saying he was "documenting my journey, posting about how I revise". "And then it kind of took off." He founded an educational influencer agency, Tap Lab, that now represents over 100 bloggers in their mid-teens to mid-20s. Influencers earn most from paid promotions -- for recruiters or beauty or technology brands --- which must be labelled as such, he said. Bhimjiyani made £5,000 with his first such video. Taylor said she recently promoted student accommodation. No one explained "how do you actually revise", Taylor said of her school years. So she turned to YouTube for ideas.

Who's going to lie down on the couch? 'The Sopranos,' the first TV series to tackle mental health
Who's going to lie down on the couch? 'The Sopranos,' the first TV series to tackle mental health

LeMonde

time3 days ago

  • LeMonde

Who's going to lie down on the couch? 'The Sopranos,' the first TV series to tackle mental health

A man suffers a panic attack. On the advice of his general practitioner, he consults a psychiatrist. She diagnoses him with clinical depression, and he begins therapy. Over the course of their sessions, he talks (a lot) about his mother, with whom he has a complicated relationship. He discusses his wife, his son and daughter, his own childhood, the memory of his deceased father and his work. Nothing particularly remarkable. Except that the protagonist of The Sopranos – whose first episode aired on January 10, 1999, on the American network HBO – is not an ordinary patient. Tony Soprano (James Gandolfini) is a mafia boss, head of a New Jersey "family." This man, who has a string of misdeeds to his name, falls apart when the wild ducks he loved to watch paddling in his pool fly away. From today's perspective, following an individual's mental health struggles seems unremarkable. Mental health is now everywhere in TV series, with a wide range of patient profiles. En thérapie (In Therapy), created by Eric Toledano and Olivier Nakache and adapted from the Israeli series BeTipul, with two seasons broadcast on Arte in 2021 and 2022, put a surgeon, a police officer from the search and intervention brigade, a business executive and a student on the couch. 13 Reasons Why (2017) unfolds as an investigation into the suicide of a teenage girl. Atypical (2017) follows a young man on the autism spectrum, while the animated series BoJack Horseman (2014) centers on a washed-up actor dependent on sex, alcohol and drugs.

'Weapons': Why no one needs a prequel to the box office hit of 2025
'Weapons': Why no one needs a prequel to the box office hit of 2025

Euronews

time3 days ago

  • Euronews

'Weapons': Why no one needs a prequel to the box office hit of 2025

While it was highly anticipated, Zach Cregger's Weapons has become the breakout hit of the summer no one expected. Not only did the American filmmaker's sophomore horror film top the box office during its debut weekend and has raked in a reported $92 million internationally at the time of writing (on a budget of $38 million), it's also become one of the most critically acclaimed films of 2025. For those who haven't yet had the pleasure, Weapons is a mystery horror gem that takes place in the aftermath of the disappearance of 17 children, who all leave their homes one night at precisely 2:17am. They run into the night and are never seen or heard from again. In our (glowing) review for Weapons, we wrote: 'Cregger skilfully employs a Rashomon-style narrative construction to craft a distressing fairytale that starts off as a small-town mystery thriller with shades of Twin Peaks and Denis Villeneuve's Prisoners. And his novelistic approach pays off, as it only furthers quite how much Stephen King must be green with envy that this suburban US nightmare isn't his baby.' We added: 'Weapons has become the tense and deliriously entertaining horror film to beat this year. Considering 2025 has already been good to the genre, with Presence, Sinners, The Ugly Stepsister, 28 Years Later and Bring Her Back – to name but a few highlights – that should tell you plenty.' But because we can't have nice, self-contained things, there's trouble afoot... There are only three certainties in life: death, taxes and Hollywood greed. The slightest whiff of buzz and box office glory and opportunistic studios start getting ideas, seeking to milk creative properties dry. And because Weapons is a hit, a prequel has apparently been tabled, with Cregger reportedly in early talks for a time-reversing follow-up. Per an exclusive report from The Hollywood Reporter, Cregger is in early discussions with Warner Bros. Pictures and New Line Cinema for an origin film set in the Weapons universe – with the prequel focusing on the film's mysterious antagonist. Warning: mild spoilers ahead. The prequel would focus on Amy Madigan's character Gladys – this demented fairytale's witch, who cast a spell on the kiddies and ends up meeting a particularly gruesome end. On a surface level, a prequel could make some artistic sense. Weapons is a non-linear story that explores multiple viewpoints, and the film never gets Gladys' perception. There's no doubt that Madigan would ace it if she were to return to the role, and Cregger has proven that he's not to be underestimated. However, one of the many reasons why Weapons works so well is a lack of backstory for the evil character. We don't need answer dumps or to be clued up on the 'why' behind her nefarious motivations; it's a lot creepier when these elements remain unknown. Prequels not only run the risk of botching continuity, canon and tension, but dish out unnecessary explanations. Recent examples like The Hobbit trilogy, Furiosa and Wonka prove it. Moreover, they are always poison when it comes to the most interesting characters: villains. A villain origin story that reveals motive ruins mythology, quashes audience imagination, and tanks the scare potential of a truly excellent antagonist. Norman Bates is far more scary without a motive. Darth Vader definitely lost his threatening edge when George Lucas decided to go back and unveil his entire backstory. Hannibal Lecter is much less frightening once you've been force fed the origins of his cannibalistic ways. And the nightmares triggered by aunt Gladys will be more underwear soiling if audiences are purposefully kept in the dark about why she's parasitically invading families' spaces and terrorising small towns. 'It's a lot scarier when there's no motive, Sid.' Wise words from Billy Loomis in the first (and best) Scream film. So, Mr. Cregger, if you're reading... First of all, congrats and enjoy your moment – it's merited. Secondly, please don't bend to studio pressure and fight for Weapons to be a standalone. We understand you're already busy with the upcoming Resident Evil film, as well as an original film you're reportedly working on titled Flood. Do those. And if you won't listen to Euronews Culture, please listen to Billy. Murderous tendencies aside, he had a point.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store