Is ‘Top Boy' returning for season 6? Everything we know so far
Fans of the gritty British crime drama Top Boy are buzzing with questions about whether the Summerhouse estate will return for a sixth season. After the explosive finale of Season 5, which Netflix labeled as the final chapter, speculation is rife about the show's future. Here's everything we know so far about Top Boy Season 6. Has Top Boy Season 6 Been Confirmed?
As of now, Top Boy Season 6 has not been greenlit by Netflix. The streaming giant, along with the show's cast and creative team, confirmed that Season 5, which premiered on September 7, 2023, was intended to be the final chapter. In a joint statement, lead actors Ashley Walters (Dushane) and Kane Robinson (Sully) emphasized that 'every story must have an ending,' signaling their intent to wrap up the series after five seasons. The decision to end the show came primarily from the cast and creators, not Netflix, with Walters noting in a GQ interview that continuing indefinitely didn't feel right for the story's authenticity.
Despite this, Netflix initially expressed interest in extending the series, but the creative team's desire to end on a high note prevailed. However, the door isn't entirely closed, as fan demand and unresolved storylines could pave the way for new developments. Why Did Top Boy Season 5 Feel Like the End?
Warning: Spoilers for Top Boy Season 5 ahead!
Season 5 delivered a definitive conclusion for the show's central characters, Dushane and Sully. Both met tragic ends, with Dushane succumbing to his injuries and Sully's fate sealed in a shocking finale. These conclusive endings make it unlikely for Ashley Walters and Kane Robinson to return as leads in a potential Season 6. The season tied up many loose ends, but it also left some questions unanswered, particularly the identity of Sully's shooter, which has fueled speculation about future stories.
The show's creator, Ronan Bennett, and co-director William Stefan Smith have emphasized that ending after five seasons aligns with the British tradition of concluding shows early to maintain quality. This decision was echoed by actress Jasmine Jobson (Jaq), who told the Royal Television Society that ending the series was fitting given its heavy subject matter.
Ahmedabad Plane Crash
Aman Shukla is a post-graduate in mass communication . A media enthusiast who has a strong hold on communication ,content writing and copy writing. Aman is currently working as journalist at BusinessUpturn.com
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Los Angeles Times
28 minutes ago
- Los Angeles Times
‘Hurricane Katrina: Race Against Time' focuses on disaster victims, who reflect 20 years later
It's been 20 years since Hurricane Katrina reshaped the City of New Orleans. Spike Lee examined the disaster with two big HBO documentaries, the 2006 'When the Levees Broke: A Requiem in Four Acts,' just a year after the event, and a 2010 sequel, 'If God Is Willing and Da Creek Don't Rise,' and is involved with a new work for Netflix, 'Katrina: Come Hell and High Water,' arriving in late August. Other nonfiction films have been made on the subject over the years, including 'Trouble the Water,' winner of the grand jury prize at the 2008 Sundance Film Festival, Nova's 'Hurricane Katrina: The Storm That Drowned a City,' 'Hurricane Katrina: Through the Eyes of the Children,' and 'Dark Water Rising: Survival Stories of Hurricane Katrina Animal Rescues,' while the storm also framed the excellent 2022 hospital-set docudrama 'Five Days at Memorial.' As a personified disaster with a human name and a week-long arc, it remains famous, or infamous, and indelible. In the gripping five-part 'Hurricane Katrina: Race Against Time,' premiering over two subsequent nights beginning Sunday at 8 p.m. on National Geographic (all episodes stream on Hulu and Disney+ Monday), director Traci A. Curry ('Attica') necessarily repeats many of Lee's incidents and themes. But she finds her own way through mountains of material in the series that is at once highly compelling and difficult to watch — though I suggest you do. Though there are many paths to take through the story, they lead to the same conclusions. Curry speaks with survivors, activists, scientists, officials and journalists, some of whom also appear in archival footage, but her eye is mainly on the victims, the people who lost their homes, people who lost their people, those unable to evacuate, for lack of money or transportation or the need to care for family members. If the storm itself was an assault on the city, most everything else — the broken levees, the flooded streets, the slow government response, the misinformation, the exaggerations and the mischaracterizations taken as fact — constituted an attack on the poor, which in New Orleans meant mostly Black people. ('The way they depicted Black folks,' says one survivor regarding sensational media coverage of the aftermath, when troops with automatic weapons patrolled the streets as if in a war zone, 'it's like they didn't see us as regular people, law abiding, churchgoing, hard working people.') Effective both as an informational piece and a real-life drama, 'Race Against Time' puts you deep into the story, unfolding as the week did. First, the calm before the storm ('One of the most peaceful scariest things,that a person can experience,' says one 8th Ward resident), as Katrina gained power over the Gulf of Mexico. Then the storm, which ripped off part of the Superdome roof, where citizens had been instructed to shelter, and plunged the city into darkness; but when that passed, it looked briefly like the apocalypse missed them. Then the levees, never well designed, were breached in multiple locations and 80% of the city, which sits in a bowl between the Mississippi River and Lake Pontchartrain, found itself under water. Homes drown: 'You're looking at your life, the life that your parents provided for you, your belongings being ruined, your mother's furniture that she prided is being thrown against a wall.' Residents are driven onto roofs, hoping for rescue, while dead bodies float in the water. This is also in many ways the most heartening part of the series, as neighbors help neighbors and firefighters and police set about rescuing as many as possible, going house to house in boats running on gasoline siphoned from cars and trucks. A coast guardsman tears up at the memory of carrying a baby in her bare arms as they were winched into a helicopter. And then we descend into a catalog of institutional failures — of governance, of communication, of commitment, of nerve, of common sense, of service, of the media, which, camped in the unflooded French Quarter or watching from afar, repeated rumors as fact, helping create a climate of fear. (Bill O'Reilly, then still sitting pretty at Fox News, suggests looters should be shot dead.) More people escaping the flood arrive at the Superdome, where the bathrooms and the air conditioning don't work, there's no food or water and people suffer in the August heat, waiting for days to be evacuated. Instead, the National Guard comes to town along with federal troops, which residents of this city know is not necessarily a good thing. Many speakers here make a deep impression — community organizer Malik Rahim, sitting on his porch, speaking straight to the camera, with his long white hair and beard, is almost a guiding spirit — but the star of this show is the eminently sensible Lt. Gen. Russel L. Honoré(now retired), a Louisiana Creole, who was finally brought in to coordinate operations between FEMA and the military. (We see him walking through the streets, ordering soldiers to 'put your guns on your back, don't be pointing guns at nobody.') Honoré, who is free with his opinions here, had respect for the victims — 'When you're poor in America, you're not free, and when you're poor you learn to have patience' — but none for foolish officialdom, the main fool being FEMA director Michael Brown, mismanaging from Baton Rouge, who would resign soon after the hurricane. When buses finally did arrive, passengers were driven away, and some later flown off, with no announcement of where they were headed; family members might be scattered around the country. Many would never return to New Orleans, and some who did, no longer recognized the place they left, not only because of the damage, but because of the new development. The arrival of this and the upcoming Lee documentary is dictated by the calendar, but the timing is also fortuitous, given where we are now. Floods and fires, storms and cyclones are growing more frequent and intense, even as Washington strips money from the very agencies designed to predict and mitigate them or aid in recovery. Last week, Ken Pagurek, the head of FEMA's urban search and rescue unit resigned, reportedly over the agency's Trump-hobbled response to the Texas flood, following the departure of Jeremy Greenberg, who led FEMA's disaster command center. Trump, for his part, wants to do away with the agency completely. And yet Curry manages to end her series on an optimistic note. Residents of the Lower 9th Ward have returned dying wetlands to life, creating a community park that will help control the next storm surge. Black Masking Indians — a.k.a. Mardi Gras Indians — are still sewing their fanciful, feathered costumes and parading in the street.
Cosmopolitan
an hour ago
- Cosmopolitan
4 Happy Gilmore 2 celebrity cameos as fans call Travis Kelce "iconic"
Happy Gilmore 2 dropped on Netflix on Friday, and fans have flocked in their droves to watch the sequel of Adam Sandler's iconic 1996 film. The movie follows Sandler as he reprises his role as Happy Gilmore, who has long retired from golfing. But, when his daughter needs money for her ballet classes, the golf prodigy dusts off his driver and enters the sporting world once more. Alongside bringing back a classic '90s movie character, Happy Gilmore 2 also secured a long list of high-profile talent, both as part of the main cast and in cameos. In terms of the latter, there was one celebrity fans couldn't wait to see grace their screens. Yep, we're talking about Travis Kelce, tight end for the Kansas City Chiefs, and who also happens to be dating Taylor Swift. Here, we take a look at Kelce's minor (see: major) role — which fans have since called "iconic" — plus some of the other killer cameos: During press for the movie, Adam Sandler told an interviewer that he saw Kelce on Saturday Night Live and thought the footballer was "unbelievably funny and confident." After hearing that Kelce wanted to be involved in the film, Sandler revealed they wrote a part for him, and he was "cool enough to say yes." The cameo sees Kelce switching the football pitch for a posh restaurant, playing a brown-nosing club waiter. He stars as Bad Bunny's character's (another perfect cameo) rival, who gets his comeuppance at the end of the film. We won't say anything else other than Kelce ends up sans shirt... Of course, fans (of both Kelce and Taylor Swift) went wild for the pop culture moment. From people calling it "legendary," to confirming that he "killed" it, others naturally quoted Swift. Specifically, her 2022 song 'Karma' from the album Midnights. "KARMA IS THE GUY ON THE SCREEN," one fan penned, as another echoed: "Taylor making sure she can keep saying 'guy on the screen.'" Someone else also quoted Swift's single, 'Style,' writing: "HE GOT THAT LONG. HAIR. SLICKED. BACK." Bad Bunny also made a surprise appearance as none other than Happy Gilmore's new caddy. Credited as Benito Antonio Martínez Ocasio, the rapper and producer's character hilariously has zero golf knowledge, despite his new role. Naturally, that makes the performance 10x funnier. Hardcore fans of Happy Gilmore will remember the character of Donald, played by the late Joe Flaherty. In the film, he would constantly heckle Gilmore, shouting "Jackass" just as he was about to tee off. This time around, Eminem plays Donald's son, Donald Jr., who follows in his father's footsteps and yells the same insult. Post Malone was another famous face who made it into the movie. The rapper appears in the film towards the end as fictional DJ Omar Gosh (Get it?). He appears as a celebrity commentator at the final golf tournament. Happy Gilmore 2 is now streaming on Netflix.
Tom's Guide
2 hours ago
- Tom's Guide
5 best Netflix comedies to stream after 'Happy Gilmore 2'
Netflix's newest No. 1 movie, "Happy Gilmore 2," is a long-awaited sequel to Adam Sandler's beloved sports comedy. Sandler reprises his role as the hot-headed Happy, a failed hockey player-turned-surprise golf sensation, who comes out of retirement and hits the green again to earn money for his daughter's (Sunny Sandler) ballet school. Like the original, it's packed with hilarious gags, underdogs worth cheering for, and celebrity cameos that'll have everyone talking. If you're one of many who have already checked "Happy Gilmore 2" and are now in the mood for more feel-good laughs, you're in luck. Netflix is home to plenty of must-watch comedies that fit the bill. Below, you can find five more Netflix comedies that you should stream after "Happy Gilmore 2." Director Richard Linklater delivered one of Netflix's most critically acclaimed original films to date with last year's "Hit Man," a darkly funny comedy thriller that cemented Glen Powell's status as a breakout Hollywood star. A cross between a breezy crime caper and a rom-com, "Hit Man" stars Powell as Gary Johnson, a buttoned-up college professor who poses as a hitman. Not the real deal, mind you, but rather a decoy that works with police to entrap would-be criminals. But when a mysterious femme fatale (Adria Arjona) enlists his services to eliminate her abusive husband, Gary's carefully constructed facade starts to unravel. Desperate to hide his true identity from her, he sets off a chain reaction of play-acting, deception, and escalating stakes that could have deadly consequences. If you missed it the first time around, "Hit Man" is a clever, energetic, and often sexy comedy with a dark edge that works on pretty much every level. Watch it now on Netflix If you're looking for a fresh spin on the classic buddy-comedy, "One of Them Days" is an absolute must-watch. It's a hilarious ride that fully leans into its over-the-top brand of chaos. Keke Palmer brings her signature charisma, but SZA manages to hold her own with surprisingly sharp comedic chops. Together, they make an unhinged but endearing duo, stumbling through one outrageous situation after another with undeniable chemistry. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. "One of Them Days" follows two broke best friends, Dreux (Palmer) and Alyssa (SZA), whose bad luck gets worse when Alyssa's boyfriend disappears with their rent money for the month. With just hours to come up with $1,500 before their landlord kicks them out, they embark on a desperate quest to drum up some cash. They fall for a sketchy payday loan scheme (despite hilarious warnings from Katt Williams' scene-stealing character, Lucky), accidentally piss off a local gang, and dive headfirst into a string of misadventures in a race against the clock. Watch it now on Netflix If "Happy Gilmore 2" didn't satisfy your craving for pre-Y2K nostalgia and laughs, "Beetlejuice Beetlejuice" almost certainly will. Tim Burton's long-awaited sequel to his 1988 cult classic brings back Michael Keaton, Winona Ryder, and Catherine O'Hara in fan-favorite roles, with Jenna Ortega, star of Burton's hit "Wednesday" series, throwing some fresh blood into the mix. Set decades after the original, the story picks up with Lydia Deetz (Ryder), who's turned her supernatural past into a career as the host of a popular ghost-hunting TV show. Too bad her daughter (Ortega) isn't buying any of it. When a family tragedy pulls Lydia back to her childhood home, she's forced to confront not only her eccentric stepmother (O'Hara) but also the return of the chaos-loving ghost with the most, Betelgeuse (Keaton). Burton's signature gothic style is in full force in "Beetlejuice Beetlejuice," offering a nostalgic trip back to the bizarre, off-kilter world fans have been waiting decades to revisit. Watch it now on Netflix Hear me out: You don't need to have rolled a D20 (or even know what that is) to enjoy the "Dungeons and Dragons" movie. I went in with next to zero knowledge about D&D, expecting all the jokes to fly over my head, and I laughed so hard my sides hurt afterward. If you're into hilarious, self-aware fantasy romps that don't take themselves too seriously, this movie is absolutely worth adding to your watchlist. (It gave me big "The Princess Bride" vibes.) The story follows bard Edgin (Chris Pine) and his no-nonsense barbarian partner Holga (Michelle Rodriguez), who start the movie behind bars after a heist goes sideways. After an unorthodox jailbreak, they assemble a misfit crew that includes Simon (Justice Smith), a sorcerer with self-esteem issues, and the shape-shifting druid Doric (Sophia Lillis), to rescue Edgin's daughter and recover a powerful artifact. Preferably without dying. Along the way, they also cross paths with Xenk (Regé-Jean Page), a noble paladin who's so absurdly overpowered that he becomes a walking punchline in the best way. Watch it now on Netflix Netflix is light on Coen Brothers movies at the moment, but you can still find one of the comedy duo's most underrated gems, "Burn After Reading," on the platform. Looking back at it now, "Burn After Reading" feels ahead of its time, skewering CIA blunders and government bureaucracy with the Coens' signature dark wit. CIA analyst Osbourne Cox (John Malkovich) kicks off a domino effect of absurdity after he angrily quits his job over a demotion and resolves to write a memoir about his career. Enter two bumbling gym employees, Brad Pitt's hyperactive jock Chad Feldheimer and Frances McDormand's narcissistic Linda Litzke, who mistake a draft of his book for top-secret government intel. The plot devolves into a convoluted mess from there, but that's part of its charm. And the Coen brothers fuel the absurdity by letting their star-studded cast act like complete idiots from start to finish. Watch it now on Netflix Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button.
