Breer on Jags' Plan to Play Travis Hunter at CB & WR
Yahoo Sports' 'Draft Live' crew reacts to the Jacksonville Jaguars selection of Colorado WR/DB Travis Hunter with the second overall pick. The crew debates if Travis Hunter can play both sides of the ball in Jacksonville and how they think the team will maximize his skill set.
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USA Today
2 hours ago
- USA Today
Texas A&M DC discusses Texas A&M's \
Texas A&M defensive coordinator Jay Bateman was demoted as the program's play caller this offseason, but remains in the same position and will continue to be a significant part in gameplanning while already solidifying himself as an elite recruiter. This was the best move, as coach Mike Elko will resume his previous role with Texas A&M during his time as the Aggies' D-coordinator from 2018-2021. On Tuesday, after Texas A&M's 16th preseason practice, Bateman spoke to the media with plenty of praise for several new defensive additions, including Colorado transfer DE Dayon Hayes and cornerback Dezz Ricks, who are both expected to be essential pieces in the pass rush and secondary. Bateman and Elko see eye to eye sheme-wise, as he provided some insight on whether we'll begin to see Elko's "exotic" third-down packages this season. "Yeah, so last year, you know, we got a a point during the season where, you know, the coverage piece of it was a little big scarier for us than it has been where I think now. We feel really good about that, and also had some edge guys and D-lineman who were pretty good one-one-one pass rushers." During his final season as A&M's defensive play caller in 2021, Elko's third-down packages were a nightmare for opposing quarterbacks, and the players Bateman is referencing excelled in coverage and one-on-one pass rush opportunities, which wasn't always the case last season. With the new additions up front, combined with a cornerback rotation that now features Julian Humphrey and Jordan Shaw, the 2025 pass rush could thrive if the coverage holds up, providing Elko more freedom to send more pass rushers to disrupt offensive rhythm. "I think (Mike) Elko's exotic stuff is in bloom," Bateman stated. "We have a pretty good plan on third down." Texas A&M will open the 2025 season against UTSA on Saturday, August 30. The game will air at 6:00 p.m. on ESPN. Contact/Follow us @AggiesWire on X (formerly Twitter) and like our page on Facebook to follow ongoing coverage of Texas A&M news, notes and opinions. Follow Cameron on X: @CameronOhnysty.
Associated Press
2 hours ago
- Associated Press
Auddia Announces New B2B Business Model with Strategic Shift to AI Driven Music Discovery
Auddia shifts business model from B2C to B2B, targeting artists and labels for SaaS access to ad-free AM/FM streaming listeners faidr users will enjoy free access to AI driven ad-free AM/FM streams on all music stations Music from new artists and deep tracks from established artists are expected to occupy up to 33% of stream content on average BOULDER, Colo., Aug. 20, 2025 (GLOBE NEWSWIRE) -- Auddia Inc. (NASDAQ:AUUD) (NASDAQ:AUUDW) ('Auddia' or the 'Company'), an AI first technology company that has built a proprietary AI platform for audio identification and classification to reinvent how consumers engage with audio, today announced a strategic shift for faidr, the Company's AI driven ad-free AM/FM streaming and podcast listening app. Whereas faidr users currently need to subscribe to enjoy the benefits of the Company's AI technology that automatically identifies ad breaks so they can be removed from the listening experience, Auddia will be making all premium AI features free to consumers. Instead of monetizing consumers, the Company will be monetizing artists who want to put their music in front of mainstream AM/FM streaming audiences. 'Since running a pilot of our Discovr Program, where we sourced a handful of new artists and inserted them into radio feeds, we've been looking for more ways to connect artists with new fans,' said Theo Romeo, Auddia's CMO. 'Radio continues to be the perfect mechanism to break new artists, but radio tends only to play bands or tracks that have already gained the requisite popularity. New music platforms like Bandcamp and SoundCloud are integral tools for artists to connect with new fans and even monetize their content, but those platforms only cater to a subset of the total addressable market for an artist. The largest group of potential fans remains on radio, listening to music passively, not searching for new artists, even though they are chomping at the bit to hear new, exciting music based on our surveys and research. Our new Discovr Radio platform will deliver this experience.' Unlike other new music discovery platforms, which allow artists to upload songs in the hopes that new listeners will find them among the other songs available, Discovr Radio delivers guaranteed plays to artists, leveraging AI to place their songs into radio feeds as part of a custom programming experience and as unique content during what would typically be an ad break. This gives artists opportunities to be heard by the many millions of streaming radio listeners worldwide. The new Discovr Radio platform will consist of a new AI Placement Engine and Artist Portal. The AI Placement Engine will aim to put the right new song in front of the right listener, on the right station, adjacent to the right artist, to optimize music discovery and the connection between artists and fans. The Artist Portal will give artists performance analytics on number of total plays, likes and dislikes, demographic data, and facilitate the connection of artists to their new fans. In addition to streaming songs on live radio streams, the Discovr Radio offering will eventually allow artists and labels to launch campaigns on streaming apps to promote new songs, albums, and tours. Auddia is evolving its business model from direct-to-consumer to business-to-business, shifting its focus from individual radio-streaming subscribers to artists and labels. Through a modest monthly subscription, these partners gain guaranteed radio plays—offering a new channel for music promotion. 'We're able to reach and engage artists and labels with far greater precision,' said Theo Romeo, Auddia's CMO. 'Our internal research shows a serviceable addressable market of over 100 million prospects. We see Discovr as an accessible, high-impact tool that complements the broader ecosystem of artist promotion—from social media and digital platforms to traditional industry channels.' The Auddia team expects to release an MVP version of the Discovr Radio platform before the end of the year or Q1 of 2026. The MVP is expected to be supported by a pilot program of participating labels and distributors. Although faidr will be the first audio app integrated into the Discovr Radio platform, the company is planning to open the platform to other radio streaming apps in the future. Upon the launch of Discovr Radio, faidr users will have the ability to like and dislike songs in real time as well as visit artist pages in the app, which provide links to listen to songs, purchase albums, tickets, merchandise, and follow the artist on social media. About Auddia Inc. Auddia, through its proprietary AI platform for audio identification and classification, is reinventing how consumers engage with AM/FM radio, podcasts, and other audio content. Auddia's flagship audio superapp, called faidr, brings multiple industry firsts to the audio streaming landscape that include: faidr also delivers exclusive content and playlists, and showcases exciting new artists, hand-picked by curators and DJs. For more information, visit: Forward-Looking Statements This press release contains forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995, Section 27A of the Securities Act of 1933 and Section 21E of the Securities Exchange Act of 1934 about the Company's current expectations about future results, performance, prospects and opportunities. Statements that are not historical facts, such as 'anticipates,' 'believes' and 'expects' or similar expressions, are forward-looking statements. These forward-looking statements are based on the current plans and expectations of management and are subject to a number of uncertainties and risks that could significantly affect the Company's current plans and expectations, as well as future results of operations and financial condition. These and other risks and uncertainties are discussed more fully in our filings with the Securities and Exchange Commission. Readers are encouraged to review the section titled 'Risk Factors' in the Company's Annual Report on Form 10-K for the year ended December 31, 2024, as well as other disclosures contained in the Annual Report and subsequent filings made with the Securities and Exchange Commission. Forward-looking statements contained in this announcement are made as of this date and the Company undertakes no obligation to publicly update or revise any forward-looking statements, whether as a result of new information, future events or otherwise. Investor Relations: Kirin Smith, President PCG Advisory, Inc. [email protected]
Newsweek
3 hours ago
- Newsweek
Woman Swaps Seats With Kid on Plane, Couldn't Predict What He Would Do Next
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A Denver woman says she narrowly avoided a travel nightmare on a United Airlines flight after making a split-second decision to switch seats with a young child—unknowingly sidestepping a midair vomit incident that would leave his father in the "splash zone." The incident was detailed in a video was posted by Chelsea Anderson (@chelseaexplainsitall on TikTok and @Chelsea_Explains on Instagram), a 33-year-old Colorado-based content creator. In the clip, Anderson describes how a simple act of kindness spared her from becoming collateral damage in a turbulent landing. "Sometimes it's a blessing when a person is in your seat on a plane," reads the text overlaid on the video. The incident unfolded on a recent United flight from San Francisco International Airport (SFO) to Denver International Airport (DIA). Anderson originally booked a window seat for the flight. "I actually prefer aisle seats. I had booked the trip last minute, so the window was all that was left," Anderson told Newsweek. When she boarded, she found a young child, around 3 or 4 years old, already seated at the window, with his father in the middle seat. A screenshot from a viral TikTok video of Chelsea Anderson detailing her unexpected seat swap on a plane. A screenshot from a viral TikTok video of Chelsea Anderson detailing her unexpected seat swap on a plane. @chelseaexplainsitall on TikTok Instead of asking them to move, Anderson opted to take the aisle. "It was a win win; the dad and son didn't have to move and I got the aisle," she said. It turned out to be a fortuitous decision. As the flight neared Denver, the weather took a sharp turn. "The flight was a little under three hours, but we only had turbulence when landing," Anderson said. "The weather was so bad that day, we almost had to reroute to Grand Junction [a regional airport]. I wouldn't say it was the worst I'd ever experienced, but it was way worse than a typical bumpy DIA landing." The turbulence during the flight incident in the viral post is not surprising because clear-air turbulence (CAT) was found to have increased over the past 40 years or so, according to a June 2023 study published in Geophysical Research Letters. The study found that the increases were largest over the U.S. and North Atlantic, both of which are busy flight regions. According to the study, "severe-or-greater CAT increased the most, becoming 55 percent more frequent in 2020 than 1979," and CAT is "projected to intensify in response to future climate change." In the case of the TikTok clip, the turbulence shook more than just the cabin. In the video, Anderson says: "I think what happened is that [the child] vomited with such force … that it splashed back on his dad and covered his dad … it was in his eyes, it was in his nose, it was in his mouth, not a pretty sight." While Anderson was spared, the child's father took the brunt of the airborne eruption. Despite the messy situation, Anderson said the dad remained calm and composed throughout. "But the dad stays unbelievably calm," she says in the clip. "He's trying to solve the problem, he's like [telling the child], 'Okay buddy, you threw up. We're gonna try to clean it up. We're not landed yet' … he's so polite and he's so nice to his kid … he's like dad of the freaking year. "And the kid is also very regulated, which tells me that this is how the dad always acts, not just how the dad acts in public," Anderson added. She told Newsweek that several people offered help during the ordeal. "I asked a man across the aisle for a spare barf bag, and he was happy to oblige. A gentleman behind us offered the dad some positive encouragement," she said. "As far as I know only the dad was in the splash zone." She said she was particularly moved by the father's compassion during the chaotic moment. "Obviously it was a stressful situation and I'm sure the dad wanted to make sure no one around them had been impacted, but I was touched with how reassuring the dad was," she said. "He took his son's mind off the situation and made him feel better while also trying to handle the mess, which is hard to do during a bumpy plane landing." As the two walked behind her on the jet bridge after landing, Anderson overheard the dad telling his son that "he was the luckiest dad in the world (not sarcastically!)," she noted in the caption of the video. Do you have a travel-related video or story to share? Let us know via life@ and your story could be featured on Newsweek.
