logo
Meet actress who first romanced hero 21 years older than her, then romanced his son, later married a superstar; She is..., father-son duo are...

Meet actress who first romanced hero 21 years older than her, then romanced his son, later married a superstar; She is..., father-son duo are...

India.com17-07-2025
There are several couples in Bollywood and the South Indian film industry that might seem unusual to the audience. One such case involves an actress who worked with both a father and his son, and her on-screen pairing with both was a hit. This father-son duo is considered one of the top pairs in Bollywood. So, let us take you through this interesting story.
We're talking about Dimple Kapadia, an actress who has delivered blockbuster films alongside several superstars. Not only that, her comeback after years was also a massive success. She even went on to win the National Award.
Who has Dimple Kapadia been romantically linked with over the years?
Dimple Kapadia worked with father-son duo, Dharmendra and Sunny Deol. Both have been superstars of their time and continue to remain active in the industry, still delivering superhit films. When Dimple was 14, Dharmendra was 35 and the two were seen opposite each other. Dimple Kapadia was paired opposite Sunny Deol in Manzil Manzil , a drama that was directed by Nasir Hussain. Her second and third films with Sunny was Arjun and Narsimha .
There were reports that the two were having an affair during the 1980s and 1990s, though neither officially confirmed it. While neither Dimple nor Sunny ever addressed the rumors, their close bond was reportedly noticed by others, including Sunny's then-girlfriend, Amrita Singh. Why did Dimple Kapadia quit acting?
At the age of 17, Dimple Kapadia decided to get married. She tied the knot with Rajesh Khanna, who was regarded as the country's first superstar. After marriage, she gradually became occupied with her family and children, and reduced her work in the film industry.
However, Dimple Kapadia made a successful comeback after separating from Rajesh Khanna. She returned with the film Sagar , in which she appeared in a swimsuit, a bold choice that made headlines. Later, she starred in films like Rudaali, for which she won a National Award.
Dimple Kapadia's dating rumours with Sunny Deol
There was a time when Sunny Deol and Dimple Kapadia's names were frequently linked. A video of the two holding hands while abroad went viral, sparking rumors about their relationship. However, both actors have never publicly commented on the affair.
A Reddit user shared an old video from Sunny Deol and Dimple Kapadia's September 2017 vacation. They were seen having a good time together. In the video, Dimple was spotted smoking, and the rumoured couple was conversing and holding one other's hands strongly.
Watch the video:
What's the tea between Dimple Kapadia and Sunny Deol? Saw their 3-4 years old video today on Twitter
byu/Dwight_Kramer inBollyBlindsNGossip
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Malayalam star was betrayed by all the men she loved. Died all alone at 53
Malayalam star was betrayed by all the men she loved. Died all alone at 53

Economic Times

timean hour ago

  • Economic Times

Malayalam star was betrayed by all the men she loved. Died all alone at 53

Agencies Malayalam star Srividya died lonely at the age of 53 Srividya, an iconic figure in South Indian cinema, captivated audiences with her grace, charisma, and emotional depth. While her presence on the silver screen evoked admiration and reverence, her personal life was marked by pain, heartbreak, and an unfulfilled longing for love. Beneath her luminous performances was a woman who yearned for sincere affection—love that she was ready to give unconditionally but tragically never received in return. Despite being cherished by fans and respected by peers, she lived a life burdened by betrayal, loneliness, and sorrow until the on July 24, 1953, in Chennai, Srividya came from a family deeply entrenched in the performing arts. Her mother, M. L. Vasanthakumari, was an acclaimed Carnatic vocalist, and her father, 'Vikatam' Krishnamurthy, was a Tamil actor. Despite her lineage suggesting a future in music, Srividya gravitated toward dance and acting. Her early exposure to classical dance helped her develop expressive facial movements and poised body language—skills that later defined her onscreen magnetism. Srividya began her cinematic journey at just 13, making her debut in the Tamil historical film Thiruvarutchelvar (1967), which featured veterans like Sivaji Ganesan, Savitri, and Gemini Ganesan. It was a modest role, but it ignited a lifelong connection with 1969, at the age of 16, Srividya entered the Malayalam film industry with the movie Chattambikkavala. She was cast opposite Sathyan, a legendary actor who was 57 at the time. Her poise, maturity, and beauty surprised many. The following year, she featured in Kumara Sambhavam, playing the celestial nymph Menaka. Her elegant dance in the song 'Maya Nadana Viharini' garnered widespread appreciation and highlighted her as an emerging her versatility and grace, Srividya swiftly became a sought-after actor in Malayalam, Tamil, and Telugu films. Filmmakers were drawn to her ability to balance glamour with gravitas, and she transitioned seamlessly from one powerful role to another, building a formidable body of work across made Srividya distinct from her contemporaries was her readiness to play characters beyond the conventional mold. While many actresses of her era pursued glamorous leads, Srividya embraced roles that were far more layered—even those where she played older women or secondary characters. Rather than chase stardom, she prioritized the depth and relevance of a like Kattathe Kilikkoodu, Ente Sooryaputhrikku, Innale, Kabooliwala, Aniyathi Pravu, Aaraam Thampuran, and Randam Bhavam featured her in motherly or supporting roles, which she portrayed with incredible emotional depth. Her performances resonated so strongly that audiences frequently remembered her more than the leads. Even on television, she left an indelible impression with her nuanced roles in various serials, maintaining her connection with the audience until her final the height of her career in the early 1970s, Srividya fell in love with Kamal Haasan, who was then a rising star. Their relationship was intense and, by many accounts, genuine. They even considered marriage. However, as Kamal's career took off, he asked Srividya to postpone their plans to tie the knot. She, unwilling to delay her dreams of building a home and family, expressed her desire to move later recalled, during an interview with Kairali TV, that Kamal had visited her home one day. Her mother advised them to wait a few more years, suggesting that both had bright futures and shouldn't rush into a decision they might regret. This advice did not sit well with Kamal, who left abruptly. Soon afterward, he married dancer Vani Ganapathy, and their once-promising relationship ended in silence. Despite the break, Kamal always remained a significant emotional figure in Srividya's her heartbreak, Srividya found comfort in her connection with filmmaker Bharathan. Their relationship, as revealed by screenwriter and Bharathan's friend John Paul on Safari TV's Charithram Enniloode, went beyond societal definitions. It was an intimate, soulful bond that didn't conform to labels like KPAC Lalitha, who eventually married Bharathan, recounted that he often visited her home just to talk to Srividya over the phone since her family disapproved of male callers. Lalitha, who worked with both, revealed that Srividya once confided her doubts about the relationship, citing Bharathan's growing mistrust. Eventually, the two parted ways. Though he later married Lalitha, Bharathan reportedly attempted to reconnect with Srividya—but she distanced herself for emotional turmoil, Srividya crossed paths with George Thomas, a film producer involved with her movie Theekkanal. He appeared attentive, caring, and aligned with her need for emotional security. Desperate to feel loved and hoping to prove to her detractors that she had moved on, she decided to marry him. Despite warnings from her mother and close friends like actor Madhu and veteran performer Manorama, she converted to Christianity and married George in Mumbai. However, Srividya's dream of domestic bliss soon turned into a nightmare. Contrary to his claims, George was not a wealthy film producer but a salaried employee appointed by a chit fund company, Star of Cochin, as a frontman for their film ventures. He had misrepresented himself entirely, using her fame for personal and financial gain. Having realized the deception, Srividya had no choice but to return to work. Offers still came her way, and her performances were consistently appreciated. However, her husband began siphoning off her earnings. Director Alleppey Ashraf once stated that George forged her signatures to access her bank accounts and depleted her if financial exploitation wasn't enough, he also abused her physically and emotionally. Rumors of his infidelity surfaced, further damaging their already crumbling marriage. The arguments between them became frequent and intense. After enduring years of pain and betrayal, Srividya left George and returned to her separation initiated a long and arduous legal battle. Because the marriage had been registered under the Christian Marriage Act, divorce proceedings were complicated. George held on to much of her property and assets, and the case dragged on for 14 years. Srividya eventually won, but the personal toll was immense. She had lost years of her life and most of her emotional compound her misery, her mother—her only close family—passed away during this time. Srividya, already devastated by her failed relationships and a bruising legal fight, now found herself utterly alone. Her relatives, sensing her vulnerability, abandoned her too. Despite all her public acclaim and cinematic triumphs, she had no one to turn to in her most difficult pained Srividya most was not the loss of money or status, but the emotional void. She had always longed for a loving partner, a child, and a peaceful home—experiences she was denied throughout her life. Her own childhood had been devoid of warmth, as her parents were locked in a loveless marriage. She had hoped to create a better life for herself, but fate seemed determined to keep happiness out of dream of settling in America to escape the scars of her past also collapsed when she was diagnosed with cancer. It was an aggressive form of the disease, and as her health deteriorated, so did her hopes. Those who cared for her during this time reported that she would often plead with doctors to end her suffering.

Suniel Shetty sparks fresh row, says ‘if husband is building career, wife needs to take care of child', netizens react
Suniel Shetty sparks fresh row, says ‘if husband is building career, wife needs to take care of child', netizens react

Mint

time2 hours ago

  • Mint

Suniel Shetty sparks fresh row, says ‘if husband is building career, wife needs to take care of child', netizens react

Bollywood actor Suniel Shetty has once again landed in a controversy with his latest 'wife needs to take care of child' remark. Previously, it was his "comfort of C-section' remark which earned him backlash on the internet. Now, he is being criticised once again for saying that a wife should understand and take care of their child while the husband is busy with his career. During an interview, Suniel Shetty was asked how the concept of marriage has evolved over time. He told Pinkvilla, 'Aaj kal bachon mein patience hai hi nahi. Shaadi kuch time ke baad ek samjhauta hota hai, where you have to understand each other, live for each other. (Kids these days have no patience. Marriage, after a while, becomes a compromise, where you have to understand each other and live for one another).' He went on to add how the wife's role should change after the arrival of a child in a family. He added, 'Phir ek bacha aata hai, aur patni ko yeh jaan na zaruri hai ki husband career banayega toh bache ko main dekh rahi hoon. Husband, of course, saath mein dekhega. Par aaj kal sab cheezon mein pressure bohot ho gaya hai. (Then a child comes into the picture, and the wife needs to understand that if the husband is building his career, she will need to take care of the child. Of course, the husband will also be involved. But these days, there is just too much pressure in everything)." Suniel also acknowledged that much has changed over the years, pointing out how the virtual world now offers advice on everything, from parenting tips on being a mother or father to guidance on what to eat and how to live. His statement has received mixed reactions from the internet. Reacting to it, someone posted on Reddit and wrote, 'He needs to stop talking.' A user commented sarcastically, 'I think he should try C-section in interviews since the delivery of his statements normally go wrong (sic).' 'Bhai apni image khud hee kharab kar raha h (he is ruining his own image)... Sometimes being quiet is the wisest thing, doesn't their PR team advice them? Or even people around them…Bro should learn from his damad (sic).' 'After natural birth warrior story he is back with a male chauvinism anecdote! Seriously he should just stop talking (sic),' added another. 'He has turned out to be such an unlikable person,' one more wrote. He will be next seen in the upcoming season of Hunter Tootega Nahi Todega.

China Humiliates Ursula, Kallas With 'Bus Ride'; No Xi, No Officials, No Ceremony; Then THIS Happens
China Humiliates Ursula, Kallas With 'Bus Ride'; No Xi, No Officials, No Ceremony; Then THIS Happens

Time of India

time2 hours ago

  • Time of India

China Humiliates Ursula, Kallas With 'Bus Ride'; No Xi, No Officials, No Ceremony; Then THIS Happens

'Sunny Deol Was The Darkest Chapter Of My Life'— Suneel Darshan Speaks Out In an interview, veteran producer-director Suneel Darshan described his professional equation with actor Sunny Deol as the 'darkest chapter' of his career. Darshan revealed the collaboration began with promise—starting with films like 'Inteqam' and 'Lootere'—but later turned 'nightmarish,' involving alleged emotional manipulation. He claims Sunny took money for a project that never materialised and described working with him as 'like indulging a little child.' Despite the trauma, Darshan maintained respect for the Deol family and refused to blame Dharmendra. While he appreciated working with Akshay Kumar, Darshan said the unresolved dispute with Sunny still weighs on him—and that he believes in divine justice. 318 views | 1 hour ago

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store