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World's highest-paid actor has a $275 million deal, but no hit in 6 years; yet out-earns Tom Cruise, RDJ, Dwayne Johnson

World's highest-paid actor has a $275 million deal, but no hit in 6 years; yet out-earns Tom Cruise, RDJ, Dwayne Johnson

Hindustan Times2 days ago
It was in 2019, before the world was even introduced to the term 'COVID-19,' that Adam Sandler last tasted box office success. His film Uncut Gems made $50 million at the box office on a $19-million budget. Since then, the actor-comedian has largely relied on Netflix for his releases. His theatrical films have not succeeded since. Yet, in 2025, he is the world's highest-paid actor, with an astonishing $275-million deal from Netflix. The world's highest-paid actor earned $275 million from a single deal.
How Adam Sandler became the world's highest-paid actor
In 2020, Netflix signed Adam Sandler for a four-movie deal worth $275 million, the biggest single paycheck in the history of cinema for any actor. The platform did so because they calculated that viewers had watched the actor's films on Netflix for more than 120 billion minutes between 2015-19. This led to the actor appearing in Murder Mystery 2 and Spaceman over the next few years. His most recent release, Happy Gilmore 2, is already breaking Netflix viewing records. Variety reported that the film generated 46.7 million views in the US over its first weekend, the highest for any American film on Netflix. This success has made Adam Sandler the highest-paid actor in the world in 2023 and 2024 for two successive years. His $275-million paycheck makes sure that it stays that way for a while.
Adam Sandler's latest Netflix film Happy Gilmore 2 is breaking viewership records.
Who did Adam Sandler beat
In 2023, when Adam Sandler became the world's highest-paid actor for the first time, he earned $97 million that year, out-earning Tom Cruise ($53 million), Dwayne Johnson ($50 million), and Margot Robbie ($78 million). Even if one takes into account the salaries that actors have earned for multiple projects, Adam Sandler rules the roost. For instance, Robert Downey Jr is reportedly earning $160 million for the two Avengers films in 2026 and 2027, just over half of what Sandler got from Netflix.
Adam Sandler's upcoming work
Happy Gilmore 2's success has solidified Netflix's faith in Adam Sandler, who will soon be seen in another Netflix original, Jay Kelly. The coming-of-age film also stars George Clooney and Laura Dern in the lead roles. It will have its world premiere in November in the main competition of the 82nd Venice International Film Festival. This will be followed by a global release on Netflix on December 5.
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Austen's Jane is the friend you need
Austen's Jane is the friend you need

Indian Express

time13 minutes ago

  • Indian Express

Austen's Jane is the friend you need

It is a truth often ignored that the Pride and Prejudice screen adaptations are unfair to her secondary characters. As the 2005 movie returns to Indian cinemas and a new series hits Netflix, amid all the sizzle and dazzle of the lead pair, another generation of viewers will probably dismiss Jane Bennet as the sweet, boring sister of Elizabeth. However, the eldest Miss Bennet was written with more substance than is universally acknowledged, and she would probably be a better friend than the clever Lizzy in today's world. One of the many reasons the charms of Pride and Prejudice refuse to fade is how easily the main story adapts to the screen. Jane Austen's sparkling dialogue can directly be lifted into the screenplay, and the lead characters, Elizabeth and Mr Darcy, confirm to modern sensibilities. Written 200 years ago, Elizabeth has more spirit and verve than many 21st century heroines. The rich, brooding Mr Darcy is an atypical romance hero in that he actually understands consent. In contrast, Jane Bennet's rather unfashionable and non-camera-friendly virtues seem to be patience, forgiveness, and suffering in silence. In fact, most movies don't even do her the justice of adhering to the one fact the novel hammers on, that Jane is much more beautiful than Elizabeth. But the thing about the book Jane is this — she is not just beautiful and sweet, she is kind and strong, and has good judgement without the need to judge. Austen repeatedly alludes to Jane's good sense, steady disposition, and moral courage. When the Bingleys are pressing her to stay on at Netherfield, Austen writes, 'Jane was firm where she felt herself to be in the right.' When Lizzy says Jane can never see a fault in anybody, she replies, 'I would not wish to be hasty in censuring anyone; but I always speak what I think', which Elizabeth agrees is the case. Elizabeth is the favourite of her dad, the intelligent, witty parent, while throughout the book, Jane is taking care of their mother, the petulant, embarrassing parent. While Elizabeth goes vacationing with her aunt and uncle, it is Jane who is best suited to 'play with, teach, and love' their four small children. And of course, it is Jane's assessment of Mr Darcy that turns out to be the right one, after all. One of the most telling commentaries on Jane's character comes from Austen much later in the book, when Elizabeth tells her about Wickham's true character. Jane would 'willingly have gone through the world without believing that so much wickedness existed in the whole of mankind, as was here collected in one individual'. And this is why I think she would make for a better friend than Lizzy in today's world — choosing to believe in the goodness of the world and its inhabitants, in the face of staggering counter-evidence. While their circumstances turn Elizabeth cynical, Jane continues to believe that romance and love and hope and goodness are around and even aplenty. Also, Jane refuses to perform. Throughout the book, there is no scene of her being singled out to play or sing, or of some sparkling repartee she delivers. Her good sense and brains are all displayed in acts of care or confidence. Liz and Charlotte even discuss how she does not display her affection for Bingley. In the hyper-performative age we live in, Jane's willingness to forever pass the mic would be truly radical. At a time when we seem to live for likes and views, a stunningly beautiful woman who refused to play for attention is refreshing. The sparkle of Lizzie Bennet will never fade. But it is the steady light of Jane we need when our hearts feel heavy and dark. The writer is Senior Assistant Editor, The Indian Express

Hailee Steinfeld's dad goes viral as fans say he could suit up for Josh Allen's Buffalo Bills
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Time of India

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  • Time of India

Hailee Steinfeld's dad goes viral as fans say he could suit up for Josh Allen's Buffalo Bills

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Kal Penn at Express Adda: ‘In content creation, people taking fewer risks… It (art) needs to be subjective'
Kal Penn at Express Adda: ‘In content creation, people taking fewer risks… It (art) needs to be subjective'

Indian Express

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  • Indian Express

Kal Penn at Express Adda: ‘In content creation, people taking fewer risks… It (art) needs to be subjective'

Talking about his nearly three decade-long career in Hollywood, Kal Penn, American actor-producer of Indian origin, said that he stands on the shoulders of so many Indian and South Asian diaspora actors who are older than him by 40-50 years and whose names people don't know because they never had the opportunities that he had. 'I had those opportunities because of the doors that they kicked down in Hollywood,' he said, emphasising that contrary to popular perception, there was no 'overnight switch' that created platforms for diaspora artists. Penn, also an author, TV show host and former White House staffer, was in conversation with Anant Goenka, Executive Director, The Indian Express Group, at the Express Adda in Mumbai on Friday. 'It is easy to use a 2025 microscope and say I should have done that in 1998,' said Penn, recalling that he was told he couldn't study acting and was called a 'sell-out' for choosing to pursue theatre and arts. Talking about his early films, he said: 'People ask me if I regret playing the character of Taj Mahal in Van Wilder (2002), a teen sex comedy. I always say, first of all, you are welcome. Because without that, there would be no Harold and Kumar Go to White Castle (2004). And without that, I would not have got The Namesake (2006).' It was Mira Nair's then 14-year-old son Zohran Mamdani, who is now a New York State Assembly member running for Mayor, who suggested Penn's name for The Namesake. Asked about 'liberalism in Hollywood', Penn said: 'It is the same liberalism you see supporting (Joe) Biden and (Kamala) Harris in their assault on Gaza, which is not that different from Donald Trump and JD Vance's assault on Gaza. If you care about human rights, you see a distinct line, but I don't see one with liberals in general. If you see what the Democratic Party has been doing on that particular issue, wages or taxation with a select few states, they have not really been wonderful in the way that true progressives have been.' The actor, who wears many hats, served as White House staff member in the Barack Obama administration. Looking back at the Obama administration, Penn said he wished more had been done to secure public arts institutions. 'We gave in to the fear-mongering around funding the arts. Now those institutions are getting dismantled,' he said. Commenting on the contemporary entertainment scenario, Penn said: 'In content creation, people are taking fewer risks now. That's why there is the perception that the lowest common denominator is the only thing that is being made now… It (art) needs to be subjective and not everything should be for everybody. I am not precious about the stuff I watch or the genres I want to be in. If I like a script or a story, that is enough. One of the challenges we are facing now is, if something does not appeal to business leaders or financiers think it should appeal to… it may not get greenlit. I hope that changes because that's when you see more interesting content.' While stand-up comics have come under the scanner in India and the US, the actor made it clear that he appreciates the work of those who have an authentic voice. 'It does not mean I have to share their lived experience. It means that I find their style of storytelling vulnerable, authentic and fun to watch,' he said. Commenting on the rise of incidents when people are offended by comedians, he said he does not understand the extreme reaction. 'Sometimes, we misunderstand what getting cancelled means. Then, on other occasions, a comedian makes regressive jokes which upset people. I understand that. But as a relative purist, ideally I would defend the right to free speech even if that (the joke) bothers me.' Connecting the growth of Indian streaming content to global creative trends, he praised shows like Delhi Crime and Made in Heaven for handling complex themes without pretending to represent a single, simplified idea of India. 'What excites me the most is how Indian creators are making space for stories that are messy, local, honest, sometimes deeply political, sometimes just weird and joyful,' he said. Asked about South Asian solidarity, especially between Indian and Pakistani artists abroad, he said: 'There is a shared experience among the diaspora. There are some divisions that exist on the sub-continent… there is also an undercurrent of the same stigmatisation that we all go through. Not just actors, but Nepali filmmakers and Sri Lankan creative people.' The Express Adda is a series of informal interactions organised by The Indian Express Group and features those at the centre of change. Previous guests at the Adda include Nobel laureate Amartya Sen, External Affairs Minister S Jaishankar, Finance Minister Nirmala Sitharaman, His Holiness the Dalai Lama, philanthropist Bill Gates, actors Pankaj Tripathi and Tabu, oncologist and writer Siddhartha Mukherjee, musician T M Krishna, ecologist Romulus Whitaker and writer William Dalrymple.

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