
Paris menswear season welcomes back Saint Laurent; features newcomer Kartik Research
Fashion Network: Why do you think Paris retains such a magnetic runway attraction for designers and brands?
Pascal Morand: Paris Fashion Week 's appeal stems from several factors. This is firstly due to the presence of the most emblematic fashion houses and promising emerging brands coming from all over the world. They work in close link with a complete fashion ecosystem, gathering a whole array of competencies, including journalists, buyers, press offices, production houses, influencers, glam teams, and talents, but also the whole creative community with visual artists, photographers, filmmakers, musicians, etc.
The Federation and executive committee are committed to actively contributing to the success of this large and multi-parameter event. It ensures the standing of the official calendar, which is the core of Paris Fashion Week. It benefits from the support of its official partners. It carefully organizes the selection of guests through its selection commissions, which are renewed each season.
One additional factor is the historic Parisian flavor—Paris has a long-standing tradition of welcoming the arts from around the world. Finally, the appeal also stems from the city's economic and cultural dynamics, with Paris Fashion Week being both a cultural event and a key platform for economic relationships.
FN: What are some of the shows you are most excited to see?
PM: The strength and richness of Paris Fashion Week lie precisely in the diversity of its proposals, creative vision, and fashion identities, from big houses to emerging designers. Newcomers this season are for the show Kartik Research and for the presentation format, Camiel Fortgens, CamperLab, and P. Andrade. The official calendar also welcomes the returns of Saint Laurent, Craig Green, Dries Van Noten, Études Studio, and Wales Bonner.
FN: In the past few years, there have often been as many presentations as runway shows in menswear. Have you been able to increase the proportion of shows in this coming season?
PM: We are witnessing great vitality in both shows and presentations. The question is not about increasing the number of shows but finding the most relevant format for each house. Since the pandemic, we gathered the presentations and shows in a unique calendar, and therefore, several brands choose to do presentations, as sometimes it appears to them more suitable to show their collection in this way. Anyhow, the balance between shows and presentations is scrupulously controlled by the menswear committee.
FN: What is the economic impact of the season on Paris or France?
PM: The economic impact is multifaceted. Of course, there is the impact on sales, but there is also the impact on the development and attractiveness of Paris and France, as Paris Fashion Week implies employment in houses and all the creative communities gravitating around its organization.
And then, you have the influence impact, which has economic effects and can be measured using a classical marketing concept: Earned Media Value (EMV). Referring in particular to Launchmetrics data, based on a related concept—Media Impact Value (MIV)—we observe the following MIV amounts for the last two seasons: $303.6 million for PFW® Men's Fashion Autumn/Winter 2025–2026 and $278.3 million for Spring/Summer 2024, whereas the amount was $50 million in 2022—representing a six-fold increase in three years.
FN: How many people—buyers, editors, models, makeup and hair professionals, photographers, VICs, VIPs—do you estimate to come to Paris for menswear?
PM: It is hard to measure the number of people present during Menswear Paris Fashion Week, but we have estimated the number at roughly 5,500, including staff from houses, French and international buyers, journalists, production houses, press offices, VIPs, VICs, influencers, talents...
FN: What new measures have the FHCM introduced to support young designers?
PM: We pursue the policy, which has proven to be worth it. Each season, FHCM provides grants for young designers, with the constant support of DEFI for French brands and thanks to its Fund for Emerging Brands for non-French brands.
Besides, like for each season, the Sphere Paris Fashion Week showroom will be held at the Palais de Tokyo from Wednesday, June 25, to Sunday, June 29. Two newcomers, Mouty and Victor Clavelly, and five already present brands will also display their collections: Cachí, C.R.E.O.L.E., La Cage, Lazoschmidl, and Ouest Paris.
FHCM is also developing its support in helping young designers find locations for their shows and presentations at a reasonable cost. The location of shows and presentations is becoming an increasing issue for which FHCM aims to provide assistance.
Furthermore, FHCM supports young designers by organizing dedicated seminars based on the expertise of the FHCM team, the contribution of external experts, and professional partnerships.
FN: These days, there are often more fans outside shows than professionals inside. Are you concerned that the season risks becoming something of a circus?
PM: We are aware of the growing number of fans outside shows, which is a testimony to the growing reach of Paris Fashion Week, the brightness of shows, and the presence of highly renowned celebrities and the interest of a global audience. We are working closely with the Préfecture de Police to secure the shows and the outside. We also communicated with the houses about the importance of security outside the show locations and provided them with a security guide.
Also during this pivotal Paris fashion period, Fashion Network spoke with Louis Vuitton CEO Pietro Beccari about luxury, loyalty, and the evolving definition of cultural branding.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Fashion Network
2 days ago
- Fashion Network
Casablanca opens first Paris store, plans spaces in LA, London, and skiwear line
Casablanca has taken a step it describes as 'decisive' by opening its first brick-and-mortar store. The French label, launched in 2018 by French-Moroccan designer Charaf Tajer, has set up shop in Paris, where it has been showing since January 2019, and where it has managed to establish itself as one of the up-and-coming names in ready-to-wear. Casablanca's first store is located in the French capital's luxury shopping district, on rue du Faubourg-Saint-Honoré. Casablanca has opened its flagship almost at one end of the prestigious thoroughfare, at number 62, on the corner with rue d'Aguesseau. The premises extend over nearly 460 square metres on three levels, and were previously home to an art gallery. The interiors are the brainchild of designer Charaf Tajer and the label's creative director Steve Grimes, working in collaboration with London-based design agency Counterfeit Studio and Moroccan architecture studio Elements Lab. The décor reflects 'a fusion between the past and the future, between Parisian elegance, cinema references and a bold, forward-looking vision,' said Casablanca in a press release. Originally, Casablanca focused on menswear, and made a name for itself with uber-chic looks featuring vibrant prints and fine fabrics, borrowing both from the sporting world, notably tennis, and from retro glamour. Soon the label added women's ready-to-wear, broadening its assortment by introducing a range of accessories, including leather goods, footwear and sneakers, scarves, socks and hats. The label's Parisian store showcases all these categories, spread out across each level within Casablanca's various collections. The atmosphere inside the store is decidedly cheerful and warm, with an almost pop-art feel. The furnishings are characterised by rounded and geometric shapes and by Casablanca's signature sunny palette — red, green and Mediterranean blue. The décor combines different styles and materials, using various types of marble, metal, lacquered wood, walls in white wood and others with mouldings and arched niches, velvet, mosaic, and metal and glass tinted in multiple shades for the display cabinets. After Paris, Casablanca will open in July in Los Angeles, at 469 North Canon Drive, Beverly Hills. The label, which has dropped several collaborations in recent years, with Bulgari, Caviar Kaspia, ST Dupont and Nordstrom among others, is distributed via its e-shop and 350 multibrand retailers worldwide. It has recently opened shop-in-shops at Harvey Nichols and Bloomingdale's in Dubai, and at KaDeWe in Berlin, and further shop-in-shops are on the cards in London, at Selfridges in September and Harrods in November. Casablanca also operates seasonal pop-up stores, like the space open for two months at Le Bon Marché in Paris, decked out like a beach club. This season, the label has established a presence also at the Mandarin Oriental in Bodrum (Turkey), and will open temporary stores at Tahiti Beach on the French Riviera in July, at the Fashion Clinic Comporta store in Cavalhal, Portugal, in August, and at the Atlantis The Royal hotel in Dubai, in partnership with the Ounass e-shop. Another project Casablanca is busy on is the autumn launch of a first skiwear capsule collection, produced in partnership with Swiss brand Faction Skis. It will be presented in November via pop-up spaces at Harrods in London and Galeries Lafayette Haussmann in Paris, as well as in top Alpine resorts such as Verbier and Gstaad in Switzerland. Casablanca is backed by an investor and has moved its headquarters to London. In 2024, it generated a revenue of €45 million, and is expecting to reach €60 million for 2025, growing by more than 30%. Casablanca has been led since 2023 by Frederick Lukoff, and employs 140 people. The label has been posting double-digit annual growth on a regular basis. Sales for its e-shop have notably soared, recording a triple-digit rise this year. With this first Paris opening, Tajer is relishing Casablanca's success. 'When my parents arrived in France, my mother was working as a housekeeper, so me setting up a fashion house was the last thing that could be expected. Then, five or six years ago, I said: 'I want a corner in this street', and everyone told me it was impossible, because all the locations were taken by the top labels. Opening this store is a huge achievement for us: It feels like coming home.'


Fashion Network
2 days ago
- Fashion Network
First-ever Hermès Birkin handbag to be auctioned in Paris in July
The first Birkin handbag, designed especially for Jane Birkin in 1984, will be auctioned in Paris on July 10, the last day of Haute Couture Week, announced auction house Sotheby's on Thursday. The large black leather tote, the original version of one of the world's most celebrated and expensive handbags, will be the 'signature item' in Sotheby's 'Fashion Icons' auction, as Sotheby's said in a press release. The handbag will be exhibited to the public at Sotheby's gallery in New York on June 6-12, ahead of its final presentation at the auction house's Parisian offices in the 8th arrondissement, on July 3-9. The 'historic handmade prototype,' engraved with the initials J.B., is distinctive for several peculiarities that make it a unique piece: its size, the closed metal rings, the non-detachable shoulder strap, and the incorporated nail clipper. Jane Birkin was undoubtedly a fashion icon, but she was keen on practicality above all. On a Paris to London flight, the British singer-actress, who died in 2023, complained with a fellow passenger of not being able to find a handbag that fit the needs of a young mother. The fellow passenger was none other than Jean-Louis Dumas, then boss of Hermès. A tote bag with a pouch for baby bottles was launched by Hermès in 1984, and was named Birkin. Forty years later, the Birkin leather handbag has become the French luxury house's most iconic product. It is manufactured in very small quantities to foster its exclusive image. Its prices can vary greatly, from a few thousand euro for the simplest models, to several hundred thousand euros for the most luxurious ones. In addition to the Birkin handbag, the auction will feature iconic items from runway shows by designers such as Christian Dior, John Galliano, Thierry Mugler and Alexander McQueen. The auction will start online from June 26, and will continue until the closing date of July 10.


Fashion Network
2 days ago
- Fashion Network
Demna unveils his final ready-to-wear collection for Balenciaga
Hoodies, oversized puffer jackets, baggy trousers, long coats, distressed or washed denim — Demna has unveiled his final ready-to-wear collection for Balenciaga, a curated synthesis of his 10-year tenure at the Kering -owned fashion house. The collection serves as a manifesto, or a parting statement, as the designer prepares to leave the Parisian label in July, following his last couture show, to take the helm at Gucci, the group's flagship brand. The Georgian-born, German-based designer (whose full name is Demna Gvasalia) has reshaped Balenciaga's image over the past decade, bringing it firmly into the 21st century with a blend of luxury streetwear and tailored silhouettes featuring exaggerated proportions. For spring 2026, he presents 48 looks. The lineup spans sculptural, tailored pieces that reinterpret Cristóbal Balenciaga's signature curves and a sportier, street-inspired wardrobe marked by oversized volumes, reworked vintage items and an anti-establishment spirit that defines the designer's approach. These elements contrast sharply with the refined, romantic style of Pierpaolo Piccioli, who will succeed him. The collection features pieces drawn from 35 past collections, new designs and garments from the designer's personal wardrobe. 'They represent the volumes, silhouettes and attitudes that have shaped my vision and exploration of contemporary wardrobe — what people really wear, how they wear it, and the line between luxury and fashion,' Demna explains in a letter-style statement, describing the collection as 'a return to my roots after all these years.' The collection unmistakably evokes Vetements, the brand Demna founded in 2014 and left in 2019. It also suggests the potential direction Gucci might take in the coming months — reimagining the Italian house's classics through a radical contemporary lens and elevating everyday pieces into a new form of luxury through an ongoing exploration of wardrobe archetypes. 'My work at Balenciaga, and in general, has often revolved around the anthropology of fashion and dress codes,' Demna notes. To visually reinforce this theme, he collaborated with photographer Ari Versluis and profiler-stylist Ellie Uyttenbroek. The Dutch duo, whose project Exactitudes (also the title of this collection) has strongly influenced Demna's styling, have spent years photographing and categorizing individuals across various socio-cultural groups based on their clothing and style. Demna first discovered their work while studying at the Royal Academy of Fine Arts in Antwerp. Over the years, he has continued to explore the concept of social uniforms and how individuals personalize their clothing. The work of Versluis and Uyttenbroek has left a lasting imprint on his fashion approach. Speaking about this final collection, the artistic director highlights this influence: 'It marks the end of a beautiful era that I wanted to capture and celebrate by creating the 'Balenciaga archetypes' — the people, silhouettes, atmosphere and ideas that have all been fundamental to my work for this incredible house.' At the same time, the brand is launching a music collaboration with Britney Spears as part of its Balenciaga Music project, which began in 2020. The project offers Balenciaga clients access to curated musical content, including playlists compiled by Demna and various artists, along with a capsule collection. Inspired by the American pop star's concert aesthetic, the collection features a limited edition of T-shirts, zip-up hoodies and caps adorned with Spears' autograph and archival imagery, finished with vintage-inspired treatments that resemble classic album merchandise. The project also includes an exclusive playlist created by the pop icon and two remixes of her most iconic tracks by BFRND, the stage name of musician Loïk Gomez — Demna's husband — who has composed the soundtracks for all Balenciaga runway shows. Before unveiling his couture collection and moving on to Milan, the designer will receive one final tribute in Paris during men's fashion week with an exhibition titled Balenciaga by Demna, which will run from June 26 to July 9 at Kering's headquarters on Rue de Sèvres.