‘Something Beautiful' Trailer: Miley Cyrus Makes Her Directorial Debut with Pop Opera Feature
Miley Cyrus has been a mega-star for more than a decade but now the multihyphenate is adding another talent to her resume: director. Cyrus helms her pop opera feature 'Something Beautiful,' making her directorial debut with the 'one of a kind' cinematic experience that is 'fueled by fantasy,' as the logline teases. Cyrus co-directs with Jacob Bixenman and Brendan Walter.
'Something Beautiful' will feature 13 original songs from Cyrus' ninth studio album of the same name. The film is mixed by Alan Meyerson ('Dune Part One,' 'The Dark Knight') for a theatrical release. 'Mandy' breakout filmmaker Panos Cosmatos produces along with Cyrus and XYZ Films, in collaboration with Sony Music Vision, Columbia Records, and Live Nation. Benoît Debie is the cinematographer.
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''Something Beautiful' is my dream project come true — fashion, film, and original music coexisting in harmony,' Cyrus said in a press statement. 'My co-creators are all geniuses in their own right: from the masters of sound, Shawn Everett and Alan Meyerson, to one of cinema's most unique directors, Panos Cosmatos serving as a producer. Each collaborator has used their expertise to make this fantasy a reality.'
'Something Beautiful' will have its world premiere June 6 at the Tribeca Festival. The film follows the trend of visual albums with feature accompaniments: The Weeknd recently debuted 'Hurry Up Tomorrow' starring Jenna Ortega and Barry Keoghan to coincide with his album as well.
As for the 'Something Beautiful' team, producer Cosmatos has his own feature in the works starring another first-time female director, Kristen Stewart, whose 'The Chronology of Water' wowed at Cannes. Stewart will star alongside Oscar Isaac in Cosmatos' '80s-set vampire rave drama 'Flesh of the Gods,' written by 'Se7en' screenwriter Andrew Kevin Walker. The film centers on married couple Raoul (Isaac) and Alex (Stewart) who descend each evening from their luxury skyscraper condo and head into an electric nighttime realm of '80s Los Angeles, per the official synopsis. When they cross paths with a mysterious and enigmatic woman and her hard-partying cabal, Raoul and Alex are seduced into a glamorous, surrealistic world of hedonism, thrills, and violence. 'Flesh of the Gods' will be the fourth collaboration between Cosmatos and XYZ, including 'Something Beautiful.'
'Something Beautiful' will be released in theaters for one night only on June 12 from Trafalgar Releasing and Sony Music Vision. Check out the trailer below.
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‘Poker Face' Season 2 Review: Rian Johnson Ups the Chaotic Ante in Peacock's Comforting Howcatchem
Sleuths, by and large, aren't given the luxury of lying low. Worn-down beat detectives are always getting called to the next crime scene. Part-time investigators can't resist a femme fatale's desperate pleas (or ample pocketbook). But even when you set aside their professional obligations, puzzle-solvers usually don't know what to do with themselves when the game is not yet afoot. Typically, gumshoes crack cases by compulsion. Take Rian Johnson's last 'Knives Out' mystery: At the start of 'Glass Onion,' Benoit Blanc (Daniel Craig) has grown frustrated by the pandemic's stultifying effect on real-world brainteasers. With too much time off (and too much time moping in the tub), he thinks he's going insane. He's tried reading books, he's tried playing games, he's even enlisted help from a few similarly-minded peers (including Angela Lansbury and 'Poker Face' star Natasha Lyonne). But nothing helps. 'The last thing I need is a vacation,' he says. 'I need danger, the hunt, a challenge. I need… a great case.' More from IndieWire How 'Andor' Season 2 Production Design Gives the Empire Its Oppressive Weight 'Poker Face' Season 2: Costume Designing Wicked Looks for Cynthia Erivo's Quintuplets In 'Poker Face' Season 2, Johnson sees this quandary through the looking glass (onion). Lyonne's Charlie Cale has too many cases to solve and too little downtime in between. No matter where her baby blue Plymouth Barracuda takes her, there's another liar, another dead body, and another wrong waiting to be righted. Her situation, like her innate ability to identify a lie, is unique. She's not a cop on assignment. She's not a private eye looking for work. She's happy to make a living picking apples from an orchard or snagging foul balls in the minor leagues. And yet, death haunts Charlie wherever she goes, so it's only natural to wonder: Is her nose for bullshit a blessing or a curse? What a mystery! Resolving this dilemma gives 'Poker Face' Season 2 a sturdy spine, which is especially important since the individual vertebrae (aka the individual episodes) aren't quite as compelling (save, once again, for one true gem). Since we've known Charlie, she's been running. In the first season, she seeks justice for her murdered friend and, as a result of doing the right thing, has to go on the lam. Each week, she's in a new town, working a new gig, caught up in another suspicious story. The lone wolf lifestyle suits Charlie just fine — for a while. Her ebullient personality helps to make friends wherever she goes, but when some of those friends end up dead and the rest have to be left behind when it's time to skip town, well, those losses add up. As Season 2 starts, Charlie's traded one vengeful mob boss for another. She out-maneuvered Sterling Frost, Sr. (Ron Perlman), but after refusing to use her 'gift' to help another crime family, she now has to deal with Beatrix Hasp (Rhea Perlman). Here we go again: Charlie does the right thing, and her reward is a life spent in hiding. For a procedural, starting over is more of a comfort than an annoyance, and the first episode, directed by Johnson, offers numerous pleasures — five of which are all played by Cynthia Erivo! There's also a mini-montage of Charlie trying out odd jobs (and making new friends) before she's chased off by gun-toting mobsters. There's lovely cinematography by director of photography Jaron Presant, and Johnson savors every odd little eccentricity available in the wacky initial investigation. (His ability to reveal key details through playful yet carefully considered camera movements is downright Spielbergian.) Perhaps most importantly, Episode 1 also makes it clear Charlie is enjoying her life as best she can; that is, she's enjoying her life whenever she's not staring death in the face (those mobsters' bullets come awfully close) — a pattern that persists in her subsequent cases. 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Natasha Lyonne: The Maverick Behind the Madness
On June 5, the IndieWire Honors Spring 2025 ceremony will celebrate the creators and stars responsible for some of the most impressive and engaging work of this TV season. Curated and selected by IndieWire's editorial team, IndieWire Honors is a celebration of the creators, artisans, and performers behind television well worth toasting. We're showcasing their work with new interviews leading up to the Los Angeles event. A conversation with Natasha Lyonne is to experience a gravel-voiced one-woman film school with a carousel of cultural references that range from 'The Long Goodbye' to Lou Reed to quantum physics. More from IndieWire 'Stick' Review: Owen Wilson's Golf Comedy Takes Too Many Shortcuts Trying to Be 'Ted Lasso' Julianne Nicholson Was 'Paradise' Creator Dan Fogelman's Only Choice for His 'Complicated' Villain But what makes Lyonne singular (and why she's being recognized with the Maverick Award at this season's IndieWire Honors) is more than her encyclopedic mind or her distinct creative stamp. It's her ability to turn lived experience into genre-busting, soul-searching, radically original storytelling. In a TV landscape dominated by serialization, Lyonne and co-creator Rian Johnson took a left turn with Peacock's 'Poker Face,' a classic case-of-the-week mystery format with a twist. The heroine is Charlie Cale, a human lie detector with a beat-up car and an even more battered moral compass, and she's received plenty of 'Colombo' comparisons. 'It's quite intentional that I walk around like a rumpled detective,' Lyonne told IndieWire, 'but I'd say I've seen him in more Cassavetes films than 'Columbo' episodes, if I'm being honest. Which I might as well be, given the theme of the show.' As a result, 'Poker Face' doesn't feel like a riff or homage. She and Johnson developed a character who feels both timeless and unmistakably hers. 'It's not really about assessing the landscape,' Lyonne said. 'It's about inner curiosity. That's more likely to resonate than paperwork.' Lyonne's commitment to crafting characters with depth and agency began with co-creating Netflix's 'Russian Doll.' The mind-bending, Emmy-nominated series riffed on time loops and existential dread while feeling deeply personal. 'At the risk of sounding pedantic, I do think it's important to mention that — as it so often seems with women — someone assumes a character was created for them,' she said. 'Let's be really clear: That never occurred. This character exists because, like any good old-fashioned entrepreneur, I saw a void.' Lyonne was never going to fit in the 'beautiful, but she doesn't know it' roles. She's gorgeous but, with her wild red hair and irrepressible intellect, she doesn't look or sound like anyone who's unaware of exactly who she is. To find the work, Lyonne had to create it. 'In modern times, there were no women running around like Philip Marlowe on our screens. Surely, that was a hole I could fill,' she said with a laugh. 'I knew nobody was casting me as a 'Roller Girl' type, you know what I mean? That's Heather Graham's part, and Meryl Streep had her section. Well, I found mine in the basements of YMCAs and Murray Hill in Manhattan, where I would watch a lot of noir films alone in the middle of the day after I dropped out of Tisch.' 'Mae West made her choices,' she added. 'I made mine.' Lyonne builds her shows from the inside out. She's a writer, director, and producer with her own company, Animal Pictures, which she co-founded to support boundary-pushing creators. She's now prepping her first feature, 'Uncanny Valley,' which she's co-writing and directing with Brit Marling ('The OA'). Lyonne and Marling became fast friends after they were invited to a series of what Lyonne describes as 'backdoor Hollywood AI meetings.' 'I adore Brit Marling,' she said. 'She's a fucking genius. Because of our sci-fi leanings, we'd each developed a deep interest in this space. And in these meetings, it became clear that a lot of what was already happening was AI. Brit and I looked at each other and realized: this is real. It's fascinating. We're both interested in this, and we're both kind of punks, raising our eyebrows at how it's all going down. So we got this idea: attack it sideways and head-on. I think it's going to be a very cool movie.' In fact, she cracked, 'It's not announced yet, but Joe Pesci is the star of 'Uncanny Valley.' He plays my daughter. Thanks for this conversation, and thanks to IndieWire for this Maverick Award. As a maverick, it's really important that everyone knows Joe Pesci plays my daughter in 'Uncanny Valley.' It's been said, so now it's fact. Throw it on Wikipedia.' That kind of humor, bone-dry and self-aware, is part of what makes Lyonne's voice so necessary. But underneath it all is a deep understanding of what it means to survive, create, and evolve in an industry that rarely makes space for women like her. Her advice to others, particularly women taking creative control, is simple and hard-earned: Hang tight. Stick to your guns. Don't worry about being palatable, or overthink the wins and losses. 'It's all grist for the mill,' she said. 'Self-respect is the answer. And blood on the page.' That's why Natasha Lyonne is this year's Maverick. And why Joe Pesci better clear his schedule. 'There is no reality,' she said. 'It's what you make it. Where you're at dictates how you receive the world.' 'Poker Face' Season 2 is now streaming on Peacock. Best of IndieWire The Best Thrillers Streaming on Netflix in June, from 'Vertigo' and 'Rear Window' to 'Emily the Criminal' All 12 Wes Anderson Movies, Ranked, from 'Bottle Rocket' to 'The Phoenician Scheme' Nightmare Film Shoots: The 38 Most Grueling Films Ever Made, from 'Deliverance' to 'The Wages of Fear'
