
Strictly star says show left her in more pain than childbirth
A Strictly Come Dancing star has detailed the horror injuries she sustained from competing on the BBC series.
Angela Scanlon took part in the 21st season of Strictly in 2023 alongside dance partner Carlos Gu.
In week 10, she left the show, finishing in sixth place, after being voted out following her Cha-cha-cha performance of Gloria Gaynor's I Will Survive.
However, according to the Irish TV presenter, 41, competing in the series was absolute agony, and she said she would often have 'raw bleeding blisters'.
Speaking to former Geordie Shore star Vicky Pattison on their Get A Grip podcast, Angela explained: 'I've had two children without pain relief and would do that 10 times over in a day than have raw, bleeding blisters.
Wake up to find news on your TV shows in your inbox every morning with Metro's TV Newsletter.
Sign up to our newsletter and then select your show in the link we'll send you so we can get TV news tailored to you.
'You have to put the goddamn shoes on and do a Viennese waltz – my heels have never had so much action.
'You put a plaster on and, because you're sweating like a donkey, it falls off. You put socks on with your ballroom shoe, and you're still rub-a-dubbing.
'You're raw.'
Angela married her entrepreneur husband, Rory Horgan, in 2014 and has two daughters with him – Ruby, seven, and Marnie, three.
She also gave birth to her first daughter, Ruby, in 2018, while Marnie was delivered in 2022.
Angela is far from the first Strictly contestant to suffer a bit of wear and tear.
In last year's series, Nick Knowles revealed how he was forced to undergo two operations after an emotional elimination.
The DIY SOS star, 62, explained that he had a 'rollercoaster' of a time.
'I think it was the right result in the end, and it means I can now get the various bits of me that are falling off sorted out,' he shared, having needed a week off ahead of his departure due to injury.
Nick shared that he's still keep to maintain his rhythm, though, including by dancing with his pro.
'I might have an operation on the arm this week, then another operation on the knee in a couple of weeks, so I can get myself sorted. More Trending
'I genuinely fell in love with dancing. After I've had my operations, I'm gonna do some more training with Luba (Mushtuk), and I've got important things to do… I'm getting married next year and Luba is gonna help choreograph the first dance.'
Proving that Strictly is no easy feat, during the same series, professional Nadiya Bychkova was left with a 'swollen and bruised' thumb when it 'snapped' during training.
View More »
The 35-year-old had been partnered with Olympian Tom Dean, but they became the first pair eliminated from the competition.
Got a story?
If you've got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you.
MORE: Is Ncuti Gatwa leaving? Our Doctor Who experts know who should take over
MORE: Doctor Who is wasted on Disney – ditch it or it risks dying
MORE: Ashley Walters calls out BBC's Who Do You Think You Are for rejecting him after 'year of research'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Leader Live
an hour ago
- Leader Live
Lisa Hogan uses mics to her advantage as Jeremy Clarkson ‘cannot interrupt' her
Hogan is best known for appearing on the Amazon Prime documentary series Clarkson's Farm, where she runs the farm shop, which stars the former BBC Top Gear presenter as he navigates the challenges of running Diddly Squat Farm. During filming for the fifth season, Hogan shared that she has learned to use the cameras to her advantage when wanting to say things to her partner that he might not want to hear. Speaking to the Mail on Sunday, she said: 'I've worked out that when he's wearing a mic, he can't interrupt me. So that's when I go for it.' Overall, she avoids arguing with him, adding: 'I'm more conniving than that. Why argue with someone like Jeremy? He's so eloquent. I have to be a bit more… nimble. I like the long-term diplomatic approach.' The pair met at a drinks party hosted by a mutual friend nine years ago, however, she said that she knew him for his columns, with regular contributions for The Sun and The Sunday Times, rather than his presenting. Speaking about the presenter and what he is like off camera, she said: 'He's always incredibly inquisitive. 'His mind is always on the move. He'll come in fizzing with energy about the smallest thing. I like that. 'I used to let my son stay up to watch Top Gear, but I never really watched it myself. I knew him more from his writing. I always loved his columns. I thought he was bright – and probably amusing. And I think he thought I'd be amusing.' Hogan once used tadpoles as a live centrepiece after discovering them in her pond. She said: 'It was fascinating! You could have a conversation and see them wandering around. Well, anyway, I put them back because everyone was pretty freaked out by it, but I could tell he was charmed. 'It's like a tablescape. It's interesting! 'Jeremy thought it was horrendous, but I could also see that he was charmed by me creating a centrepiece of live tadpoles. I could see the romance in his eyes.'

Leader Live
an hour ago
- Leader Live
50th anniversary of Seamus Heaney's landmark collection on Troubles to be marked
A three-day conference at the Seamus Heaney Centre at Queen's University Belfast will bring together experts from around the world to discuss the significance of the Nobel laureate poet's landmark work. The event, in partnership with Trinity College Dublin, takes place from June 5-7 and will also mark the first anniversary of the Belfast venue. Heaney, who died in 2013, was one of the world's best known modern poets. Pulitzer prize-winning poet Paul Muldoon and Professor Edna Longley will be among authors, academics and poets discussing the significance of North 50 years on. There will also be a family friendly traditional music session and a screening of the documentary Heaney in Limboland, made for TV in 1970 and featuring Heaney's views on the rapidly deteriorating political situation in Northern Ireland. Upon publication in 1975, the American poet Robert Lowell said North represented 'a new kind of political poetry by the best Irish poet since WB Yeats' and the anthology went on to win awards including the Duff Cooper Memorial Prize and the WH Smith Memorial Prize. Heaney himself admitted the collection took a 'hammering' from other quarters, closer to home, for its representation of violence and gender politics. Many academics consider it to be a key moment in the evolution of Heaney from a significant Irish poet to a poet of international standing, culminating in his winning of the Nobel Prize for Literature in 1995. Director of the Seamus Heaney Centre, Professor Glenn Patterson said: 'Whichever way you come at it, in admiration, in awe or in search of an argument, there is no understanding poetry from these islands in the past half century, without North. 'There are not many books, of any kind, that merit an 'at 50' conference, but North seems only to grow in significance with every year that passes, and with every year that passes to attract new readers, and new critical thinking.' The poet's daughter Catherine Heaney, said: 'We are proud and honoured that the 50th anniversary of North is being marked with this conference, alongside Faber's reissue of the volume in its original jacket. 'The publication was such a seminal moment in my father's life and career and it is testament to its staying power that, five decades on, it continues to resonate with readers and inspire scholarly debate.' Dr Stephen O'Neill from Trinity College Dublin said: 'Written under the strain of what Seamus Heaney called 'a very high pressure', North was a landmark in his writing career. 'It was and is also a landmark in criticism, as a subject for many of the leading critics of Irish literature then and now. 'Organised to coincide with Faber's anniversary republication of the volume, the conference is a chance to reflect upon the impact of Heaney's fourth collection and reassess its reception.' All events will take place at the Seamus Heaney Centre at Queen's. Attendance is free but registration is required.


South Wales Guardian
an hour ago
- South Wales Guardian
50th anniversary of Seamus Heaney's landmark collection on Troubles to be marked
A three-day conference at the Seamus Heaney Centre at Queen's University Belfast will bring together experts from around the world to discuss the significance of the Nobel laureate poet's landmark work. The event, in partnership with Trinity College Dublin, takes place from June 5-7 and will also mark the first anniversary of the Belfast venue. Heaney, who died in 2013, was one of the world's best known modern poets. Pulitzer prize-winning poet Paul Muldoon and Professor Edna Longley will be among authors, academics and poets discussing the significance of North 50 years on. There will also be a family friendly traditional music session and a screening of the documentary Heaney in Limboland, made for TV in 1970 and featuring Heaney's views on the rapidly deteriorating political situation in Northern Ireland. Upon publication in 1975, the American poet Robert Lowell said North represented 'a new kind of political poetry by the best Irish poet since WB Yeats' and the anthology went on to win awards including the Duff Cooper Memorial Prize and the WH Smith Memorial Prize. Heaney himself admitted the collection took a 'hammering' from other quarters, closer to home, for its representation of violence and gender politics. Many academics consider it to be a key moment in the evolution of Heaney from a significant Irish poet to a poet of international standing, culminating in his winning of the Nobel Prize for Literature in 1995. Director of the Seamus Heaney Centre, Professor Glenn Patterson said: 'Whichever way you come at it, in admiration, in awe or in search of an argument, there is no understanding poetry from these islands in the past half century, without North. 'There are not many books, of any kind, that merit an 'at 50' conference, but North seems only to grow in significance with every year that passes, and with every year that passes to attract new readers, and new critical thinking.' The poet's daughter Catherine Heaney, said: 'We are proud and honoured that the 50th anniversary of North is being marked with this conference, alongside Faber's reissue of the volume in its original jacket. 'The publication was such a seminal moment in my father's life and career and it is testament to its staying power that, five decades on, it continues to resonate with readers and inspire scholarly debate.' Dr Stephen O'Neill from Trinity College Dublin said: 'Written under the strain of what Seamus Heaney called 'a very high pressure', North was a landmark in his writing career. 'It was and is also a landmark in criticism, as a subject for many of the leading critics of Irish literature then and now. 'Organised to coincide with Faber's anniversary republication of the volume, the conference is a chance to reflect upon the impact of Heaney's fourth collection and reassess its reception.' All events will take place at the Seamus Heaney Centre at Queen's. Attendance is free but registration is required.