logo
Appetite for global cinema growing in India, want to bring every genre: PVR Inox's Aamer Bijli

Appetite for global cinema growing in India, want to bring every genre: PVR Inox's Aamer Bijli

Economic Times11-06-2025
From horror lovers to rom-com and anime enthusiasts, India's filmgoers have diverse tastes and PVR Inox Ltd wants to be the go-to destination for global cinema across formats and genres, says Aamer Bijli, the company's lead strategist for marketing and innovation.
The company is making a major strategic push in bringing international cinema to Indian audiences, starting with the premiere of the upcoming action thriller "Ballerina", headlined by Hollywood star Ana de Armas.
In the next one year, PVR Inox will be distributing some of the major Hollywood titles, both big-budget and indie, from top studios like Lionsgate, A24, Neon, Black Bear and FilmNation."What we see as the future is to ensure that the growing appetite in India is quenched. Essentially every appetite has a particular genre, and we want to be at the forefront of bringing that genre to the Indian market. And this is a combination of international films as well as local films.
"Our business fires on three engines, which are Hollywood films, the Hindi local segment and live events. So we want to really become a prolific player in all three categories," Aamer, son of PVR Inox managing director Ajay Bijli, told PTI in an interview.
At a premiere event for "Ballerina", held at PVR Juhu in Mumbai, the company gave a glimpse into the next four titles that it will be distributing in India -- "Smashing Machine", starring Dwayne Johnson; "Now You See Me: Now You Don't", the third part in Lionsgate heist franchise; Aziz Ansari-directed comedy "Good Fortune", featuring Keanu Reeves and Seth Rogen; and anime film "Shinchan: Kasukabe Dancers".Besides, PVR Inox has a robust slate for the year 2025-26, spanning genres like horror, musicals, drama, romance, and action. It includes five films from critically-acclaimed studio A24. The movies are -- "The Riders" with Brad Pitt; "The Drama" with Robert Pattinson and Zendaya; "Marty Supreme" with Timothee Chalamet; "Onslaught" with Adria Arjona and Dan Stevens; and "Sorry Baby" from actor-director Eva Victor.From Lionsgate, it will be bringing out "The Strangers: Chapter 2" and "SAW 11". It will also distribute Neon's "The Housewife", starring Naomi Watts, in the country.For Black Bear Pictures, PVR Inox will distribute filmmaker Guy Ritchie's "The Wife & Dog", featuring Benedict Cumberbatch, Anthony Hopkins and Rosamund Pike, as well as six other titles -- Gerard Butler's "Greenland: Migration", "Relay" with Lily James, Riz Ahmed and Sam Worthington; "Afterburn", starring Samuel L Jackson; "Fred & Ginger" with Margaret Qualley; Zac Efron's "Famous"; and "I Want Your Sex", starring Olivia Wilde."We've always tried to maintain a very fruitful and amicable relationship with these studios. It's always been a to-and-fro to understand what films they're producing, what films the international audience is liking, and what films resonate with India."We have exponentially grown in terms of size because now independent cinema is also really demanding big budgets. A lot of big actors are being associated with independent films and it's really going to grow," Aamer said.Asked about the content acquisition strategy of PVR Inox, he said genre plays a pivotal role."There are certain genres that cut across the language barrier more than others. And the major genre that does this is action films. Some films that even we don't dub tend to see its day in the sun."But action firms are notorious for their dubbable ability. You can dub it into all the languages and that's something we specialise, in regional and Hindi language to dub these films in. So that's a big part of the strategy." Another aspect of the strategy is to identify studios as well as independent banners that are credible to partner, Aamer added."We have a very long standing relationship with Lionsgate. We have an output deal with them, and we represent the India office. They have very big budget films such as the 'John Wick' universe, which they want to bring and which suits India," he said.The final piece in the puzzle is the star cast attached to a project, Aamer stressed."There are certain actors and actresses that people resonate with more than others. Sometimes the story, the prowess, the writing, is enough to carry a film forward, but sometimes it needs the extra power, which is the star cast. And it makes these potential content acquisitions possible and gives relevance for the Indian market," he said.Going forward, Aamer is optimistic about India's rising stature as a key market for international films, especially when it comes to hosting premieres and other promotional events of major Hollywood titles."It would really boost the momentum for the film. Films like 'Avatar: The Way of Water', which released two years ago, and 'Oppenheimer', they all did so well that they were comparable with global box office numbers as well."Even in the independent film space. Like 'John Wick' for example. 'John Wick 4' did exceedingly well for us. I think it clocked about USD 4.5 million, which is a very respectable number compared to the grand scheme." India can truly emerge as a global cinema destination if more international films receive commercial success in the country, he added.
"I don't see why studios won't start looking at India as a destination to host premiers, festivals, and all these marque events. I think it is just a matter of time," Aamer said.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Rajinikanth's Coolie has a Christopher Nolan movie inspiration: Guess the unexpected Hollywood twist
Rajinikanth's Coolie has a Christopher Nolan movie inspiration: Guess the unexpected Hollywood twist

Time of India

time15 minutes ago

  • Time of India

Rajinikanth's Coolie has a Christopher Nolan movie inspiration: Guess the unexpected Hollywood twist

Tamil filmmaker Lokesh Kanagaraj , known for blending Indian cinema with global influences, has reportedly drawn inspiration from Christopher Nolan's The Dark Knight for his upcoming film Coolie. According to Tollywood star Nagarjuna Akkineni, who plays the villain in the film, Lokesh referenced Heath Ledger's iconic Joker for the character's costumes and overall vibe. Pinkvilla reported that Nagarjuna explained in a conversation with Shruti Haasan that the director wanted to capture the 'madness' he saw in Joker, particularly through the costume design. 'I think Loki had Heath Ledger's Joker in his mind, and he wanted that madness. He probably saw the madness in the colour as well,' Nagarjuna said, highlighting the unique purple-and-cream costume he dons in the movie. Finance Value and Valuation Masterclass - Batch 4 By CA Himanshu Jain View Program Artificial Intelligence AI For Business Professionals Batch 2 By Ansh Mehra View Program Finance Value and Valuation Masterclass - Batch 3 By CA Himanshu Jain View Program Artificial Intelligence AI For Business Professionals By Vaibhav Sisinity View Program Finance Value and Valuation Masterclass - Batch 2 By CA Himanshu Jain View Program Finance Value and Valuation Masterclass Batch-1 By CA Himanshu Jain View Program Bold New Look for Nagarjuna The actor noted that he had never worn such colors before, making the experience both fresh and challenging. He recalled, 'Loki told the dress designers. They got two or three options. He saw and said, 'This is it. This is the one I want.' I also had a jacket. Purple jacket. It was really good. I never wore those colours.' by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Villas For Sale in Dubai Might Surprise You Villas In Dubai | Search Ads Get Rates Undo Describing the outfit as unconventional, Nagarjuna added, 'It is a very strange dress. I mean, even for me, it's baggy pants.' Shruti Haasan agreed, observing that the costume combines elements of both Heath Ledger's Joker and the traditional Joker imagery. Nagarjuna humorously remarked that he was 'glad he didn't put on that smile.' Preparing for a Negative Role Nagarjuna, who has predominantly played heroic characters, revealed that he approached this negative role differently. He recorded the narration for the first time and took detailed notes before agreeing to play Simon, the character inspired by Joker. The actor reflected, 'The story starts with Simon's character. For the first time, I've recorded the narration and made notes to decide on the character. I never did this earlier.' Even Superstar Rajinikanth, playing the titular role, was reportedly impressed with Nagarjuna's portrayal. 'After the shot was over, Rajini sir nodded and said 'hmmm' (with a sweet smile),' Nagarjuna recalled. Coolie, featuring Rajinikanth, Nagarjuna, Shruti Haasan, Upendra, Soubin Shahir, Sathyaraj, and Aamir Khan, is releasing in theatres on August 14.

Challenges behind us, momentum is back: PVR Inox MD Ajay Bijli
Challenges behind us, momentum is back: PVR Inox MD Ajay Bijli

Time of India

time20 minutes ago

  • Time of India

Challenges behind us, momentum is back: PVR Inox MD Ajay Bijli

Mumbai: India's film exhibition sector is steadily recovering from the disruptions wrought by the Covid-19 pandemic, driven by higher footfall, increasing ticket prices and a robust content pipeline, said Ajay Bijli , managing director of PVR Inox , the country's largest multiplex chain. "The momentum is back. The challenges that once kept audiences away are behind us. The Hollywood strike is over, and even big-budget films are now attracting audiences. The content lineup looks very good," he told ET. Finance Value and Valuation Masterclass - Batch 4 By CA Himanshu Jain View Program Artificial Intelligence AI For Business Professionals Batch 2 By Ansh Mehra View Program Finance Value and Valuation Masterclass - Batch 3 By CA Himanshu Jain View Program Artificial Intelligence AI For Business Professionals By Vaibhav Sisinity View Program Finance Value and Valuation Masterclass - Batch 2 By CA Himanshu Jain View Program Finance Value and Valuation Masterclass Batch-1 By CA Himanshu Jain View Program Looking ahead, the content slate for the rest of 2025-26 is strong, with War 2, Baaghi 4, The Bengal Files, Kantara, Avatar: Fire and Ash, and Jolly LLB 3, he said. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 15 most beautiful women in the world Undo Bijli expects footfall to be far better than last year, though he stopped short of predicting a return to the pre-pandemic levels. PVR Inox accounts for an estimated 30% of the domestic industry's box-office revenue. Live Events According to Ormax, India's cinemas recorded customer footfall of 883 million in 2024, down 6% from that in 2023 and below 1.03 billion in 2019.

Andhera Review: Karanvir Malhotra And Priya Bapat Shine In A Flawed But Watchable Horror Saga
Andhera Review: Karanvir Malhotra And Priya Bapat Shine In A Flawed But Watchable Horror Saga

News18

time29 minutes ago

  • News18

Andhera Review: Karanvir Malhotra And Priya Bapat Shine In A Flawed But Watchable Horror Saga

Last Updated: Andhera Review: Gaurav Desai's atmospheric horror-thriller blends folklore, sci-fi, and urban myth into a chilling Mumbai-set tale. The Indian streaming landscape has been courting shadows of late. Horror has found a new appetite here, fattened by the success of titles like Khauf and Mandala Murders, each bringing its own peculiar flavour of unease. Into this thriving gloom walks Andhera, Gaurav Desai's latest offering—ambitious, sprawling, and stitched from fabrics as disparate as folklore, science fiction, urban myth, and the private griefs we carry. It wants to terrify, to provoke thought, to be grand, and in its most hypnotic moments, it almost succeeds. It is a creature of familiar bones but fresh skin, imperfect yet difficult to turn away from. Mumbai's skyline has never looked so complicit. Its towers glint in the sun while something unseen stalks its streets, an ancient hunger humming under the concrete. Inspector Kalpana Kadam, stubborn and sharp-eyed, finds herself staring into this abyss after a young woman, Bani Baruah, vanishes. But before she disappears from the city, Bani vanishes from herself—in a sequence that lingers long after it is over. A tranquil lake. A man named Prithvi Sheth, speaking like one who knows the language of despair. An invitation to 'let go." And then the daylight folds in on itself, the air turns heavy, and his voice belongs to something far older, far crueler. By the time Bani returns to her hotel room, the darkness is following her indoors. It whispers through the voice on her father's phone, calls her names that bruise, and begins snuffing out the lights one by one until she is swallowed whole. The narrative fractures here, spilling into a rain-lashed police station where Kalpana pushes against the indifference and sexism of her male colleagues, and into the unsettled mind of Jay, a medical student who has seen Bani's death before it happens. His visions are dismissed as the junkyard dreams of trauma, but they throb with the kind of detail that refuses to be ignored. In his orbit drifts Rumi, a paranormal vlogger with a taste for the unseen, warning that the city itself is about to be pulled under. Their search leads them to Aatma Healing, a wellness centre that feels more like a trap disguised as sanctuary. Ayesha, its chief consultant, greets them with the serenity of a still pond but denies knowing Prithvi Sheth. Patients here escape into virtual realms through silver coronets that promise peace but seem to open other, darker doors. And yet Prithvi is not supposed to be here at all—he has been lying in a hospital bed since an accident with his brother Jay, an accident in which Jay swears he wrestled Prithvi's soul from a shadow that wanted to keep it. This revelation binds the three into a reluctant alliance. Their path through the city's back-alleys and high-rises is littered with figures who seem plucked from half-remembered dreams: Jude, a reformed convict whose yearning for his daughter makes him reckless; Darius, a killer whose eyes are as flat as shut windows; Kanitkar, the sardonic officer who lends Kalpana loyalty and laughter; Omar, a boy who has survived cruelty too soon; and Dr. Sahay, whose presence in the story is a riddle the series refuses to solve too quickly. If Andhera has a single unassailable strength, it is the mood it builds. The city's light feels rationed, as though every beam has to earn its place. The darkness, meanwhile, is lush and sentient. Shadows curl in corners like listening animals. The VFX renders the supernatural with conviction, and the sound design treats silence like a weapon. Raaghav Dhar's direction understands the power of patience; he lets the fear grow roots before he asks it to bloom. The cast wears its characters like second skins. Surveen Chawla and Priya Bapat give their roles a quiet, tensile strength. Karanvir Malhotra charts Jay's transformation from sceptic to reluctant believer without losing sight of his vulnerability. Prajakta Koli's Rumi is a warm ember in a story otherwise chilled to the bone. Vatsal Sheth, Pranay Pachauri, and Parvin Dabas inhabit their spaces fully, keeping the human stakes alive amid the encroaching strangeness. Still, Andhera is not without its blemishes. The script sometimes wanders when it should run, circling back to points already made. Its blend of the supernatural, the speculative, and the folkloric can feel like too many flavours in one mouthful, muting the impact of each. The plot's intricacies, though rewarding for some, may leave others grasping for the thread. And when the ending arrives, it comes with more predictability than shock, softened by the clear intention to lead us into a second season. What remains is a work that feels alive with possibility. Andhera is flawed, yes, but its ambition is a rare and necessary thing. It understands that horror is not only in the monsters we see but in the spaces they leave empty, the truths they make us whisper instead of speak. Should it return with a steadier hand and a sharper ear for its own rhythm, it could grow into something unforgettable. For now, it stands as a half-built cathedral to the genre, filled with corridors you cannot help but walk down, even as the light behind you goes out. First Published: August 14, 2025, 00:29 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store