Lana Del Rey Randomly Revealed She Kissed Morgan Wallen, And It's A Lot
Well, Lana Del Rey and Morgan Wallen were apparently almost a thing.
Depending on what side of the political spectrum you fall on, you either know Morgan as the guy who said the n-word in 2021 and got arrested for "disorderly conduct" in 2020 and 2024...or a great country singer!
As for Lana, she married swamp boat tour guide Jeremy Dufrene last September. A few months later, she hyped up her "amazing" husband and said, "I really feel like there's kind of a singer's curse around meeting an honest partner who has no skin in the game."
Cut to this weekend's Stagecoach festival, and, according to videos, Lana name-checked Morgan in a new song called "57.5" — a reference to the millions of Spotify listeners she has.
"This is the last time I'm ever going to sing this line," she told the crowd, "I kissed Morgan Wallen."
"I guess kissing me kind of went to his head. If you want my secret to success, I suggest don't go ATVing with him when you're out West," she added.
It's unclear when the alleged kissing took place, but she did say in a 2023 interview that the last song she'd listened to was his track "Born With a Beer in my Hand."
She also sang a new song called "Husband of Mine," which included the lyrics, "Where the baby alligators play / No one talks to me like you do / Or takes care of us so good this way / I apologize in advance for what they'll say about the lines on your face."
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UPI
13 hours ago
- UPI
'Eternal Queen of Asian Pop' sings last encore from beyond the grave
To the delight of millions of fans of the late Teresa Teng, the track titled 'Love Songs Are Best in the Foggy Night' will appear on an album to be released June 25. Photo by Van3ssa_/ Pixabay Several years ago, an employee at Universal Music came across a cassette tape in a Tokyo warehouse while sorting through archival materials. On it was a recording by the late Taiwanese pop star Teresa Teng that had never been released. The pop ballad, likely recorded in the mid-1980s while Teng was living and performing in Japan, was a collaboration between composer Takashi Miki and lyricist Toyohisa Araki. Now, to the delight of her millions of fans, the track titled "Love Songs Are Best in the Foggy Night" will appear on an album to be released June 25. Teng died 30 years ago. Most Americans know little about her life and her body of work. Yet, the ballads of Teng, who could sing in Mandarin, Cantonese, Japanese and Indonesian, continue to echo through karaoke rooms, on Spotify playlists, at tribute concerts and at family gatherings across Asia and beyond. I study how pop music has served as a tool of soft power, and I've spent the past several years researching Teng's music and its legacy. I've found that Teng's influence endures not just because of her voice, but also because her music transcends Asia's political fault lines. From local star to Asian icon Born in 1953 in Yunlin, Taiwan, Teresa Teng grew up in one of the many villages that were built to house soldiers and their families who had fled mainland China in 1949 after the communists claimed victory in the Chinese civil war. Her early exposure to traditional Chinese music and opera laid the foundation for her singing career. By age 6, she was taking voice lessons. She soon began winning local singing competitions. "It wasn't adults who wanted me to sing," Teng wrote in her memoir. "I wanted to sing. As long as I could sing, I was happy." At 14, Teng dropped out of high school to focus entirely on music, signing with the local label Yeu Jow Records. Soon thereafter, she released her first album, Fengyang Flower Drum. In the 1970s, she toured and recorded across Taiwan, Hong Kong, Japan and Southeast Asia, becoming one of Asia's first truly transnational pop stars. Teng's career flourished in the late 1970s and 1980s. She released some of her most iconic tracks, such as her covers of Chinese singer Zhou Xuan's 1937 hit, "When Will You Return?" and Taiwanese singer Chen Fen-lan's "The Moon Represents My Heart," and toured widely across Asia, sparking what came to be known as "Teresa Teng Fever." In the early 1990s, Teng was forced to stop performing for health reasons. She died suddenly of an asthma attack on May 8, 1995, while on vacation in Chiang Mai, Thailand, at age 42. China catches Teng Fever Perhaps the most remarkable aspect of Teng's story is that Teng Fever peaked in China. Teng was ethnically Chinese, with ancestral roots in China's Shandong province. But the political divide between China and Taiwan following the Chinese civil war had led to decades of hostility, with each side refusing to recognize the legitimacy of the other. During the late 1970s and 1980s, however, China began to relax its political control under Deng Xiaoping's Reform and Opening Up policy. This sweeping initiative shifted China toward a market-oriented economy, encouraged foreign trade and investment, and cautiously reintroduced global cultural influences after decades of isolation. Pop music from other parts of the world began trickling in, including Teng's tender ballads. Her songs could be heard in coastal provinces such as Guangdong and Shanghai, inland cities such as Beijing and Tianjin, and even remote regions such as Tibet. Shanghai's propaganda department wrote an internal memo in 1980 noting that her music had spread to the city's public parks, restaurants, nursing homes and wedding halls. Teng's immense popularity in China was no accident. It reflected a time in the country's history when its people were particularly eager for emotionally resonant art after decades of cultural propaganda and censorship. For a society that had been awash in rote, revolutionary songs like "The East is Red" and "Union is Strength," Teng's music offered something entirely different. It was personal, tender and deeply human. Her gentle, approachable style -- often described as "angelic" or like that of "a girl next door" -- provided solace and a sense of intimacy that had long been absent from public life. Teng's music was also admired for her ability to bridge eras. Her 1983 album, Light Exquisite Feeling, fused classical Chinese poetry with contemporary Western pop melodies, showcasing her gift for blending the traditional and the modern. It cemented her reputation not just as a pop star but as a cultural innovator. It's no secret why audiences across China and Asia were so deeply drawn to her and her music. She was fluent in multiple languages; she was elegant but humble, polite and relatable, she was involved in various charities, and she spoke out in support of democratic values. A sound of home in distant lands Throughout the 1990s and early 2000s, the Chinese immigrant population in the United States grew to over 1.1 million. Teng's music has also deeply embedded itself within Chinese diasporic communities across the country. In cities such as Los Angeles, San Francisco and New York, Chinese immigrants played her music at family gatherings, during holidays and at community events. Walk through any Chinatown during Lunar New Year and you're bound to hear her voice wafting through the streets. For younger Chinese Americans and even non-Chinese audiences, Teng's music has become a window into Chinese culture. When I was studying in the United States, I often met Asian American students who belted out her songs at karaoke nights or during cultural festivals. Many had grown up hearing her music through their parents' playlists or local community celebrations. The release of her recently discovered song is a reminder that some voices do not fade -- they evolve, migrate and live on in the hearts of people scattered across the world. In an age when global politics drive different cultures apart, Teng's enduring appeal reminds us of something quieter yet more lasting: the power of voice to transmit emotion across time and space, the way a melody can build a bridge between continents and generations. I recently rewatched the YouTube video for Teng's iconic 1977 ballad, "The Moon Represents My Heart." As I read the comments section, one perfectly encapsulated what I had discovered about Teresa Teng in my own research: "Teng's music opened a window to a culture I never knew I needed." Xianda Huang is a doctoral student in Asian Languages and Cultures at the University of California-Los Angeles. This article is republished from The Conversation under a Creative Commons license. Read the original article. The views and opinions in this commentary are solely those of the author.
Hypebeast
13 hours ago
- Hypebeast
Best New Tracks: Lil Wayne, Turnstile, Little Simz, and More
As the week in music comes to a close, Hypebeast has rounded up the best projects for the latest installment of Best New Tracks. Albums come fromLil Wayne,Little Simz,Turnstile,Addison Rae,and MARINA, withJPEGMAFIAexpanding hisVeteranLP. Singles, on the other hand, stem fromLil Yachty,Ty Dolla $ign,Pi'erre Bourne,Kevin AbstractxDominic FikeandGlorilla. Lil Wayne has shared the sixth installment of hisTha Carteralbum series:Tha Carter album arrives almost seven years after its predecessor and featuresBig Sean,2 Chainzand many others. Spotify|Apple Music The sixth studio album by English rapper Little Simz has surfaced. EntitledLotus, the initially delayed LP featuresObongjayar,Moses Sumney,Sampha, Yusef Dayes and more. Spotify|Apple Music Turnstile has shared the audiovisual albumNever Enough. Also set to premiere at the Tribeca Film Festival, the album is produced by the band's Brendan Yates and tracks 'SEEIN STARS,' 'BIRDS,' 'NEVER ENOUGH' and 'LOOK OUT FOR ME' all land on the tracklist. Spotify|Apple Music Addison Rae has made her formal debut as a solo musical artist with her first studio album:Addison. Spanning 12 tracks, the album features 'Headphones On,' 'Aquamarine,' 'High Fashion' and 'Diet Pepsi.' Spotify|Apple Music Marina Diamondis – now just MARINA – has presented her sixth studio album:PRINCESS OF POWER. Spotify|Apple Music Leave it to Lil Yachty to sample everyone's favoriteMaggie Rogerssong. On Boat's first solo release of 2025, he samples Rogers' 'Alaska.' Spotify|Apple Music After announcing the news earlier in the week, JPEGMAFIA has lifted the curtain on theDirector's Cut(deluxe edition) of his iconic second studio albumVeteran Spotify| Apple Music In February, Ty Dolla $ign tapped ye for 'Wheels Fall Off.' Today, the multi-hyphenate is back with his second solo single of the year 'ALL IN.' Spotify|Apple Music Pi'erre Bourne has shared new single 'Blocs' – his first solo studio release in a few years lifted from his imminent LP, dropping at the end of the month. Spotify|Apple Music The first single from Kevin Abstract's newBLUSHventure has transpired at last. The high-octane 'Geezer' offering features 'Peach' collaborator Dominic Fike. The track isn't on streaming services yet.
Forbes
13 hours ago
- Forbes
Lil Wayne Debuts At No. 1 With His First New Album In Half A Decade
Lil Wayne's Tha Carter VI debuts at No. 1 on iTunes, with 'Sharks," featuring Big Sean and Jelly ... More Roll, emerging as a quick fan favorite tune. BIRMINGHAM, ALABAMA - MAY 03: Lil Wayne performs onstage at Legacy Arena at the BJCC on May 03, 2025 in Birmingham, Alabama. (Photo by) Lil Wayne has returned! The superstar rapper is back with the sixth installment in his Tha Carter series, which has proved to be one of the most successful in hip-hop history. While he didn't promote the set via the traditional path with multiple early singles, it appears that Wayne's popularity may be enough to power him to another bestseller, as Americans have quickly responded to the release of Tha Carter VI and turned it into a chart-topper. Tha Carter VI currently rules the iTunes Top Albums chart in the United States. The full-length leads during a packed frame of exciting new releases, as this Friday (June 6), includes drops from stars across genres — but none of them can quite compete with Wayne at the moment. The biggest competition facing Tha Carter VI is not something new. In fact, it's an album that was released more than a quarter century ago. Millennium by Backstreet Boys bolts up the iTunes Top Albums ranking and currently lands in the runner-up spot. Wayne and Backstreet Boys push recent champions I'm the Problem by Morgan Wallen and Reputation by Taylor Swift down a few pegs, and they land at Nos. 3 and 4, respectively. The top 10 on the iTunes Top Albums chart features half a dozen new arrivals as of the time of writing, with Tha Carter VI leading them all. Just a few spaces further down the list, new drops from Enhypen, Addison Rae, Marina, Turnstile, and Volbeat all manage to find space inside the uppermost region. None of them can compete with Wayne's first solo full-length since 2020's Funeral, which earned him another No. 1 on the Billboard 200. As Tha Carter VI gets going, one of its predecessors returns and becomes a bestseller again. Tha Carter III, which is widely regarded as the best of these half-dozen releases — and perhaps Wayne's most celebrated full-length — currently sits at No. 60 on the iTunes Top Albums chart. No major singles were pushed from Tha Carter VI before its release, but a favorite track has quickly been identified by fans. "Sharks," which features both Big Sean and Jelly Roll is the only tune by Wayne to appear on the iTunes Top Songs tally, and it's off to a fairly slow start. The track currently appears at No. 186, but it will likely rise in the coming hours and days. Tha Carter VI features 19 songs and a handful of somewhat surprising collaborations. While it's not shocking to see other hip-hop artists like 2 Chainz, Sean, and Kodak Black on the project, U2's Bono and even Andrea Bocelli are also officially credited. The Irish rocker lent his songwriting skills and voice to "The Days," while the Italian crooner appears in the background on "Maria," as he sings "Ave Maria" while Wyclef Jean and Wayne take turns performing.
