
Malayali pulse of The Hunt: Behind the faces that brought history to life
It also marks a moment of pride for Kerala. A number of Malayali actors — both seasoned performers and promising newcomers — play key roles in the series. Actor and dancer Shruti Jayan, actor trainer Jyothish M.G., Shafeek Mustafa, Gauri Padmakumar, Neetu Chandra, Akhil Raj, and Akhil Kaimal — who is also the casting director — all appear in prominent roles in The Hunt.
Villain of the Year: Shafeek Mustafa
Shafeek Mustafa, a theatre actor, takes on the role of key LTTE operative Sivarasan in The Hunt. His intense, layered performance has earned widespread praise, with many viewers calling him the 'Villain of the Year.'
'I watched numerous films and documentaries related to the subject. I also tried to understand the differences in the Sinhala language between the past and present. I read several articles, news clips, and had detailed conversations with journalist friends,' says Shafeek, describing his preparation for the role.
The physical transformation for the character was also a significant challenge. Sivarasan had sustained an eye injury during combat with armed forces, and to portray this realistically, Shafeek wore a special lens and had prosthetic makeup applied to his eyelid throughout the shoot.
'I had around 30 days of shooting. Acting with a lens in my eye and makeup on the eyelid was quite difficult. It's manageable for one or two scenes, but as the scenes got longer, it became really uncomfortable. My eyes would become watery,' Shafeek recalls.
However, seeing the positive reception The Hunt is receiving now, Shafeek says all the effort and discomfort is worth it.
Looks matter: Jyothish M.G
Jyothish M.G., Associate Professor of Acting at the K.R. Narayanan National Institute of Visual Science and Arts, Kerala, portrays LTTE leader Velupillai Prabhakaran in The Hunt. A seasoned theatre director and actor trainer with years of experience, Jyothish brings depth and gravitas to the role. Though he has played many characters on stage over the years, this marks his debut on screen — a transition he describes as a significant and memorable step in his artistic journey.
'When I came to know that I was being considered to play Velupillai Prabhakaran, my first instinct was to decline the offer. I didn't feel I physically matched the character. From the images I had seen, Prabhakaran was heavily built, and I felt I wouldn't be able to convincingly portray him. When you're portraying a real person, especially someone who actually lived, there has to be at least a basic physical resemblance — otherwise, no matter how well you act, it won't feel authentic,' says Jyothish, who was eventually convinced to join the series by the reassuring words of director Nagesh Kukunoor.
'Later, it was Nagesh Kukunoor who explained that most of the photos we see of Prabhakaran are from when he was around 56 years old. But during the time of the Rajiv Gandhi assassination case, Prabhakaran was only 36. They even sent me a comparison — a photo of him from that time placed next to mine. And when I looked at that younger version of Prabhakaran, I realized there was actually a striking resemblance.'
Also Read | The Hunt – The Rajiv Gandhi Assassination Case review: Gripping series gives ringside view of CBI investigation, hews close to what happened
Jyothish also shared that he had concerns about the political sensitivity of the subject.
'It's a politically charged topic, and it carries a lot of emotional weight. When you get involved in something like this, you have to think through many layers — especially about how the subject is being approached. That really matters. They clarified that the series doesn't take sides or blame anyone. It's an investigative drama. During the discussions, I too gained clarity and confidence about the intent behind the project,' he said.
'Though I had read about the subject before, this time I explored multiple perspectives on Prabhakaran by reading a range of articles. That's when I realized — the Prabhakaran we knew through the media wasn't the complete picture. The real Prabhakaran was someone who smiled a lot, cracked jokes, and had a soft, almost feeble voice.
But for the series, it wasn't that realistic Prabhakaran we aimed to portray — it was the version etched into the public memory. Journalist Anita Pratap, who once interviewed him in person, wrote that she was struck by the clarity, conviction, and unwavering belief he expressed during their conversation. That is the face of Prabhakaran I tried to bring to life within the limited screen time I had,' Jyothish explained.
Not just a killer: Shruti Jayan
A post shared by Sruthy jayan (@iam_shruthiejayan)
'I was working on a couple of Telugu web series in Hyderabad, which had streamed on Amazon Prime Video. That's where they saw my work and reached out to me. I was recommended by Vamshi Narayani, who had previously worked with Nagesh sir,' Shruti Jayan recalls about her journey to The Hunt.
Shruti plays the role of Dhanu — the suicide bomber who assassinated Rajiv Gandhi. It's a character she stepped into with both excitement and deep responsibility.
'I was thrilled to get this role. The assassination of Rajiv Gandhi is a painful memory that lingers in everyone's mind. Just hearing his name evokes emotion. Many people still ask — why did she do it? That I got to portray Dhanu, such a central figure in this story, was a big moment for me. What made it more meaningful was that she wasn't shown as just a killer — the series carefully explores her mental and emotional state,' says Shruti.
Her audition scene was set on a terrace, where Dhanu reaches a point of inner resolution.
'It wasn't just about tears. The director wanted a state of ultimate calm — someone who felt nothing could affect her anymore, who was experiencing complete peace, even joy. That mood was hard to capture. It made me realize this wasn't going to be an easy role.'
'As an actor, I got to explore so many emotional layers through Dhanu. I did a lot of homework for the part. My shoot lasted for about 14 days,' she adds.
Shruti says the response she's received for The Hunt has been unlike anything she's experienced before.
'Anirudhya Mitra personally messaged me saying, 'I never met Dhanu in real life. But now, after seeing your performance, I feel like I've finally seen her on screen.'' Hearing that from the author himself meant a lot to me,' Shruti shares with pride.
Crafted with care: Gauri Padmakumar
Gauri Padmakumar is overjoyed by the overwhelming response to The Hunt, especially as it marks her very first on-screen project. She plays Shubha, a lesser-known but crucial figure in the assassination plot. Gauri came on board after responding to a casting call and successfully clearing a rigorous four-round audition process. Determined to do justice to her role, she arrived on set well-prepared, having done extensive research.
'I mostly focused on reading about the LTTE background. I didn't delve much into the Indian narrative of the issue,' Gauri explains. 'There's very little information available about Shubha. It's said that only two photographs of her are available; there's not even full clarity on whether her name was actually Shubha. Honestly, I was a bit hesitant to search too much online — it's not a topic you approach casually.'
Despite the limited information available about her character, Gauri relied on instinct and insight to shape her portrayal of Shubha in The Hunt. 'From what I understood, Shubha was a strong fighter. Maybe that's why, despite letting others go, someone like Sivarasan — the mastermind — chose to keep her by his side through those intense 90 days,' she reflects. With minimal references and a character embedded in a sensitive historical narrative, Gauri's nuanced performance resonated powerfully — marking a confident and memorable screen debut.
Following the release, she received a wave of messages from viewers — some thoughtful, others unexpectedly humorous. 'One person messaged saying, ''For the first time, I think I've fallen in love with an LTTE woman,'' she laughs.
That even a character from such a dark chapter in history could evoke such responses, Gauri says, is a testament to the power of storytelling — and the unpredictable ways in which it touches hearts.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


News18
4 hours ago
- News18
‘Pookie Lal': Malavika Mohanan's Reaction On Hridayapoorvam's Teaser Is Too Cute
Last Updated: Hridayapoorvam's teaser shows a humorous interaction between Mohanlal's character and a non-Malayali fan of Fahadh Faasil (lovingly called 'Fafa'). Social media lit up this weekend after actress Malavika Mohanan affectionately called superstar Mohanlal 'Pookie Lal.' The charming nickname was given after the release of the teaser of their upcoming Onam release, Hridayapoorvam. The teaser, dropped on Saturday, has already racked up millions of views across platforms. It has been praised for a blend of humour, heartwarming scenes, and the quintessential Sathyan Anthikad touch. Now, co-star Malavika Mohanan also took to her social media to praise the veteran actor's character, adding to the buzz surrounding the highly anticipated film. Pookie Lal The teaser opens with a humorous interaction between Mohanlal's character and a non-Malayali fan of Fahadh Faasil (lovingly called 'Fafa"). When the fan gushes over Faasil's acting, Mohanlal responds with subtle wit. He even handed back the prasadam the fan had offered, earning laughs and applause for his impeccable comic timing. In the teaser, we can also see different facets of Mohanlal's innocent and sweet character in the film. Viewers were quick to point out Mohanlal's return to his classic form, with many describing the teaser as a 'return to vintage Lal," highlighting his effortless humour and childlike innocence. Directed by filmmaker Sathyan Anthikad, Hridayapoorvam marks a nostalgic reunion between the veteran filmmaker and Mohanlal—one of Malayalam cinema's most beloved actor-director duos. Their past collaborations include timeless hits such as Rasathanthram, Vinodayathra and Ennum Eppozhum, with the latter released nearly a decade ago in 2015. Hridayapoorvam features a stellar ensemble cast, including Malavika Mohanan, Sangeeth Prathap, Sangita, Siddique, Nishan, Baburaj, Lalu Alex and Janardhanan. The family entertainer is written by Akhil Sathyan, with the screenplay and dialogues by Sonu TP. Anu Moothedath handles cinematography, while music is composed by acclaimed Tamil composer Justin Prabhakaran. Backed by Antony Perumbavoor under the Aashirvad Cinemas banner, Hridayapoorvam is slated for a grand theatrical release this Onam, on August 28. First Published: Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.


Time of India
a day ago
- Time of India
‘The Hunt' director Nagesh Kukunoor: opens up on challenges of casting, OTT shift, and portraying Rajiv Gandhi case truthfully
Director Nagesh Kukunoor recently released a new web series called 'The Hunt: The Rajiv Gandhi Assassination Case ' on Sony LIV. In a new interview, he talked about his experience working on this true-crime story, how OTT platforms have shaped his journey in the last few years, and why he now wants to return to making films for theatres. Nagesh Kukunoor talked about his new series During an interview with Hindustan Times, director Nagesh Kukunoor recently opened up about his new web series titled 'The Hunt: The Rajiv Gandhi Assassination Case', streaming on Sony LIV. He shared insights on his journey as a filmmaker, his experience working in the OTT space, and also his future plans in cinema. The series is based on the real-life investigation of former Prime Minister Rajiv Gandhi 's assassination and has drawn attention due to its sensitive and politically connected subject. Nagesh Kukunoor's views on long format content Kukunoor said that for the last six to seven years, he has been fully involved in creating long-form content for digital platforms. He worked on multiple projects for major OTT platforms. He explained that he enjoys the long format because it allows him to explore characters in detail, something that's difficult in a two-hour film. However, he also mentioned that the early excitement around OTT has started to settle down, though he still finds it creatively satisfying. Despite being active in the digital space, Kukunoor expressed his interest in returning to theatrical films. He said it's time for him to 'wade back into films,' but he admitted that making films without star actors is very difficult in the current market. One of his biggest challenges is that he doesn't always choose big celebrities for his projects. Because of this, getting financial backing and distribution becomes hard. He pointed out that in theatres, audiences and producers still expect to see a known face to attract attention and business. Talking about his creative process, Kukunoor revealed that he always has stories in mind. However, he only commits to a project when the script really demands to be made and when there is a realistic budget to work with. He's not someone who just jumps on every idea. Instead, he waits for the right time and resources to develop it properly. About the series About 'The Hunt', Kukunoor stressed that even though it's based on a major political event, the assassination of Rajiv Gandhi, it is not a political show. He clarified that the series is a true-crime thriller, based on facts and it focuses on the detailed investigation that led to solving the case. He also said that while some may link the topic to politics, his intent was never to create a political drama. Kukunoor also pointed out that he prefers fictional political stories over real political figures. He had earlier worked on a political show for three seasons, but it featured entirely fictional characters. In contrast, The Hunt deals with real people and real incidents, so it was very important for him to handle the content sensitively. He said that when dealing with actual people and many of whom are still alive, so one needs to be extra careful in portraying them with honesty and balance. Lastly, he said that he tried to present both sides of the story with humanity, the Special Investigation Team (SIT) officers and even the LTTE operatives responsible for the attack and his goal was not to take sides but to show how events unfolded as truthfully as possible. He didn't want to sensationalize the case or draw modern political connections. Instead, he focused on creating a balanced and respectful portrayal of a tragic chapter in India's history.


Time of India
a day ago
- Time of India
‘Janaki V vs State of Kerala' box office collections day 3: Suresh Gopi's film mints Rs 2.91 crores; weekend momentum slows
(Picture Courtesy: Facebook) After a promising start at the box office, 'JSK - Janaki V vs State of Kerala' has wrapped up its first Saturday with an estimated Rs 81 lakhs in India net collections, bringing its 3-day total to Rs 2.91 crore. While the film saw a slight dip compared to its opening day, its overall performance still reflects a decent run. Occupancy grows steadily through the day As reported by the Sacnilk website, on Saturday (Day 3), the film registered an overall 16.72% occupancy across Malayalam screens. Though the morning shows saw a low turnout at 5.61%, viewership steadily increased. It peaked at 28.52% during night shows. Key regions like Kochi (31% night occupancy) and Chennai (36%) showed better engagement. Meanwhile Bengaluru maintained a consistent pace with a respectable 27.75% overall occupancy. Audience response remains moderate but supportive Directed by Pravin Narayanan, the courtroom drama features Suresh Gopi in a powerful role alongside Shruthi Ramachandran, Anupama Parameswaran, and Divya Pillai. Janaki V vs State Of Kerala - Official Trailer The first reviews for the Suresh Gopi starrer are mixed and ETimes gave the movie a rating of 2.5 stars out of 5. An excerpt from our review reads, "The film does suffer from its length and a muddled screenplay. A tighter, crisper edit would have served it better. While Suresh Gopi's monologues are familiar to Malayali audiences, they could have been trimmed without taking anything away from the film. Towards the climax, the lengthy dialogues become long-winded and, frankly, grating so close to the resolution. Some awkward English dialogues also stand out. That Pravin resists opting for a 'socially acceptable' ending, however, makes the film watchable." Despite being a serious genre with niche appeal, 'JSK' has found a steady urban audience. However, the film will need stronger word-of-mouth and a weekend push to improve its chances in the coming weekdays.