
Watch: Walker Scobell visits 'sea of monsters' in 'Percy Jackson' Season 2
July 25 (UPI) -- Disney+ is previewing the sophomore season of Percy Jackson and the Olympians, which arrives on the streamer Dec. 10.
A trailer released Thursday at San Diego Comic-Con shows Percy (Walker Scobell) and Annabeth (Sava Jeffries) getting ready to face a "sea of monsters."
Season 2 is based on the second book in the Rick Riordan series, and follows Percy's quest to find Grover (Aryan Simhadri), a press release states.
"With help from Annabeth, Clarisse (Dior Doogjohn) and his newfound cyclops half-brother Tyson (Daniel Diemer), Percy's survival is crucial in the fight to stop Luke (Charlie Bushnell), the Titan Kornos and their impending plan to bring down Camp Half-Blood -- and ultimately Olympus," an official synopsis reads.
Riordan, who also created the show, said via video message at Comic-Con that Levi Chrisopulos will portray Nico in Season 3, while Olive Abercrombie will portray Bianca. The characters are the demigod children of Hades.
Production on Season 3 will begin soon.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
18 minutes ago
- Yahoo
Box Office: ‘Fantastic Four: First Steps' Clobbers $57 Million Opening Day — Second-Biggest of the Year
'The Fantastic Four: First Steps' stretched its arms around $57 million from 4,125 theaters across Friday and preview screenings. Per Disney's numbers, that's the second-biggest opening day of the calendar year, ranking just behind 'A Minecraft Movie' ($57.11 million). The film is playing Imax and other premium large format auditoriums. It also just edges out Marvel Studios' comic book banner rival, DC Studios' 'Superman,' which began with a $56.1 million opening day just two weeks ago. It'll be a close call on whether 'Fantastic Four' can keep pacing ahead to beat the $125 million three-day opening of 'Superman.' More from Variety 'Fantastic Four' Credits Scene Confirms Franklin Richards' Role in 'Avengers: Doomsday,' but It's a Big Risk Pedro Pascal Downplays Reed Richards Becoming the New Leader of the Avengers in 'Doomsday': 'That's a Little Bit of a Mislead' Box Office: 'Fantastic Four: First Steps' Makes $24.4 Million in Previews, Beating 'Superman' for Biggest of 2025 It's the best first day kick-off for a Marvel Cinematic Universe entry since 'Deadpool & Wolverine' dominated the box office 12 months ago. And like that R-rated smash, 'Fantastic Four' is based on Marvel characters that were acquired by Disney after the studio's acquisition of 20th Century Fox in 2019, demonstrating some value to that $71 billion merger. Three previous big-budget 'Fantastic Four' entries were produced at Fox, from 2005 to 2015. (There was also an unreleased 1994 feature, spearheaded by Roger Corman as a means to retain film rights for German producers. It circulates among diehards.) With a story that has little connection to other Marvel Cinematic Universe entries, 'The Fantastic Four: First Steps' has presented itself as a relatively fresh entry point to audiences. Pedro Pascal, Vanessa Kirby, Joseph Quinn and Ebon Moss-Bachrach, who lead the film as Marvel's first family, are all MCU newcomers. 'First Steps' also has the benefit of strong reviews and good audience sentiment (pollster Cinema Score turned in an 'A-' grade among ticketbuyers). At a production cost of $200 million, plus much more to market and distribute, the film will need to hold as one of the biggest grossers of the year to turn a profit in theaters. Marvel's two previous 2025 releases, 'Captain America: Brave New World' and 'Thunderbolts*,' launched to $88.5 million and $76 million respectively. Both ended up losing money theatrically. Disney hopes to gain some momentum with the Matt Shakman-directed 'Fantastic Four,' ahead of the studio's extensive hiatus from superhero films. Marvel is producing 'Spider-Man: Brand New Day,' the fourth Tom Holland-led entry set to release July 2026. But Sony is distributing that film. Disney will have nearly a year and a half to plan for its next MCU installment, the mega-team-up 'Avengers: Doomsday,' set for December 2026. Second place goes to Warner Bros.' 'Superman,' which added $7.1 million on Friday. It's down 57% from its daily total a week ago, now competing with a newer superhero spectacle. The cinematic universe-rebooter should fly to a $289 million domestic total after its third weekend, which will put it ahead of 'Sinners' ($278 million) to have it rank as the fourth-highest grossing North American release of the year. Universal's 'Jurassic World Rebirth' is sliding to third in its fourth weekend, adding another $3.6 million on Friday. The seventh entry in the dinosaur series is projecting $13 million for its fourth weekend, which would be another good hold at a 45% drop. Total domestic gross is expected to pass $301 million through Sunday — only the third release of 2025 to get into the triple hundreds. Fourth looks to go to 'F1.' Warner Bros.' release of Apple Studios' racing thriller added $1.8 million Friday, down just 37% from its daily total a week ago. At a production cost of $250 million, theatrical profitability is a questionable prospect at best for the Brad Pitt-led feature. But it has put up strong holds since debuting a month ago. The film looks to hit a $165 million domestic total through Sunday. Paramount's IP revival 'Smurfs' rounds out the top five, adding $1.72 million on Friday and projecting $5.6 million for its second weekend. After a low opening, that's a 49% second-weekend drop, showing some relative staying power as the only new animated offering to families. Domestic total will hit $22.9 million through the first 10 days — a disappointing result against a $58 million production budget. Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? Final Emmy Predictions: Talk Series and Scripted Variety - New Blood Looks to Tackle Late Night Staples


Geek Tyrant
19 minutes ago
- Geek Tyrant
TRON: ARES Comic-Con Footage Delivers High-Speed Lightcycle Chases and Confirms a Major Plot Twist — GeekTyrant
If you weren't in Hall H at Comic-Con, you missed an electrifying look at Disney's upcoming sci-fi epic Tron: Ares . Exclusive footage shown at the panel put the spotlight on the kind of awesome action fans of the franchise are going to flip over, and there's confirmed a twist. The first clip kicked things off in the real world, where Ares (Jared Leto) and Athena (Jodie Turner-Smith) have been pulled out of the Grid by Evan Peters' Dillinger, and sent on a mission to track down Eve Kim (Greta Lee). What follows is a thrilling heart-pounding highway chase featuring the franchise's iconic lightcycles slicing across asphalt with lethal energy trails. The pursuit barrels into a parking structure where Eve takes down Athena, steals her lightcycle, and tears off in a desperate escape, narrowly dodging Athena's attempts to stop her. The second scene takes us back into the Grid. Athena launches a massive drone to chase Eve, but the surprise comes when Ares intervenes, not to eliminate Eve, but to protect her. This moment confirms what the marketing has been teasing for months… Ares, the program designed as a digital assassin, is about to turn against his creators. It sets the stage for a really cool and interesting story. Disney's official synopsis for the film reads: 'Tron: Ares follows a highly sophisticated Program, Ares, who is sent from the digital world into the real world on a dangerous mission, marking humankind's first encounter with A.I. beings.' Directed by Joachim Rønning, the film boasts a loaded cast that includes Hasan Minhaj, Jodie Turner-Smith, Arturo Castro, Cameron Monaghan, Gillian Anderson, and the legendary Jeff Bridges. Tron: Ares is the third chapter in the franchise, following 1982's groundbreaking original and the visually stunning 2010 sequel Tron: Legacy. Prepare to return to the Grid and beyond when Tron: Ares hits theaters on October 10.


Gizmodo
an hour ago
- Gizmodo
‘Tron: Ares' Just Brought the Grid Back to San Diego Comic-Con
In the pantheon of cool Hall H moments at San Diego Comic-Con, the reveal that Disney was returning to the world of Tron is right near the top. Sneaking into a 2008 panel about Race to Witch Mountain, Disney randomly showed proof-of-concept footage announcing that Tron 2, later called Tron Legacy, would be coming in a few years, and the place went mad. Since that moment, Tron and Comic-Con have shared a fun history, with Legacy's team even recording audio for the film in Hall H a few years later. All of which is to say, when the third Tron film, Tron: Ares, was announced for Comic-Con, it had a lot to live up to. That's especially the case considering the studio dropped a brand-new trailer days before the convention. So what was in store for the biggest room in pop culture? Well, lots of cast to start. That included stars Jared Leto, Jeff Bridges, Greta Lee, Evan Peters, Hasan Minhaj, Jodie Turner-Smith, Arturo Castro, Cameron Monaghan, and Gillian Anderson. Lots of lights, as red lasers crisscrossed the entirety of Hall H for long sections of the. And lots of loud Nine Inch Nails music, as they are scoring the film. The panel was a visual delight, centered on two action-packed clips from the film itself. The first was a lightcycle chase in the real world. Dillinger (Peters) summons Ares (Leto) and Athena (Turner-Smith) from the Grid to capture Eve (Greta Lee). They can only exist in our world for 30 minutes before dying (or de-ressing, in Tron speak), so they have to be quick. Which they are. Eve is just minding her business driving around when Ares and Athena bolt through some vast mountain roads toward the city. Somehow, tapping into the city's cameras and stuff, they are able to locate Eve without even seeing her. Eventually, they catch up, and she has to do what she can to escape. Eve is a human, though, so she can be a little more cunning than the programs. She drives into a circular parking garage, hides, and when Athena slowly drives by, she sends her motorcycle at her, smashing her over a ledge. However, when she looks down, Athena is gone. She's already up and running back around the garage. Without a bike or car, Eve looks around and sees… the lightcycle. She somehow starts it up, sits down, and it engulfs her just in time to escape before Athena reaches her. The clip ended with her speeding off. The second clip saw Eve go onto the Grid itself. She's floating in some kind of water until Ares grabs her out. He unveils a lightcycle jetski and takes off on a digital river. Eve puts her hand in it and realizes it's all just bytes, not real water, even though it acts like it. Athena sends drones after the pair as we realize Ares has gone against his programming and against Dillinger, and is now helping Eve. It's an epic chase both below the digital water and above it, against the drones, until Eve finally agrees to help Ares. The two make it to the transport portal, which should send them to the real world, and the scene cuts out. I have to say, while both of these scenes looked amazing and each was set to absolutely incredible new music by Nine Inch Nails, something was just… off about them. There was just a certain energy that was missing even though it looked and sounded incredible. Maybe it was because we didn't have any context? Because as happy as everyone on the panels seemed to be about being at Comic-Con, none of them said anything about the movie itself. There was some chatter in the clips about some code everyone is fighting over? What is that about? What role does Jeff Bridges play? Where's Sam Flynn and Quorra? Who even is Eve, and what is Dillinger up to? Nothing. Even so, with only a few months left until the October 10 release of Tron: Ares, we are still ready to get back to the Grid. What about you? Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.