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Ryan Gosling's 'Star Wars' movie set for 2027 release

Ryan Gosling's 'Star Wars' movie set for 2027 release

Yahoo18-04-2025

April 18 (UPI) -- Disney has announced that Star Wars: Starfighter is set for theatrical release in May 2027.
The standalone film will star Barbie and the Fall Guy alum Ryan Gosling and be helmed by Stranger Things co-creator and Deadpool & Wolverine director Shawn Levy.
"It's set in a period of time that we haven't seen explored before," Levy told the crowd at Star Wars Celebration 2025 in Tokyo, according to EW.com.
Shawn Levy. Ryan Gosling. A new standalone story coming from a galaxy far, far away. Star Wars: Starfighter is coming to theaters Memorial Day 2027. pic.twitter.com/uiTLfRA0fz— Star Wars (@starwars) April 18, 2025
Production is expected to begin this fall on the film, which will feature a new cast of characters.

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'The Institute' brings Stephen King's dark and suspenseful thriller series to life in first trailer
'The Institute' brings Stephen King's dark and suspenseful thriller series to life in first trailer

Tom's Guide

time16 minutes ago

  • Tom's Guide

'The Institute' brings Stephen King's dark and suspenseful thriller series to life in first trailer

Stephen King has been my favorite author for as long as I can remember, so the moment I heard 'The Institute' was getting a TV adaptation, I was instantly on board. MGM Plus gave us a few first-look images last year, but now the streamer has dropped the official trailer along with a release date: July 13, 2025. For those who aren't familiar with King's work, 'The Institute" centers around a brilliant teenager who's abducted from his home and wakes up in a mysterious facility. There, he discovers he's not alone since dozens of other kids have been taken just like him, all of them gifted with strange, supernatural powers. It's part 'Stranger Things,' part 'Firestarter,' and classic King in its exploration of power and the abuse of authority. This is definitely one worth adding to your watchlist next month. The trailer introduces us to Luke (Joe Freeman) as he wakes up inside the mysterious facility known as the Institute, where he discovers he's not alone — other kids with strange abilities are being held there too. He quickly crosses paths with the cold and calculating Ms. Sigsby (Mary-Louise Parker), who tries to convince him that the purpose of the Institute is for the greater good. As Luke endures disturbing experiments, he learns the other kids are quietly planning a way out. Meanwhile, a separate storyline follows Tim (Ben Barnes), a former cop digging into something suspicious. The rest of the trailer builds toward a powerful turning point, with Luke emerging as a leader among the kidnapped kids. He begins to unite the group, encouraging them to stand up to their captors and take control of their fate. Along with the trailer we also got an official synopsis, which reads: 'The Institute follows the story of teen genius Luke Ellis (Freeman), who is kidnapped and awakens at The Institute, a facility full of children who all got there the same way he did and who are all possessed of unusual abilities. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. 'In a nearby town, haunted former police officer Tim Jamieson (Barnes) has come looking to start a new life, but the peace and quiet won't last, as his story and Luke's are destined to collide.' The series is helmed by director and executive producer Jack Bender, known for his work on 'Lost' and 'From' (one of my favorite shows ever), with the script penned by Benjamin Cavell, who previously wrote for 'Justified' and 'The Stand.' Both bring plenty of Stephen King experience to the table, having tackled his haunting stories before. Stephen King is on board as an executive producer, joining forces with Bender, Cavell, Gary Barber, Sam Sheridan, and Ed Redlich to bring the series to life. With King involved behind the scenes, fans can expect the show to hold true to the novel's intense, unsettling tone. Joining Freeman, Barnes, and Parker are joined by other strong talents including Simone Miller as Kalisha, Fionn Laird as Nick, Viggo Hanvelt as Avery, Arlen So as George, Julian Richings as Stackhouse, Robert Joy as Hendricks, and Hannah Galway as Wendy. In the TV adaptation, Luke's age has been increased by a few years compared to the original novel, and the same change applies to several other characters as well. During the panel at Content London (h/t Variety), Bender said: 'We were very aware of not wanting this to be as awful as it can be, what these kids go through. We didn't want it to be a sadistic experience. There's a fine line and, god knows, as storytellers we didn't want to go there.' MGM Plus has been drawing plenty of attention with its recent horror-thriller lineup, especially with hits like 'From,' which quickly became one of their standout series. They're also familiar territory when it comes to Stephen King adaptations, having worked on a limited series based on 'Jerusalem's Lot,' a prequel story to King's 'Salem's Lot.' The streaming service plans to release new episodes of 'The Institute' on a weekly basis to build anticipation and keep viewers coming back regularly. There will be eight episodes in total to enjoy. No matter if you've been reading King for decades or are just stepping into his universe for the first time, 'The Institute' is shaping up to be one of the most unmissable TV releases of summer 2025. 'The Institute' premieres with two episodes on July 13, 9pm ET/PT on MGM Plus.

How Disney's original Snow White changed cinema forever
How Disney's original Snow White changed cinema forever

Yahoo

timean hour ago

  • Yahoo

How Disney's original Snow White changed cinema forever

Disney probably thought the decision to remake Snow White was as safe a bet as it's possible for there to be in Hollywood. When the film was announced in 2016, the likes of Alice in Wonderland and The Jungle Book had become massive cash cows — with Beauty and the Beast and Aladdin coming down the pipeline. But, in the years since then, attitudes to Disney's live-action remakes have curdled and Snow White has become a lightning rod for controversy. But none of this was even a flicker in anybody's eye almost 90 years ago when Snow White and the Seven Dwarfs first arrived in cinemas, revolutionising the art form of cinema. It was the first full feature to use cel animation and the first animated feature film made in the United States. Nowadays, it's the first in the series of Disney Animated Classics. In the 1930s, Walt Disney achieved success with the Silly Symphony series of short films, which included the Oscar-winning 1933 take on Three Little Pigs — a short that earned more than 10 times its production budget. Disney, though, was determined to embrace the financial potential offered by a fully animated feature, considering classic tales like Alice in Wonderland, Babes in Toyland, Bambi, and Rip Van Winkle for adaptation. Disney introduced the idea of Snow White to his staff in 1934, inspired by the silent film version of the story he'd seen as a teenager. Some staff referred to the project as "Disney's Folly", unsure that the storytelling style that worked in Silly Symphonies could be sustained to feature-length. But the determined boss began to hold story meetings with writers, mainly to avoid us having dwarfs with names like Biggo-Ego, Burpy, and Baldy. A very close escape. The dwarfs were initially envisaged as the main draw by Disney, who thought they had more comedic potential than any of the other characters. But eventually, the concept drilled down to focusing on the relationship between Snow White and the Queen. Sorry, Biggo-Ego. Visually, the film was influenced by other major studio movies of the time, as well as the darker and more shadowy edges of German expressionist classics like Nosferatu and The Cabinet of Dr Caligari. It's an amusing contrast given how far apart the 2025 adaptations of Snow White and Nosferatu have turned out to be — assuming there's not a secret deleted scene from the new Snow White in which Rachel Zegler bites the head off a pigeon. Disney's animation team was largely made up of newspaper cartoonists, but one of the few animators with more relevant experience was Grim Natwick — responsible for drawing Betty Boop. Natwick was put in charge of animating Snow White herself, with accomplished dancer Marge Champion brought in to film live-action footage as a reference point. At one stage, the animation team encouraged her to dance wearing an American football helmet to simulate the larger heads of animated characters. She nearly fainted as a result. The process of the animation itself was long and laborious. One cartoonist, Helen Ogger, was tasked with dabbing a red dye on to each individual cel in order to add colour to the characters' faces — a method never used to the same extent again, partly because only Ogger had the skill for it. With all of this effort and expense, the film was an enormous risk. Disney mortgaged his home and also managed to secure a $250,000 (£193,000) loan. Fortunately for all involved, Snow White quickly became the most successful sound movie of all time — until it was unseated by Gone With the Wind two years later — and earned a substantial profit at the box office. Snow White's impact was swiftly recognised. Disney was awarded an honorary Oscar — including seven tiny statuettes — as a result of what the Academy felt was "a significant screen innovation which has charmed millions and pioneered a great new entertainment field". Cinematic pioneer Sergei Eisenstein called it the greatest film of all time. Snow White remains the only Disney Princess to have her own star on the Hollywood Walk of Fame. But most crucially, Snow White fired the starting pistol on Disney's dominance as a cultural force. The profits from the movie allowed for the development of The Walt Disney Studios location in Burbank, as well as opening the door for a production line of animated features. In the next decade alone, Disney made eight further animated movies, including Pinocchio, Bambi, and Dumbo. It's no exaggeration to say that cinema would be completely different today without Snow White — one of the most influential creative risks ever taken. It could have easily been a poison apple, but Disney's film ended up as the fairest of them all. Snow White is streaming on Disney+.

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