Outlander's Sam Heughan gives blunt insight into 'most hated line' from show
Outlander actor Sam Heughan has disclosed his least favourite line from his character Jamie Fraser in the Starz series. The historical fantasy show on STARZ held a panel at San Diego Comic-Con on the coveted Hall H stage on Friday, July 25.
The Outlander panel featured Sam alongside his co-stars Sophie Skelton (Brianna MacKenzie) and Richard (Roger MacKenzie), as well as showrunner Matthew B. Roberts and executive producer Maril Davis. During the discussion, Sam touched upon various topics as the show prepares for its final season, including one particular line from the script that he found particularly irksome.
"There was one time Matt and I fell out," the 45-year-old actor explained. "I was floating in a very large bathtub in South Africa, and the line was, 'If you die, I'll kill you.' And I had a real problem with that."
"I just wanted Matt to explain it to me," Sam continued. Matt interjected that he did indeed explain it, "over and over again."
The Scottish-born actor then recounted how Matt and co-star Caitríona Balfe were shouting at him to "'just say the f---ing line".
Sam is referring to a memorable scene in the season three finale episode titled Eye of the Storm, where Jamie rescues Claire after she nearly drowns, reports the Irish Star.
He concluded his comments by praising the author of Outlander, Diana Gabaldon, for penning such "amazing books."
The STARZ series is adapted from the eponymous book series. To date, nine books have been released in the series, with the author reportedly planning a total of ten.
The series centres around Claire Randall, a former WWII nurse who inadvertently time-travels from 20th-century Britain to 17th-century Scotland. During her unexpected sojourn in Scotland, she encounters and falls head over heels for a dashing Highland warrior named Jamie Fraser.
Outlander first graced our screens in August 2014, thanks to the adaptation efforts of Ronald D. Moore.
The much-loved show is set to conclude with its eighth and final season, anticipated to air in early 2026. The suspenseful ending of season seven left many fans at the panel eager for answers about what lies ahead for Claire and Jamie.
In the seventh season of Outlander, we saw Claire and Jamie embark on a perilous journey back to Scotland, where their love story first unfolded in season one.
Despite Outlander nearing its end, the universe is expanding with the introduction of a prequel series titled Outlander: Blood of My Blood. This new series will delve into the lives of Jamie and Claire's parents.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The National
3 hours ago
- The National
Scottish crew 'excluded from Spider Man 4 filming in Glasgow'
Filming for Marvel's upcoming blockbuster is set to begin this month as fake construction sites, prop vehicles and American flags have appeared in the city centre. Despite Scotland being chosen as the preferred filming location by Hollywood, with actors Tom Holland and Zendaya featuring in the film, the head of one of the largest talent agencies in the country has claimed that Scottish workers have been shut out from working on the production. Iain Wilkie, owner of BBB Talent Agency – which represents more than 10,500 actors, extras and stunt specialists – has claimed that a London-based talent firm has been chosen to provide talent and that no Scottish crew is working on the film. READ MORE: James McAvoy does the most Scottish thing in London – and Martin Compston loves it Wilkie, who is a veteran actor and body double for Sam Heughan in Outlander, told The National that very few Scottish facilities had also been chosen while the film is shot in Glasgow. He also claimed that it was the same story with the last four Hollywood blockbusters which were filmed in the country. He said while the film industry looks like it is thriving on the surface, few in Scotland is benefiting from these large-scale filming activities. 'You see these Hollywood red carpets, and it's all glitz and pure glamor, and you see these ordinary-looking actors with supermodels. Well, that's Scotland right now,' he explained. 'We're turning up at these events and hiring a supermodel. It looks glamorous but there's just no substance to it. 'On the surface, we look absolutely amazing. We look like we're booming with these major Hollywood productions all over Scotland, but there's no benefit to us. 'There's absolutely no benefit. Nobody in Scotland benefited from this. 'When these production companies are coming to Scotland, they are wiping their feet on their way out.' (Image: Supplied) Wilkie (middle) said that the London-based firm Entertainment Partners was chosen to provide talent for Spider-Man: Brand New Day. He also claimed that Scottish firms weren't even given the opportunity to speak with either Sony or Marvel, who are the main forces behind the film, about working on it. 'The state of Scotland's creative industries is that unless you have a London-based agent, you're not going to get it if you're an actor,' he said. 'Unless you've got a London-based agent, you're not going to get any work in Scotland.' Wilkie said he has decided to speak out about Scottish firms being overlooked by film projects, as he said after eight years of the 'biggest talent platform' in the country, he has seen his opportunities, along with his colleagues from other agencies, become fewer. He said: 'We never moaned. We just got on. But now we were not even given the opportunity.' Wilkie has now called on Screen Scotland, a national body set up to support Scotland's film and TV industry, to do more to champion the industry. Screen Scotland says its purpose is to drive development of all aspects of Scotland's film and TV industry, through funding and strategic support, which includes improving employment opportunities in the sector. However, Wilkie argues that the government agency has lost sight of one of its core commitments to help improve employment opportunities for Scots in favour of over-focusing on promoting the country to the world. He said: 'Their function, they believe, is to promote Scotland. And I'll tell you what, I'll give them ten out of ten for it, because they are seriously promoting Scotland. 'There's some great productions coming to Scotland, but there's nobody in Scotland benefiting from that.' Wilkie added: 'They are bringing work to Scotland, but for who?' The agency boss said he would like Screen Scotland to understand what it's like working in the industry and how it is 'impossible' for Scots to reach all the 'amazing productions' that are coming to the country to film. He added: 'I would love there to be a facility in Scotland for people that work in TV and film in Scotland to access these productions. 'Right now, it's a closed shop, and Screen Scotland are helping keep it closed' Wilkie said that Screen Scotland is good at supporting Scots if they 'tick the right boxes' but there is no follow-up. He said that young first-time writers or directors who are given some money to make the content they want are left with no support or help from the government agency. He added that Screen Scotland should be trying to get Scots practical experience on the big productions that are coming to Scotland in a bid to help cultivate the country's own talent pool, and has called for them to create a branch to develop the industry's opportunities. (Image: Supplied) 'The key to Screen Scotland is to get back to basics. Remember why they're here,' Wilkie (above) said. 'They've done a phenomenal job of promoting Scotland. If they were to put the same energy into the people in Scotland working within TV and film, that's where the success will lie. 'What they need to do is create a branch within Creative Scotland that is only there to promote us.' Wilkie said along with establishing a branch in Screen Scotland to promote Scottish workers, there should also be a legislative change in how production companies can recruit. He said that there should be an introduction of some form of quota of Scottish people to work on productions shot in Scotland, or that people with Scottish postcodes should take priority over those outside the country. 'I'm not saying every job should be filled with people from Scotland on average,' Wilkie said. 'I'm just saying I think we should be scooping up the talent in Scotland first and then when that talent runs out, look to the bigger pools that are in England.' Wilkie also said the Scottish Government should take note of how Wales and Northern Ireland prioritise homegrown talent and incentivise productions to hire from inside the country instead of looking to London. One example is the Foot in the Door initiative by Ffilm Cymru, which aims to connect people with opportunities in the creative sector, regardless of their background. Wilkie added: 'There's just no support for us out here. There's just no support from Screen Scotland at all.' Earlier this week, John Swinney said more needs to be done to increase the number of Scots benefitting from Scotland's screen industry. The First Minister said that the [[Scottish Government]] needs to 'make sure' that there is better access to screen infrastructure for Scots, adding that there needs to be more recognition of the 'economic benefits' the sector brings. A Screen Scotland spokesperson said: 'Screen Scotland is committed to supporting Scotland-based film and TV talent as well as maximising the benefits that filming creates across the wider Scottish economy. We encourage incoming productions to utilise local crews and services. 'That said, the majority of our production funding remains focused on films and [[TV]] programmes from Scotland, which regularly hire local crew and facilities. Recent projects from Scotland developed and produced with Screen Scotland's support include Only Child, Mayflies and Dinosaur for BBC Scotland, An t Eilean (The Island) for BBC Alba, Summerwater for Channel 4, The Rig for Amazon Prime, and the feature films The Outrun, Aftersun, My Old School, Janey, On Falling, California Schemin' and Tornado.' Entertainment Partners and Sony have been approached for comment.
The National
4 hours ago
- The National
Spider-Man 4 uses no Scottish crew during Glasgow filming
Filming for Marvel's upcoming blockbuster is set to begin this month as fake construction sites, prop vehicles and American flags have appeared in the city centre. Despite Scotland being chosen as the preferred filming location by Hollywood, with actors Tom Holland and Zendaya featuring in the film, the head of one of the largest talent agencies in the country has claimed that Scottish workers have been shut out from working on the production. Iain Wilkie, owner of BBB Talent Agency, which represents more than 10,500 actors, extras and stunt specialists, has claimed that a London-based talent firm has been chosen to provide talent and that no Scottish crew is working on the film. READ MORE: James McAvoy does the most Scottish thing in London – and Martin Compston loves it Wilkie, who is a veteran actor and body double for Sam Heughan in Outlander, told The National that very few Scottish facilities had also been chosen while the film is shot in Glasgow. He also claimed that it was the same story with the last four Hollywood blockbusters, which were filmed in the country, claiming that despite the film industry looking like it is thriving on the surface, nobody in Scotland is benefiting from them. 'You see these Hollywood red carpets, and it's all glitz and pure glamor, and you see these ordinary-looking actors with supermodels. Well, that's Scotland right now,' he explained. 'We're turning up at these events and hiring a supermodel. It looks glamorous but there's just no substance to it. 'On the surface, we look absolutely amazing. We look like we're booming with these major Hollywood productions all over Scotland, but there's no benefit to us. 'There's absolutely no benefit. Nobody in Scotland benefited from this. 'When these production companies are coming to Scotland, they are wiping their feet on their way out.' (Image: Supplied) Wilkie (middle) has claimed that the London-based firm Entertainment Partners was chosen to provide talent for Spider-Man: Brand New Day. He also claimed that Scottish firms weren't even given the opportunity to speak with either Sony or Marvel, who are the main forces behind the film, about working on it. 'The state of Scotland's Creative Industries is that unless you have a London-based agent, you're not going to get it if you're an actor,' he said. 'Unless you've got a London-based agent, you're not going to get any work in Scotland.' Wilkie said he has decided to speak out about Scottish firms being overlooked by film projects, as he said after eight years of the 'biggest talent platform' in the country, he has seen his opportunities, along with his colleagues from other agencies, become fewer. He said: 'We never moaned. We just got on. But now we were not even given the opportunity.' Wilkie has now called on Screen Scotland, a national body set up to support Scotland's film and TV industry, to do more to champion the industry. Screen Scotland says its purpose is to drive development of all aspects of Scotland's film and tv industry, through funding and strategic support, which includes improving employment opportunities in the sector. However, Wilkie argues that the government agency has lost sight of one of its core commitments to help improve employment opportunities for Scots in favour of over-focusing on promoting the country to the world. He said: 'Their function, they believe, is to promote Scotland. And I'll tell you what, I'll give them ten out of ten for it, because they are seriously promoting Scotland. 'There's some great productions coming to Scotland, but there's nobody in Scotland benefiting from that.' Wilkie added: 'They are bringing work to Scotland, but for who?' The agency boss said he would like Screen Scotland to understand what it's like working in the industry and how it is 'impossible' for Scots to reach all the 'amazing productions' that are coming to the country to film. He added: 'I would love there to be a facility in Scotland for people that work in TV and film in Scotland to access these productions. 'Right now, it's a closed shop, and Screen Scotland are helping keep it closed' Wilkie said that Screen Scotland is good at supporting Scots if they 'tick the right boxes' but there is no follow-up. He said that young first-time writers or directors who are given some money to make the content they want are left with no support or help from the government agency. He added that Screen Scotland should be trying to get Scots practical experience on the big productions that are coming to Scotland in a bid to help cultivate the country's own talent pool and has called for them to create a branch to develop the industry's opportunities. (Image: Supplied) 'The key to Screen Scotland is to get back to basics. Remember why they're here,' Wilkie (above) said. 'They've done a phenomenal job of promoting Scotland. If they were to put the same energy into the people in Scotland working within TV and film, that's where the success will lie. 'What they need to do is create a branch within creative Scotland that is only there to promote us.' Wilkie said along with establishing a branch in Screen Scotland to promote Scottish workers, there should also be a legislative change in how production companies can recruit. He said that there should be an introduction of some form of quota of Scottish people to work on productions shot in Scotland, or that people with Scottish postcodes should take priority over those outside the country. 'I'm not saying every job should be filled with people from Scotland on average,' Wilkie said. 'I'm just saying I think we should be scooping up the talent in Scotland first and then when that talent runs out, look to the bigger pools that are in England.' Wilkie also said the Scottish Government should take note of how Wales and Northern Ireland prioritise homegrown talent and incentivise productions to hire from inside the country instead of looking to London. One example is the Foot in the Door initiative by Ffilm Cymru, which aims to connect people with opportunities in the creative sector, regardless of their background. Wilkie added: 'There's just no support for us out here. There's just no support from Screen Scotland at all.' Earlier this week, John Swinney said more needs to be done to increase the number of Scots benefitting from Scotland's screen industry. The First Minister said that the [[Scottish Government]] needs to 'make sure' that there is better access to screen infrastructure for Scots, adding that there needs to be more recognition of the 'economic benefits' the sector brings. A Screen Scotland spokesperson said: 'Screen Scotland is committed to supporting Scotland-based film and TV talent as well as maximising the benefits that filming creates across the wider Scottish economy. We encourage incoming productions to utilise local crews and services. 'That said, the majority of our production funding remains focused on films and [[TV]] programmes from Scotland, which regularly hire local crew and facilities. Recent projects from Scotland developed and produced with Screen Scotland's support include Only Child, Mayflies and Dinosaur for BBC Scotland, An t Eilean (The Island) for BBC Alba, Summerwater for Channel 4, The Rig for Amazon Prime, and the feature films The Outrun, Aftersun, My Old School, Janey, On Falling, California Schemin' and Tornado.' Entertainment Partners and Sony have been approached for comment.
Daily Mirror
6 hours ago
- Daily Mirror
Animals as Leaders forced to cancel concerts as drummer suffers 'serious injury'
A slew of famous musicians offered their support to Matt, the drummer of Animals as Leaders, after he announced online that he needed to focus on healing after surgery A popular American metal band have been forced to cancel multiple tour dates after their drummer suffered a serious injury leaving him unable to play. Animals as Leaders was set to perform in Australia, Mexico and South America, but have pulled out just a few weeks before their first show, which was set to be held in Santiago de Querétaro, Mexico. The band shared the news in a post on social media which read: 'To our fans in Mexico, South America and Australia. We have some unfortunate news. We're going to have to cancel our upcoming tour dates.' The post continued: 'Matt [Garstka] sustained a serious arm injury that requires surgery, and there's no way we can perform without him. Rather than leave things up in the air, we're calling it now and putting our full focus into writing the next Animals As Leaders album.' It comes after reports Meghan Markle and Prince Harry are set for new 'goldmine' offer - but could face issue. Animals as Leaders confirmed that new material was already in the works, but added that they understand that the news 'sucks'. 'Cancelling isn't something we take lightly." Matt explained in his own post that he was suffering from a 'pretty serious injury'. 'I'm on the other side of surgery but it's still going to be two to three months before I'm back at it and that's being optimistic,' he told fans. 'Of course I'm going to do all the right things, but in the meantime I'm really apologetic, really sorry, that we have to cancel these tours for Australia and South America and Mexico. "I was really looking forward to playing and coming strong, but I've got to heal up, you know, do all the right things to heal up properly and do things for longevity.' He promised to make it up to the fans and thanked everyone for being understanding. Fellow musicians offered support in the comment section. Eloy Casagrande, the drummer in Slipknot, wrote: 'You're the goat, brother! You'll be back stronger than ever.' Alex Rudinger, who has played in bands Conquering Dystopia and the Faceless, said: 'Dang dude, so sorry to hear this. Wishing you a quick recovery, man. & I hope you're holding up alright.' Matthew Greiner from August Burns Red commented: 'Sorry Matt! Hoping you have a quick and whole recovery', and Matt Halpern from Periphery left a red heart under the post. Fans were also quick to offer up their thoughts, with one writing: 'This is how good AAL is. Someone gets hurt, nobody is capable of filling in. Get well soon Matt!' Another said: 'Idk how Matt could be any better of a drummer but a bionic shoulder is probably a good start.' A third commented: 'Whenever I see these posts I always worry it's the band announcing a split up.... Thank goodness it isn't that but not good news still. Hope Matt heals quick!'
